Although the film and television center is countless times better than the small courtyard, the facilities must be countless times better. It's inconvenient to take a shower, go to the bathroom, wash up, or even cook.

However, in this small courtyard, only Bo Yan and Xia Siyu live in the two teams of people, and there are also owners who don't know much about the entertainment industry.

And in the hotel, even if Bo Yan took over the entire floor, she felt that it was possible for a reporter to come out, or an artist, director, or the like to come to the door, and go through the door every minute.

However, Xia Siyu and the others arrived at noon in the small courtyard, so they didn't have time to rest, so they went directly to the set to start filming. The only advantage is that when filming here, you only need to shoot during the day, there are almost no night scenes, and most of the content at night can be filmed back to the film and television center.

It's all daytime scenes, so there's still a lot of time to go back to the courtyard to rest at night.

I just came today, and Director Sun didn't arrange any very difficult scenes. It's to run and walk in the cornfield and wheat field. Walk through golden wheat fields and endless yellow fields.

In short, she walked in front, and Bo Yan followed behind.

There is no plot, and there is no need for a plot, but it is a project that fights for physical strength, which is tiring.

Just like the famous "Japanese drama run" in Japanese dramas, the male and female protagonists quarrel and run for a while. The male and female protagonists broke up and ran for a while. When the male and female protagonists are reunited, they have to continue running.

It's not about running for the sake of running, it's about a state, a change.

Fortunately, Bo Yan and Xia Siyu are both people who have been exercising for a long time, and in the past two days, in order to shoot, Bo Yan did not exercise with her at night, and she was very full of physical energy.

The two walked all the way one after the other. The heroine here doesn't need to play too much, and her state at this time is to hate the male protagonist. The male protagonist regrets and is confused, likes her but doesn't dare to pursue it, so he can only follow her all the time.

Bo Yan only needs to perform the kind of careful cherishing, regretting, and feeling confused about the future. This is simply too simple, he has been like this to Xia Siyu in the previous seven years.

Follow her all the way, stepping over puddles of water she has stepped on, jumping over stones she has jumped on. She was tired and rested at the edge of the field, and he did not dare to approach ten meters away, and when she was gone, he stayed in her place for a while, brushing the grass she had picked on a whim, and breathing in the air she breathed.

This kind of sullen scene does not need to be acted at all, it is his true reflection. Even now, they are "happy with each other", and he can't be disclosed because of each other's identities. For a man, not being able to admit his beloved wife, and not being able to give his wife a title in public, is a manifestation of depression and incompetence. At this time, he also needs to express his love for her in various ways.

There are some small details that even Director Sun didn't expect, but they were thought of by Bo Yan. In the photographic lens, he is like the shadow of the heroine, who wants to hug her, but is afraid of being hated and disliked by her, and deep down he feels that he is not worthy. But the more tangled he is, the more he loves.

Not only Director Sun, but other unknown crew members will not feel that he has any different feelings for Xia Siyu, but will only feel that his acting skills are amazing.

Of course, to afford such a crush on Bo Yan, Xia Siyu himself must also be excellent. is like the heroine in "The Beautiful Legend of Sicily", she must be very good, and she must be remembered by the men of the whole island and jealous of the women of the island in order to stand up.