"Across the Seas" is a pioneering work of the thief genre, and it is destined to be an insurmountable mountain for the follow-up works, director Wu Yusen has his own strong personal style, the film is whimsical, brilliant, not only the picture has a strong ornamental nature, but the story is told with a rich sense of layering. In addition to the wonderful gunfights and confrontation scenes, the depiction of the feelings between men and women is also very delicate. Zhou Runfa, Zhang Guorong, and Zhong Chuhong's star charm is swaying freely in the film, which is unforgettable----- editor-in-chief of the film biweekly Chen Baisen.

"Across the Seas" is a demonstration of the quality of Hong Kong commercial films, and director Ng Yu-sum has injected comedy and romance into the film's main theme of gunfights. "Across the Seas" has a variety of styles but is effectively blended, with street shootouts applauded, tense confrontation scenes, undiminished passionate dances, delicate and moving emotional descriptions, and wonderful dialogues that make people smile, all of which are the highlights of this film----- Lin Yanni's Ming Pao column.

Following "The True Color of Heroes", director Wu Yusen's other signature work, the film looks calm and chic. Wu Yusen not only gave the three main characters hot action scenes and good skills, but also gave them a delicate emotional world. "Across the Seas" expresses the beauty of flow, whether it is the treasure stealing painting, or the waltz on Zhou Yan's ** chair, or all the fighting scenes, they are full of sporty beauty. And this is precisely Wu Yusen's advantage, the movement of the characters, the movement of the cut, and the movement of the camera. The beauty created by these artistic languages brings far more pleasure to the audience's senses than the plot of love and hatred of the five thieves ----Oriental Daily.

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In just one day of release, "Across the Seas" won unanimous praise from the audience and critics.

Whether it is the handsome and friendless Fa Ge, Rong Zai or the dazzling Honggu, from the style to the acting skills, they have won super good recognition.

It's just that some film critics are worried about why the relationship between Hongdou and Ah Hai and Ah Zhan in the movie will have a big reversal.

"Cut, what do they know, if you love someone, you have to love it for a lifetime, how can you just because the male protagonist is dead, the female protagonist can fall in love with someone else, this doesn't teach people to learn badly. Qiao Feng threw several newspapers in his hand that published film critics' criticism of the emotional scenes in the film on the table, and said angrily.

Sitting opposite was Zhong Chuhong, who was serving breakfast, and seeing Qiao Feng's puffed appearance, Zhong Chuhong pursed his lips and said with a smile: "Director Wu doesn't think so, he thinks that the emotional line of the three people is more tense when it conflicts a little." If it weren't for the conflict of feelings, you strictly forbade changing it at the beginning, I'm afraid Director Wu would have made a version that was more in line with the film critics' liking. ”

"Hmph, fortunately, I prepared a hand at the beginning, otherwise I would have thrown it to Wu Yusen, and it would not be a film critic who is depressed now, not Wu Yusen, but me. Qiao Feng was very proud of his foresight.

Regarding the emotional line, in the original version of "Across the Seas", Ah Hai played by Zhou Yanfa hid and pretended to be dead, but Zhong Chuhong played Hongdou and Zhang Guorong played Ah Zhan thought he was really dead, so originally Ah Hai and Red Beans were a pair, Ah Zhan was just a good family member of the second male who was obsessed with red beans but could not be said, but because of Ah Hai's disappearance, Red Beans, Ah Zhan thought Ah Hai was dead, and after the passage of time, the two who lost their lovers, relatives, and brothers naturally came together.

As a result, Ah Hai later appeared.

Ah Hai helped Ah Zhan recast the famous painting that made him fake his death and bury his name, and then fought wits and courage to cripple the bad guy godfather, and then Hongdou became pregnant, she and Ah Zhan wanted to go to the United States, and later Ah Hai also followed them to the United States, and the three of them still lived together like a family.

This is the story of the original.

If someone has watched "Across the Seas" and "Pearl Harbor", they will find that these two movies are strikingly consistent in terms of emotional lines, both are bloody love triangles, the male protagonist and the female protagonist love each other deeply, and then there is a male number two who loves the female protagonist and the male protagonist are still good brothers.

It's over.,Something happened to the male owner.,The female owner and the male number two thought the male owner was dead.,So the female owner and the male number two were very sad.,And then the male number two took care of the female owner.,Finally, the female owner successfully captured the female owner's peace of mind and walked together.,And then the male owner suddenly appeared again.,It turned out that although there was an accident.,But the male owner didn't die.,Just didn't come back in time for various reasons.。

Then a bloody love triangle floods the screen.

The only difference with Pearl Harbor is that Pearl Harbor, a bloody love triangle that came out many years late, was filmed as shit by Michael Bay, and many years earlier was made into a romantic treasure hunting classic by Wu Yusen.

The relationship between a woman and two men is destined not to be stable forever from the beginning, and the bloody love triangle finally occurs, which is the most important thing to happen in the eyes of film critics, if it doesn't happen, it is not normal, I am so sorry for the luxurious configuration of one woman and two men.

However, the screenwriter is Qiao Feng.

I wish you a spring dream, without a trace, was once Qiao Feng's mantra, and it was also a childhood memory.

But in fact, Qiao Feng didn't want to see Hongdou played by Zhong Chuhong and Ah Zhan played by Zhang Guorong have any spring dreams happening.

Even if the original version of "Across the Seas" is really classic, the emotional entanglements between the female protagonist and the male protagonist and the second male protagonist are also handled relatively well, but Qiao Feng himself is a person who doesn't like love triangles, and he doesn't like blood.

In his machismo, the female protagonist falls in love with the male protagonist, that is a lifelong thing, even if the male protagonist dies, the female protagonist should be infatuated and love only one, and must not fall in love with others again, as for the male number two, it is good to be a warm man, it can be a family member, it can be a best friend, but it can't be a lover.

Qiao Feng will never allow his movies, especially his favorite movies, where the heroine ends up with someone else, and the male protagonist is lonely.

Therefore, Qiao Feng made a little change on the basis of the original movie. Because all the intimate scenes are either borrowed or doubled, it leads to many kisses and intimate scenes in the original version, which is more convenient for Qiao Feng's changes.

The plot in front remains the same, but when Ah Hai is suspected of dying and there is no news for a long time, the story of Hongdou and Ah Zhan has changed greatly, and it is very different from the original.

In the original version, Hongdou and Ah Zhan slowly came together, and there are scenes of the two gradually making out to show this, but Qiao Feng's version is not like this at all.