At this point, all the musicians' attention was on Marek.

Qin Jian was also keeping an eye on the conductor's platform with his spare eyes, his auditory nerves had extended to every corner of the stage.

The music is in the hair!

Marek draws a 7 upside down with his right hand, making two beats and the orchestra ready.

At the moment when he picked up the baton in his hand, the orchestra started.

"Buzz ——!"

The first set of notes is played by the string ensemble.

'One or two small mentions + middle mention'

Qin Jian's mind immediately came up with three lines of musical score.

This is followed by the addition of one or two clarinets and a horn and the addition of harmonic divisions for the acoustics.

At the same time the tuba bassoon and cello bass joined, and the addition of bass gave the symphony a deep foundation.

The imposing prelude resounded through the hall with strong and fiery emotion.

Flute, oboe, two horns, trombone, trumpet, one instrument after another were added, and Qin Jian appeared in his mind like a total score.

The symphonic colors move towards the theme in a myriad of changes.

Marek blended a variety of instruments, but Qin Jian unsealed each one.

It's a fun confrontation without conflict.

There are countless ways for soloists and conductors to work together, but the best way to do this is to compromise with each other after understanding each other's true thoughts.

What Qin Jian needs to do at this time is to fully feel what Marek wants to do-

The specific method is not to look at the body movements of the other person, but only by listening to what kind of emotion is played at what volume of each voice.

The scene is grand, but the backlog is what Marek thinks.

At this point, the string group and the woodwind group that always maintain the same frequency of drawing the bow have already told Qin Jian.

As a pianist, he also has an identity that cannot be overlooked, having conducted a complete opera on the Magic Flute.

He was a conductor, and he imagined that the person standing on the podium was himself, so he must have done so in the hope that the moment the pianist joined, all the voices would be ignited together.

So Qin Jian felt Marek's intentions, and the other party had thoroughly conveyed it to him with music.

What the other party is waiting for is that he joins the musical game with a high-spirited spirit.

So.

As feedback from the soloists, Qin Jian decided to respect Marek's idea.

The tense orchestral prelude has come to 03:55 seconds, and the piano part is just around the corner.

Qin Jian raised his hand unhurriedly, he still had time to look sideways at Marek.

Marek's afterglow sensed Qin Jian's actions, and he didn't give Qin Jian any hints in his eyes.

I saw that the hands on the conductor's podium naturally waved and pressed down, and the volume of the entire orchestra continued to decrease.

Marek's movements are getting smaller and smaller.

Shen Qingci and Igraz in the audience both held their breath.

Iglaz bit his thumb and stared at the figure in front of him without blinking, knowing that the first part was coming.

"Wow !!"

Even though he was ready, he was pleasantly surprised by the heavy sound of the piano.

Perfect timing.

He saw with his own eyes how the hand on the piano dropped the keys.

Perfect dynamics.

He heard with his own ears how the dynamics of the piano melted into the entire symphony in an instant.

Precision.

It's so precise.

At this moment, he even more appreciated the extraordinaryness of this Chinese youth.

When a soloist with strong technique has the same sharp auditory nerves as a conductor –

"Cool. ”

He calls for the soloists.

And Shen Qingci on the side was already surprised, and Shen Qingci felt OK after listening to the beginning.

Ignoring Igraz, he quietly walked to the last row, where he was now going to listen to the overall effect of the piano in the symphony orchestra at the farthest point from the stage.

On stage, Marek only felt comfortable holding the baton.

So far, Qin Jian is the player who makes him feel the most compatible with himself.

Marek can clearly feel that Qin Jian knows what he wants to do in front of every musical motive, and when he needs it, the other party can always present the sentence he wants in the most accurate way.

This is definitely a rare ability for a pianist.

However, Marek does not feel that a young pianist with this ability wants to obey him until the end of the piece.

He had watched Qin Jian's first three rounds of competition, and he knew that the other party's Chopin music had a strong self-personality.

However, he was not in a hurry, he decided to give the orchestra a little bit to Qin Jian to test the other party.

Marek's movements gradually became calmer.

The music calmed down in the flow.

But the calm lasted less than a bar, and the volume of the piano part suddenly came out.

Suddenly, it's not abrupt.

Qin Jian, who had been following the conductor's movements closely, noticed the changes in the orchestra as soon as possible, and he knew that Marek needed more feedback from him.

Little by little, Qin Jian integrated his own sound and thoughts into the stage.

The first thing he had to do was to downplay the overall volume of the orchestra in the second theme, and he needed all the violin players in the first voice to lower the playing volume to the previous 32.

His approach was to use his own music to guide him, and he was confident that Marek would understand what he was thinking.

In the middle of the music, he changed all the phrases with insertion expressions to a semi-punctuated skipping performance.

In an instant, the piano brought out a striking emotional impact.

Although Marek did not move, the principal violin seemed to subconsciously lower his volume in the process.

This subconscious is the natural reaction of the archer after hearing the change in the piano.

Occupational reactions.

Under the guidance of the principal violin, the entire treble string ensemble lowers its volume within two measures.

At this time, Shen Qingci, who was sitting in the last row, could hear the changes in the orchestra the most, and the layers of musical colors were more distinct.

For the remainder of the first movement, Marek follows Qin Jian's music until the end of the movement.

For the content that has been completed, he has a few questions of interest that he would like to talk to Qin Jian about.

Qin Jian also felt that he could have a good chat with Marek.

There was no need for the two people in the audience to intervene, with the help of the official translator, Qin Jian and Marek quickly communicated.

It is worth mentioning here that the first question that Marek asked Qin Jian was:

"Have you memorized the orchestra score for this piece?"

Qin Jian answered this question with a smile, and said, "I have eaten a kind of fruit, and after eating it, I can read the score and never forget it." ”

Then Marek gave a serious thumbs up after listening to the translator's translation, he liked the magical answer.

Finally, after all the questions of the three movements have been exchanged.

Marek made a request to Qin Jian, and Qin Jian compromised.

...

At the end of the rehearsal, Qin Jian and the three left, and Adams entered.

Leaving the Warsaw Philharmonic Hall, Qin Jian invited the two teachers to dinner at a nearby high-end restaurant.

During the meal, he listened to the two talk a lot of stories.

Before parting, Shen Qingci told him: "Be calm in the final." ”

He remembered it.