Wang Shuo and Feng Gangpao didn't say anything at first, and listened quietly like Su Changqing, as if it was none of their business.

However, Director Han didn't call the two of them to watch as props.

Just as Su Changqing participated in their script workshop to express his approval of the concept of Chinese New Year files, they can also play their respective roles well.

Although it was later seen that the two were wearing a pair of pants, Director Han called them to represent the literary and artistic circles and the film and television circles respectively.

The leaders were almost finished, and Wang Shuo, who couldn't hold back, fired first.

"It's not a war year now, it's beautiful, it's sick, and people have never really invaded us in history, but they have helped when they are in trouble, this movie has nothing to do.

I don't understand, why do some people persecute delusions, and pick these things all day long, is it interesting?"

Wang Shuo glanced at Su Changqing: "The person who wrote this book has no common sense of international politics, and it can be seen that he doesn't understand military affairs, that is, he is just shouting behind the left-wing butts of Japan and South Korea, but then again, I also think the general direction of this film is fine, but it is a bit stupid, a childish momentum of the world revolution in the sixties and seventies." ”

This person has a problem, he can't stop the handlebar with one mouth, he can't stop the door, he is arrogant and doesn't care about offending people, and he can't move with the posture that I am a hooligan and I am afraid of whom.

He was originally the bottom character in the big courtyard, but now he rushed to the front, for fear that others would say that he was a coward, so he behaved extremely tough.

However, he is at the bottom after all, just like Ma Weidu said later: "Wang Shuo's compound is at the end of all the compounds, and if you go out, you will almost reach Babao Mountain." ”

It is not good to be strong on the outside and do it in the middle, and in the end you will harm yourself.

Writing, acting, and filming movies are actually similar to singing at the wine table, and he will never become a real boss.

However, Wang Shuo is not too much today, although he criticized it harshly, he only thinks that the ideas revealed in "Moving Labyrinth" are young and naïve.

Director Han motioned for Su Changqing to respond.

This is very interesting, just now officials from all walks of life spoke, but he didn't let Su Changqing respond.

Su Changqing explained: "This movie is anti-war rather than anti-American, the labyrinth represents endless war, and it is difficult for human beings to get out of this quagmire, which is a very sad thing." ”

He also glanced at Wang Shuo: "It's not right to associate the United States with the mention of war, maybe some people have already equated the United States with war in their hearts, I think it's unfair." ”

Wang Shuo came back: "The insinuation in the film is so obvious, isn't it anti-American?"

Su Changqing also replied: "The history of wars between China, Japan and South Korea has been thousands of years, and there was no United States at that time, and I didn't say what era it was. ”

"Is it ancient times that there is a TV broadcast in the film?"

"It could also be the future. ”

The two of you tear apart with each other, and no one will give in.

Director Han understands this arrangement very clearly, of course, there will be some arguments in the seminar, and it is most appropriate for Wang Shuo, Feng Gangpao and Su Changqing to perform literati contempt.

There are sequelae of scolding officials, and it is only good to let these people who engage in literature and art scare each other.

Wang Shuo obviously also understood that today's task was to scare people, and Su Changqing also understood that this was to give him a chance to defend himself in depth, so no one was tepid.

However, the argument should be stopped in moderation, otherwise it will become a quarrel, don't think that the cultural circle is polite, Su Changqing has also seen a lot of slapping the table and scolding the street.

"What Mr. Wang said is also reasonable, I am still young, I don't have a deep understanding of some issues, and I am suspected of being foolish, so I will have to read more and study more in the future. ”

In this way, Wang Shuo couldn't compete, so it was the turn of the little steel cannon to play.

"What the leaders said just now makes sense, and I won't repeat it, I have been keen on comedy since "Editorial Department Story", and later filmed "Beijingers in New York" and "Chicken Feathers", which has always been based on TV dramas.

The movie I only started filming Mr. Wang Shuo's "Never Lose My Love" and "Father and Son" the year before last, so far it is either a romantic drama or a comedy, and I haven't made a work like Director Su yet.

I prefer to analyze this work from the perspective of an audience, there seem to be more violent scenes, and some of the leaders here may know that I am in favor of the film classification system, which is of positive significance for the healthy development of the market and the protection of young people.

Why do you say that......"

Xiao Gangcang talked for nearly ten minutes, half of the time was talking about his creative process, half of the time was talking about the importance of film classification, and there were few words to really evaluate the movie, and it was not from the perspective of a director, which brought his realm to the extreme.

After he finished speaking, the representative of the Film Bureau responded to the classification and violent scenes, and Su Changqing also expressed his willingness to delete and modify some of the scenes to adapt to the appreciation habits of domestic audiences.

Things seem to be moving in a good direction all the time.

However, the content after the "but" he was expecting never came, and the discussion on "Moving Labyrinth" always went in circles, without breaking through the frame of Director Han's speech.

Then it's time to get off work.

So the work moved to the wine table and continued.

Su Changqing had already made arrangements, and Lao Jin and Ximenxiong were already waiting at the hotel, and they would accompany them until more than nine o'clock in the evening.

Wang Shuo still has a level, and after drinking his little face turned red, he said to Su Changqing in private: "I wonder how you write that kind of thing, that's not our perspective, how can the Chinese see the problem so much, at first I thought you asked someone from Hollywood to write a script." ”

"Why do you say that?"

"Because they like to see things from God's point of view, fighting and fighting wars at the same time, and letting those grandchildren do all the good and bad things. ”

This is not the same as what I said at the seminar just now.

However, he can smell the smell of Hollywood, and Su Changqing still admires it: "If you ask Mr. Wang to write this, how will you deal with it?"

Wang Shuo shook his head: "I don't write this, how tired I am, buddy has been a soldier, the navy, we don't need to hide it if we want to really oppose the war, and it's not that we haven't filmed "Shangganling" and "Heroes' Children", how boring it is to play falsely." ”

Su Changqing turned his head and asked Feng Gangcang: "If Director Feng shoots an anti-war theme, what will he do?"

Feng Gangpao also served as a soldier, and the later filming of "Assembly" is undoubtedly very anti-war.

He hesitated for a moment, and finally followed Wang Shuo's train of thought and said: "If you let me shoot, I will shoot Changjin Lake." ”

Changjin Lake is a very famous battle in the battle to aid Korea, extremely tragic, twenty years later, Feng Gangcang really wanted to shoot, but then it didn't work, and when he came back to the time he should shoot, Lao Mouzi had already seized the opportunity to set up the project.

There is still a gap in the courage of the pattern, so I don't know if Lao Mouzi will really shoot.

Directors have always been the most sensitive group of people with a keen sense of smell, and Su Changqing also took advantage of the 96 Taiwan Strait crisis to start filming "Moving Labyrinth", if it weren't for the fact that Director Han would have had so many problems.

After the banquet was dispersed, Su Changqing got into Director Han's car.

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