Fang Zongyao continued his first three rounds of smooth tone on the Fazioli.

As soon as the piano started, he showed an active playing side.

He maintains a high volume throughout the first movement, which is in stark contrast to Edmundo's first movement.

In contrast, his handling is not without losing his personal highlights.

The technique of the modern piano genre is superb, and the phrases are rich in variety.

The only regret is that he didn't focus on the more detailed performance of the ornamental melodies in this movement.

This may be due to the fact that he blesses the volume of the playing too much, and the melody and ornamentation do not appear to be integrated.

However, this point does not count as a deduction, but if he can play the decorative part in more detail, it should be a good plus point.

The music came to the second movement, and Fang Zongyao clearly noticed the problems with the first movement.

He played this movement in the pattern of a contestant, and he was deeply emotional.

Xiao Yi's second movement is the essence of the whole piece, which is connected into three movements, and does the function of inheriting and enlightening.

Edmundo abandoned the lyrical part of the movement in the performance design, using it only as a transitional movement.

Fang Zongyao split this movement into two parts, half as inheritance and half as enlightenment.

Turning to a minor key, his sentences emphasize the melody with more emphasis on the melody and abruptness.

At this point, the structure of Xiao Yi's work left by Edmundo to the audience was completely dissolved by Young Master Fang.

In a similar way to Ricky's second movement, the modern genre piano, which focuses on the structural design of the work, solves the problems left by Edmundo for Fang Zongyao.

From the second half of the second movement, Xiao Yi under his command successfully entered the ear nerves of the audience.

For the first time, he will make the music freehand.

Under the lights of the stage, Young Master Fang's forehead was already covered with fine beads of sweat.

His focused expression and the movement of raising his arms and fingers have not changed at all, just like on the stage of the Huayun Competition.

He used to tuck his waist when pedaling, and liked to flip his wrist down after a phrase.

These habits have accompanied him for almost two years of his life, surrounding him day after day.

In the past two years, his original intention has not changed, and his life goal is to become an excellent pianist.

Loving music since he was a child and with outstanding talent, Fang Zongyao has always been at the forefront of his peers.

He originally represented the most powerful performer of the young generation in China until the defeat of the Huayun Competition.

But that defeat did not frustrate him, but only aroused his fighting spirit even more.

It was also that competition that made him realize that he didn't care about the results of the competition.

At the same time, he realized that he knew that he should have more space.

Breaking away from his father's rule, he left Yenching for New York.

ushered in the second part of the piano's life.

The free living environment and the new world did not make him lose himself.

Julia's piano studies for more than a year have matured in his piano skills and musical thinking.

He competed in four races this year, each of which gave him valuable experience.

Gradually, he took the piano competition as a kind of self-examination.

And this Chopin competition is the final test of his two-year academic career.

Just because he doesn't value rankings doesn't mean he doesn't have self-confidence.

On the contrary, on stage, he will always be the most confident version of himself.

At the beginning of the third movement, Fang Zongyao's stage momentum erupts with the chorus of Marek's swinging strings.

The brisk rondo is mature under his fingers, and the comic and delicate are mixed with feelings.

When the orchestra's theme reappears, he sketches a bit of sadness in the smooth tone.

This is a simple musical expression, and in order to express the integrity of the music, he is willing to be green leaves in these fragments.

As the mood of the music approaches, the timbre of the piano gradually equalizes with the symphonic colors of the music.

Marek controlled the orchestra with great measure.

When the climax comes, the piano is not only not suppressed, but is more and more set off by the majestic musical performance and atmospheric control.

At this time, the audience did not seem to be watching the game, but entered a concert site.

On the piano keyboard, the fast-beating ten fingers once again show its fast-moving skills.

Gorgeous and bright in the final stage.

"Whoop————————————————

Marek withdrew.

Fang Zongyao flipped his wrist and withdrew.

Under the enthusiastic applause, Fang Zongyao's rare face showed a smile.

He wiped all the sweat from his hands, then got up and took the initiative to shake Marek's hand.

There is a detail here, Marek only took Fang Zongyao's hand after stepping down from the command platform.

It is a conductor's homage to the soloist.

From the rehearsal to the end of today's performance, Fang Zongyao left an excellent impression on Marek.

In Marek's words, 'His Chopin has a temperament of his own, and his sense of cooperation with the orchestra has a mature gentlemanly demeanor. ’

With a final bow, Fang Zongyao left the stage satisfied.

He's happy with today's performance.

As for the rest, he just wanted to hurry back to the backstage and listen to the next few people.

...

Out of the backstage, waiting for Fang Zongyao was not only Xia Shu and the gray-clothed butler, but also Qin Jian and Duan Ran.

He took the handkerchief handed by Xia Shu and looked at Qin Jian.

The two Chinese youths looked at each other, and Qin Jian gave a thumbs up.

Fang Zongyao nodded, he understood Qin Jian's gesture, and then smiled, "Okay." ”

He kept the rest in his heart, 'I'll take care of the rest.' ’

Whether it is the Huayun Six Small Branch or the Huaguo National Team, he has done his best for the part that belongs to him.

"You, good, great. ”

Xia Shu's hug was a little late, probably because Qin Jian was to blame.

At this moment, the voice of the presenter on the stage sounded again.

"The next player to appear is No. 37 player Li Xianlong..."

...

At the backstage entrance, the Singapore Boy with Glasses takes a deep breath and prepares for the final entrance.

Five minutes later, his final performance began.

...

Li Xianlong, who only turned 17 at the end of this year, reached the final of the Chopin Competition, which is a rare achievement in itself.

Tonight's performance is also a little different from the previous three rounds, he no longer plays the race in technique, and the whole person shows a calm temperament in the first movement.

The lyrical part of the second movement can be called classical.

It's a pity that the whole piece is listened to in its entirety, and his three movements are not kept on a horizontal line.

Especially in the third movement, perhaps because of the tension at the last moment, his playing speed fell out of speed because of two misnotes.

Marek was quick to remedy the situation, but inevitably the traces of the music stuttering were recorded by every ear in the scene.

But despite this, the audience can hear that Li Xianlong is trying very hard to play this Xiao well.

If you play it with your heart, the music won't be too bad.

In the end, he finished off pretty well.

He was sent off the field with applause, and the game went into halftime.

The judges' bench was busy.

In the second half, No. 57 will take the stage first.

The end of the global competition is also getting closer.