This is a film about 'The Cruel Story of Youth', in a real form that is closest to the essence of growing up, full of violence, tears, faults, regrets, hopes, and gestures of despair.

It is said that if the prodigal son does not change his money, then the only thing that can be exchanged is his life. "Ah Lang's Story" is an ending that uses death to tear and life to ignite love.

The riding scene of Ah Lang's helmet dripping with blood and obscuring his vision is bound to be one of the most sensational images in the history of Hong Kong cinema.

Ah Lang has also become a classic image in Hong Kong films. In this clip, Ah Lang's kind of determination for love, or the kind of fist-licking calf are all very transparent, and the death of the tragic hero is too tearful.

Luo Dayou's singing of your appearance is like the story of Ah Lang if the wine is sold without taking the wrong car, and the singing together will inevitably make people think of the scene that detonated tears at the end.

As the Taiwanese media commented after the movie was released in Taiwan, when "The Way You Look" gradually sounded, the tears couldn't be stopped~~

Although Qiao Feng was teary-eyed, he could still control it, Zhou Huimin couldn't control it at all, crying silently, and Qiao Feng, who was choked, was worried that she would be out of breath in the next second.

Zhou Huimin is a fatherless widow, her mother gave birth to her at an advanced age.Since she was a child, she has no father, life is quite hard, her mother has to work several jobs a day to maintain the family's expenses.

Maybe it's because the sensible Bo Zai in the movie is too similar to his own experience, and when he watched this movie, Zhou Huimin was extremely devoted, as if he was the Bo Zai in it.

When Bo Zai longed for a happy and complete family and finally lost his father not long after reuniting with his mother, Zhou Huisen, who had invested all his heart, thought of his life experience, and then it can be said that the endless sadness that had been hidden and suppressed for more than 20 years poured out, so he couldn't stop crying at all, like a tearful person.

After hesitating for a moment, Qiao Feng reached out and patted Zhou Huimin's shoulder, and handed over a tissue with a comforting face when Zhou Huimin looked over.

Maybe it was the distress in Qiao Feng's eyes that touched the heartstrings of Zhou Huimin, who was extremely fragile and sensitive at this time, or simply because there were only the two of them here, and only Qiao Feng could be relied on.

Zhou Huimin's sudden move scared Qiao Feng back to tears.

Being lying on his stomach like this by such a big beauty, to be precise, he was half-pounced, and Qiao Feng, who was crying just now, was a little hot.

But it doesn't seem good to take advantage of the danger of others, do you want to be a gentleman, Qiao Feng admonished himself to be a gentleman, and at the same time, he was already very honest and reached out and gently patted Zhou Huiminxiang on the shoulder.

"Bobo is so pitiful, Ah Lang is too pitiful, Bo Zai is too pitiful." When Qiao Feng felt that his shoulders were wet with tears, he heard Zhou Huimin sobbing and saying that three were too pitiful.

Qiao Feng was changing from a pat to a gentle stroke, and then he said with the same feeling: "Life is like this, there is always too much pain and unsatisfactory.

If you take a wrong step in life, you can never get back what you are wrong. If Ah Lang can not be distracted, Bobo will not leave, Ah Lang will not pull Bo Tsai to grow up alone, and Bo Tsai will not only have a father.

Therefore, Ah Lang dragged Bobo to grow up alone, and what he missed was ten years, and the father and son depended on each other for ten years, who could blame whom?

Even if Bobo chooses to stay for them in the end, he can't help but make people into creation, and heaven and man will be separated forever.

Feeling this strong father-son relationship, although the place where they live is very sloppy, but it is very warm, the head photos of the father and son, sleep together at night, be late together, have lunch together, eat simple dinner together, eat glutinous rice chicken together, bitter but happy, you can play together without big or small, without heart and lungs.

Therefore, even if Bobo is very rich and very good to Bo Zai, he can't replace Ah Lang's position in Bo Zai's heart, to use an inappropriate analogy, this is called giving birth is better than raising. A person who knows how to be grateful will choose Ah Lang, not that Bobo is not good, but that Ah Lang is too good.

"Aaron reminds me of my mommy." Zhou Huimin choked up and said.

"I miss my mom too." Qiao Feng pressed his hands on Zhou Huimin's shoulders and put them on her back, and said in a tight and low voice.

In a way, the two are very similar, and it can be said that they are sympathetic to each other, because they both have their fathers died young, leaving them orphans and widows to depend on each other.

The two seemed to see Bobo crying again and telling Ah Lang to let go and let Bo Zai go to the United States with her. Although Ah Lang is reluctant in his heart, he understands that Bo Zai will only suffer hardships if he follows him, and he can live in a big house, wear new clothes, eat well, go to a good school, and have a good future and a good life.

Bo Tsai is too sensible, he knows who is good to him, knows what love is, what is concern, he always hopes that his mother will come back instead of him going to the United States with his mother, so he will run away. As Bobo said, she thought it was too simple, thinking that it could replace Ah Lang's love in ten years.

Du Qifeng is a bad person, he puts hope in front of people's eyes, and cruelly shatters hope, everyone thinks that Ah Lang will realize the counterattack of Diaosi and successfully win the championship, and then Ah Lang, Bobo and Bo Zai live happily together. Du Qifeng said no lightly, he used tragedy to tell the audience that life is not as beautiful as he thought.

When the bohemian prodigal son of the car became a father who had experienced the vicissitudes of life for a long time, Zhou Yanfa's deep understanding of this character made "The Story of Ah Lang" not only have the youthful frivolity of youthful love, but also the family bonds after the frivolity was shattered.

Zhou Yanfa's perfect interpretation of Ah Lang, coupled with Du Qifeng's distinctive style of ending, is appropriate and cruel to reflect the helplessness of real life, love, and family affection have become the most sincere touching of the movie in the intertwined fate, and a prodigal son's tragedy has exhausted the joys and sorrows of the world.