404. One tone and three luck of coming and going, swimming
The same opening ceremony.
The only difference for Qin Jian is that this time he can leave after playing, and he doesn't have to wait for the lunch box at noon.
However, as the opening music of "Horse Racing", it is not only for the warm-up stage, but also for the second creation and adaptation of the forum, which is actually closely related to the theme of this forum.
The Chinese orchestra that joined the piano did indeed make everyone's eyes shine, and it was not that no one had tried to combine folk music and Western music before.
In fact, there are countless pioneers who have tried this, but most of them only focus on the form of music and ignore the definition and scope of Chinese music.
Horse racing is an attempt, an attempt with status and depth.
Music includes the breadth of the foundation of Chinese music and the responsibilities that people should bear.
It was a comprehensive reflection and understanding of Chinese music.
Some people question that the piano as a Western musical instrument, although it can be used to play national music, but it is most widely used in the Western music theory category such as staves, Western major and minor keys, harmony polyphony, etc., but to study Chinese music in depth, we must start from the basic theories of traditional Chinese music such as gong ruler notation, national scales and keys.
"Can a violin play a ruler?"
That's a good question.
"Why not?" Ye Hailing asked the other party on the spot.
The man said: "Since the violin was introduced to China at the end of the Ming Dynasty, no one has used it to play the gong ruler notation. ”
Ye Hailing nodded, as if agreeing with the other party's words.
Moment.
She spoke slowly again.
"Guole has to recognize the way to come before it can have a reasonable way out. ”
Mr. Ye Xianjue once said that the foundation of Chinese music is a fact of the past, and it is by no means something created out of nothing in the present or future. ”
"The ruler notation is used by the ancestors in the history of music in our country to record music notation. ”
"Since it's notation, there's music recorded in it. ”
"I don't think it's about the instrument itself, it's about the player. ”
"Suppose a violin undergraduate student completes the course of notation in his sophomore year, why can't he play according to a notation in his third year? ”
"Whether it's a ruler notation, a Yanren half-word notation, a vulgar notation, or a stave, they are all a way to record music. ”
"There is no international distinction between music, and it is the different soils that carry music to inhabit and reproduce, which has created a hundred schools of thought to contend and a hundred flowers to bloom. ”
"As a new generation of Chinese musicians, we have the obligation to develop the indigenous national culture of our own country. ”
"So we should look further and think more. ”
Under the applause, the theme of this forum meeting was finalized.
Because in the background, Qin Jian listened intermittently, and there was still a part of the Q&A session that he didn't hear.
However, Ye Hailing's words still touched him.
'Recognize the way you are coming and you will have the way to go.' ’
That's a good point.
In the next two days, the forum conducted a detailed study and discussion on the current stage of the rehearsal and conduct of the Chinese orchestra, and the focus of the problem was the lack of Chinese music conductors.
Most conservatories only have a Western music conducting system, but no Chinese music conducting training system.
Then there are some folk schools and academic schools that have raised the problem that the shape and sound quality of national musical instruments need to be improved.
For example, the timbre of the high-pitched suona is sharp and flat, and the volume and timbre of the high-level positions of the huqin and liuqin should be a little more mellow and thick, and the most urgent of these is the director of the folk music department of Shenyin Academy - "The bass part of the Chinese orchestra is a problem." ”
"The current Chinese orchestra still relies on cellos and double basses. ”
In other words, this is also the incompleteness of the 'form' of the expression of Chinese music.
This proposal was finally approved by the Department of Education and Science of the Ministry of Culture, and was jointly developed by the Huaguo Conservatory of Music and the Huaguo National Musical Instrument Research Center, and it is expected that a bass stringed instrument will be completed next year to solve the problems mentioned in this proposal.
By the end of the afternoon meeting the next day, the big and small problems had been almost solved.
On the third day, there will be performances by various school groups.
After class in the morning, the Qin family chatted with Shen Qingci for a while, and after a few days, they left the teaching building and rushed to the opera hall.
Looking at the time on his phone, Qin Jian couldn't help but speed up his pace.
"I'm going to Nanyin Temple soon. ”
Hanging up the actor card, Qin Jian swaggered into the venue, and as soon as he found a place in the back row to sit down, the flower drum show on the stage came to an end.
The next show is coming
The time was just right.
Under the introduction of the host, Ye Yi held two flutes, one short and one long, and appeared with several teachers of Nanyin.
Wrapped in a black cheongsam embroidered with gold flowers, the four women on the stage have their own different charms from a distance.
Automatically ignoring the two male performers, Qin Jian's gaze fell on Ye Yi on the left side of the stage very simply.
As soon as the pipa main sounded, Qin Jian's mood was soothed.
"Kangmei's love. ”
In the early section, it is like the pipa and erhu opening up the musical atmosphere in the Q&A dialogue, and Ye Yi plays the ornamental notes with a crisp piccolo, constantly adding bricks to the melody.
In the middle section, when the theme of the music reappears.
The Pipa Girl crossed a string of notes and stopped.
In the next second, all the eyes of the audience focused on the woman playing the bamboo flute.
For the same theme melody, different instruments will naturally have different tastes.
Ye Yi's timbre is mellow, mellow, and his breath is long, and his solo voice attracted the attention of the audience as soon as he came out.
"One tone, three movements. ”
Ye Hailing's eyes couldn't help but wander on Ye Yi's body.
One tone and three luck is not only a very profound luck playing skill, but more importantly - it is the core content of Yepai bamboo flute performance.
Although this is not a secret of the Ye family, many published textbooks have detailed explanations of 'one tone and three movements'.
But listening to the melodious and euphemistic performance full of Jiangnan charm in her ears, she always felt that maybe the performer in front of her had a slight connection with the Ye family.
She knew it was far-fetched, but she couldn't help but think so.
As the performance of the Nanyin Academy ended, Qin Jian applauded and left the opera hall.
The show exchange continues.
...
On the other side, Ye Yi hurriedly changed his clothes in the dressing room and left.
The two of them met at the entrance of the opera hall, and then took Fang Xiaoyu to leave the school and came to a large playground near the Yanjing Jingu tourist area.
This is also the first time Fang Xiaoyu has come out to play in the past few days.
The three of them didn't seem to have fun until the afternoon, and finally Qin Jian and Ye Yi summed it up.
"Xiaoyu, if we stay tonight and don't leave, what do you think?"
When Fang Xiaoyu heard this, he said excitedly: "Really!?Master, don't lie to me!!I believe you the most!"
Qin Jian knew that Fang Xiaoyu had been thinking about the circus performance and the bonfire party at night.
On the other hand, the second daughter will return to Nanshi early tomorrow morning.
And Ye Yi seemed to be very happy.
So.
"Really. ”
...
“yeah!!!!”