"When will Andy's album be released?" Qiao Feng asked.

"Another week." Li Zhi thought for a while and said: "At that time, it was the time when the Jianghu Love was released, and Huaxing and Yongsheng meant that they could promote each other by promoting them together."

"Well, that's a good idea, you can notify the company's artists to be sure to promote Andy more when they are interviewed by reporters in the next two weeks." After Qiao Feng finished instructing, he asked, "What is the sales of Sally's album now?"

"In eight days, there are already 320,000 copies, second only to last year's bodyguard album of the same name." Li Zhi said.

"Good." Qiao Feng nodded with satisfaction.

Qiao Feng wrote an album song for Ye Qianwen, both in Chinese and Cantonese, the title song is called Qianqianque Song, and then there is a lover's confidant, when you wake up from a dream, the possibility of love, etc., are very classic songs, any song can be the main song of the album, and then add some other general songs to make an album, it can be said that so many classic songs put together is simply too extravagant, too wasteful.

However, that's how Qiao Feng gave Ye Qianwen out.

Qiao Feng not only gave Ye Qianwen out, but all the songs of Liu Dehua's album were also produced by Qiao Feng, not only including Liu Dehua's early famous works Goodbye, can not, love is not finished, and the days that he has passed together with the classic songs, the style of the real me, and thank you for your love, except for the three early works that are slightly average, the others are all classics.

The reason why Qiao Feng wrote songs for Ye Qianwen and Liu Dehua, and so many classic songs on one album, is because he wants to disturb the current backwater of the Hong Kong music scene.

Why Hong Kong's music scene and film industry declined at the end of the 90s, some people in the Hong Kong film and television industry have explained from a special perspective, that is, Hong Kong's so-called king, queen, actor and actress culture caused by the talent generation.

Hong Kong people like to engage in some special names too much, from the wireless five tigers to the later wireless Kowloon girl, from several kings and queens to Tan Zhang to fight for hegemony, and then to the four kings, from the first beauty in Southeast Asia, to the four beauties of Hong Kong and Taiwan and then to the four stunners in Hong Kong, each name is very, very loud, and all kinds of actors and actresses are also loud Don't want it.

As a result, the consequence is that it is difficult for other newcomers to stand out except for these famous people.

The best actor and queen of the Hong Kong Film Awards, few say that the newcomers have won, most of them are old faces, look at Leung Chaowei, look at Zhang Manyu, they can all be held for five times, and the Hong Kong Film Awards have only been held for a total of how many sessions.

Wireless Five Tiger Generals, during the Kowloon Girl period, most of the male protagonists of all the TV series of Wireless are Five Tiger Generals, and most of the heroines are Kowloon Women, and it is difficult for others to get ahead, and when the Five Tiger Generals do not exist, many Kowloon Women have gone to the film circle, and it is the turn of others to come out.

The film and television industry is better, and the most serious is the music industry, the music industry.

Hong Kong's two major music awards, the Top Ten Golden Melody Awards and the Top Ten Chinese Golden Melody Awards, one is run by TVB, the other is run by Radio Television Hong Kong, one started in 84 years, and the other started in 78 years.

It hasn't been held for a long time, but these two music awards have already shown serious seniority, and in the late 90s and the 21st century, it is even more terrifying.

Since 2001, the top ten Chinese golden melody awards for the best male singer Liu Dehua have been in Zhuang for eight years, and Joey Yung has been in the village for five years, and in the best pop male and female singer awards from 2005 to 2016, the male singer award has only one winner, Eason Chan, and the female singer Joey Yung has to push forward one year, a total of thirteen years are her.

The most popular group has been Tins for six years, of course, there are not many Hong Kong groups, this can not be counted.

In the world's Chinese supreme golden songs, in the twenty-two years from 94 to 2016, Eason Chan accounted for nine times, and the rest of Liming, Liu Dehua, and Aaron Kwok were all among the four heavenly kings, and then Gu Juji, Xie Anqi, Joey Yung and others shared this award for 22 years.

The Top Ten Golden Melody Awards are not inferior to the Top Ten Chinese Golden Melody Awards, the winners are quite stable, the most popular male singer Tan Yonglin four times, Zhang Guorong twice, Liu Dehua six times, Li Ming twice Guo Fucheng three times, and then Eason Chan, Li Keqin, Gu Juji, almost eight or nine people divided the thirty-two most popular male singers, female singer Ye Qianwen, Anita Mui one four times and five times, and then Zheng Xiuwen, Chen Huilin, Yang Qianwei, the most bullish is Joey Yung's eleven times.

Basically, Hong Kong's music awards, especially the awards, are basically divided by a few people, and no one else is given any chance.

Like Joey Yung after entering the 21st century, Eason Chan won the award in frenzy, one shows that their strength is really strong, but it also shows that there is no successor, there are still two or three people fighting for it in the eighties and nineties, and in the twenty-first century, there is basically no strong competition, once the strength is stronger, it is completely dominant.

But to say that there is really no one stronger than them in some years, this is not very true, it is more likely that there are some years stronger than them, just because of seniority, because of habitual views, because these people who have won awards all year round are too famous, everyone subconsciously thinks that their strength is stronger, singing better, and the winners should be them, so the selection and evaluation are stable, and the results of the awards are also stable, so in addition to the newcomer award, whether it is the top ten golden songs or the top ten Chinese golden songs, most of the people who receive awards are famous for a long time, a well-known singer, there are only a few rising stars who are fortunate enough to be recognized.

The names of the king, the queen of heaven, the god of songs, and the queen of songs are too eye-catching, and the small Hong Kong music scene that covers it can no longer accommodate newcomers, and there is no chance to come out, so naturally no one is willing to take the road of music, and then a vicious circle, the more no one goes to the development of music, the more the famous singer and queen dominate the music scene.

Therefore, some insiders say that it is because Hong Kong people like to be gods, kings, and queens too much, which has led to the film and television song circle being like a pool of stagnant water, so that there is no successor, and even the decline is impossible to watch.

...............

It's only 1987 now, and the Top Ten Golden Melody Awards that TVB began to hold in 84 years have only been awarded three times at the beginning of this year, but the most popular male singer in these three sessions was all covered by Tan Yonglin alone.

And another RTHK held the Top Ten Chinese Golden Melody Awards for nine sessions, in the first few sessions mainly Luo Wen, Zhen Ni, Xu Guanjie and a few of them, to the eighty-first year began to have Tan Yonglin, in eighty-three years Tan Yonglin was the most powerful, in eighty-four years Zhang Guorong killed it.

Zhang Guorong is six years younger than Tan Yonglin, and Tan Yonglin became famous early, so Tan Yonglin must be more famous, and he is also stronger than Zhang Guorong in terms of awards, but although Zhang Guorong has only been famous for a few years, the momentum is quite rapid, so Tan Yonglin's fans are dissatisfied and began to attack Zhang Guorong.

Qiao Feng wrote songs for Ye Qianwen and Liu Dehua, and they are all classics, just to disrupt the current backwater in the Hong Kong music scene, and also to use Liu Dehua to turn the two families of Tan and Zhang's hegemony into a big fight.

Not only Liu Dehua, Qiao Feng also pulled another person into the field.