"You are so beautiful" Looking at Jiu'er sitting in a sedan chair in a wedding dress on the screen, Qiao Feng said

"It's nothing new, but I like to hear it," Gong Li said emotionally

"I'll tell you every day in the future," Qiao Feng kissed Gong Li's earlobe and said

"I'm afraid you don't have that time," Gong Li's tone was a little sour

"If I don't have time, I will say in my heart, not to mention, you don't need to say your beauty"

Gong Li, who played Jiu'er's "my grandmother", was twenty-two years old when she filmed red sorghum, and she played Jiu'er with a wild aura and wore a rustic cotton jacket and cotton pants, which was Jiu'er herself.

She didn't say a word, just standing there made people unable to take their eyes off. This kind of beauty is different from the hyaluronic acid Internet celebrity face of later generations, and it is also different from the general beauty of the prosperous era. What she represents is a kind of primitive ** and vitality.

There are many men who are attracted to Jiu'er, and "my grandfather" Yu Zhanao is the one who succeeded. He is a famous sedan chair man for hundreds of miles, but when he carried the sedan chair, he fell in love with the bride when he returned to the door in three days, he waited in the wild sorghum field early with bad intentions, and waited for Jiu'er who rode a little donkey to pass, and carried out the robbery

Jiu'er desperately resisted and escaped, although she was unwilling to marry Mazi, she also did not want to be tarnished by the bandits, until Yu Zhanao took off the hood of the bandits

Jiu'er has a good impression of Yu Zhanao, because when he met a fake robber when he got married, and when he robbed the property and robbed the sex, Yu Zhanao was the first to rush out and knock down the robber, so Yu Zhanao is a life-saving benefactor Moreover, Jiu'er is unwilling to marry Mazi, let alone give a clean body to Mazi, who is in his fifties and has not lived for a few years, perhaps with a little pleasure of revenge, Jiu'er from Yu Zhanao

In the sorghum field, Jiu'er lay down into a "big" character, Yu Zhanao knelt between her legs, and the two of them would soon become "wood".

There are not too many nude shots in the movie, but the audience knows what they will do** Jiang Wen is rough and domineering, and this wild combination with suona is definitely one of the classic shots in the history of Chinese films.

The kneeling of "my grandfather" in the sorghum field was like a thunderbolt, which caused a strong reaction in the audience at this time. This not-so-straightforward shot, accompanied by the slow fall of "my grandma", the blood-red sunset, the sorghum dancing in the wind, and the sacred and loud suona sound are engraved in the minds of many people. For **, the film is like a grand ceremony, which is the inheritance of life, and that picture has become a totem of national continuation.

This story of "my grandpa" and "my grandma" really begins with this kneeling.

After the passion of the sorghum field, Jiu'er rode out on a donkey. Yu Zhanao sang "Sister, You Go Forward Boldly", Jiu'er used her hand to pluck her messy hair that she didn't know whether it was blown away by the wind or after passion, and secretly enjoyed this paragraph in her heart, making the image of the characters instantly become three-dimensional

The basic sense of love in the film is very open, and there are subtle sexual innuendos in many of the dialogues. It's a primitive wildness, a kind of boldness that is incomprehensible to people at this time. "My grandfather" snatched "my grandmother" from Li Datou, who was suffering from leprosy, and simply killed Li Datou, becoming a "veritable" husband. And "my grandmother" dared to say no to the traditional arranged marriage, and fell in love with this somewhat ruffian, somewhat scoundrel style. This is taboo at this time, and this kind of breaking through feudal ideas is very courageous, and it takes even more courage to show them

These primitive wildness and passions are exciting to watch.

"Zhang Yimou's use of color is indeed bold, and his ability to control color is indeed incomparable, worthy of being a photographer, worthy of being the top photographer" Looking at the movie, Qiao Feng sincerely admired Zhang Yimou's lens aesthetics

"Gu Changwei's photography strength is not bad at all," Gong Li spoke for Gu Changwei, the film's serious photographer

"Well, you're right, there was a group of demons in their class" Qiao Feng nodded in agreement Who would have thought that Zhang Yimou's class, that class would have produced Zhang Yimou, Cheng Kaige, Gu Changwei and a group of cattle, these people have almost wiped out the best group of fifth-generation directors, and it can be said that the people of their first class have supported the banner of the fifth-generation directors

Zhang Yimou and Gu Changwei, two photographers, have used their photographic strength in red sorghum to the fullest

A group of naked men in the yellow earth, carrying a red sedan chair. There is no so-called beauty that makes people lick the screen**, but it can make people feel the vigorous vitality. The red sorghum wine, the blue night, and the sorghum fields on the red background render the atmosphere with this strong color

After Jiu'er was killed by Yue himself, the angry Yu Zhan and everyone rushed to the military vehicle with fire pots and earth mines. After the dust. Yu Zhan took his son's hand and struggled to Jiu'er's body.

The whole movie seems to consist only of yellow and red. On the high slope of the loess, the yellow sand is all over the sky, especially the section of the sedan chair, several sedan chair drivers sing and dance, bringing up the rolling dust. These yellow sands are the land, the real place of the Chinese nation, and they are the ones that give birth to us. As a native of Xi'an, Zhang Yimou expressed his love for them with the style of splashing ink, and those yellow lands were the objects he wanted to worship, and the appearance of this bright color expressed the enthusiasm and boldness of the people on the yellow earth, and presented the upward mental state of Chinese farmers.

In addition to the "red" sorghum taller than people, there are also "my grandmother's" red hijab, red palanquin, red shoes, red window flowers on the window, blood-red sorghum wine in the bowl, and red tongtong's fire, Chinese seem to worship red more, because it is the color of blood, which is the blood flowing in the body of more than a billion people.

In the blood-red solar eclipse, the world turned completely red, and Jiu'er's son sang a nursery rhyme loudly: "Mother, go to the southwest, the wide road, the long treasure boat." In this section, Zhang Yimou boldly tries to explore the inner grief of the characters with a piece of blood red, and the exploration of image aesthetics reaches the extreme in this final moment.

Looking at the big screen with "my grandfather" with dull eyes, standing motionless beside "my grandma", like a watchman, loyally and firmly sticking to the lost love, listening to the nursery rhyme sung by Jiu'er's son Douguan: "Mother, mother, go to the southwest, wide road, long treasure boat; Mother, mother, on the southwest, the BMW is full of entanglements; mother, mother, on the southwest, you are sweet, you spend money in the bitter place Qiao Feng burst into tears

(Tianjin https://)