Chapter 91: Two Maps of Barren Mountains and Remnant Waters

Wu Duo brought out Jin Shengzhen to make an argument, but he didn't expect him to respond.

As a result, the invisible pat horse is the most useful.

Jin Shengzhen's sentence of solidarity is similar to the meaning expressed by Wu Duo, but when he says it, the effect is different from that of Wu Duo.

The effect is still obvious.

As soon as Jin Shengzhen's words fell, Luo Yuze also stood up and spoke: "Wu Duo, you just tell Director Liu that you are blind!

Luo Yuze is a little violent, this is something that offends people, but the little abacus in his heart has actually crackled a long time ago, for him, Wu Duo is much more useful than Director Liu, and it is easier to talk about and get closer.

Luo Yuze's words belonged to a reverse side attack, but it hit Director Liu's weakness.

Because at this time, Director Liu didn't want to deliberately make things difficult for Wu Duo, but he also wanted to know, how did he see this?

Because it's such a god-like eyesight!

As a result, Wu Duo was reluctant to say it explicitly, but he asked again and again, as if he had become a treasure connoisseur who wanted to know about others.

"Xiao Luo!" After Ning Yuanqi heard this, he immediately shouted, "The exchange meeting is for communication, you are a junior, how can you be so broken?"

"Hey?" Director Liu waved his hand, looking very generous, "Mr. Ning, maybe I'm in a hurry to ask, I'm just curious." But after listening to Jin Lao's words just now, I also have some understanding. ”

Zhang Lao raised the voice interface at this time, "The conversation just now also inspired me a lot." If you reach a certain level, there will probably be no flaws in technology, and in the same way, when your eyesight reaches a certain level, you may be better than a sword without a sword!"

"Elder Zhang, I can't reach the realm you said!" Wu Duo heard this, he couldn't continue to pretend at this time, and quickly unloaded his weakness:

"I just reflected on myself, and suddenly I have a new understanding! Maybe it's because I'm young and not rigorous enough! I can see that it's an old imitation of the Republic of China, and at the same time, the old imitation of the Republic of China has never seen anything else, and I've only seen the big pass, so it's a bit far-fetched!

Luo Yuze heard Wu Duo say this in front of him, and couldn't help but snicker and whisper to Hu Yunde and Chen Yongjun, who were at the same table, "This hand can be played! Why didn't you say that you were far-fetched at first? First pretending to break through the sky, and then playing 'skydiving', hehe." ”

Hu Yunde and Chen Yongjun looked at each other and smiled, all without saying a word.

Who hasn't been young? Isn't it arrogant to call young people?

But in any case, this is the time for "skydiving", and the effect seems to be better than landing without going to the sky.

After Wu Duo said this, many people nodded. Saying this makes everyone comfortable. Otherwise, your eyesight as a young boy, even if you are a genius, you can't be so godly.

However, this kind of eyesight is not bad, and with such a young age, it is no wonder that Zhang Lao will take it seriously.

"Zhang Lao's jade jar has really played a role in the exchange!" Ning Yuanqi, as the "host", must sum up the past and the future, "The juniors strive to be upstream, and the seniors are not stingy to give advice, okay! I think, strike while the iron is hot, Jin Lao should also let everyone see this treasure he brought!"

When Ning Yuanqi spoke, Wu Duo quietly returned to his seat.

Jin Shengzhen also stood up, "I didn't just bring one, but two today!"

"Oh?" Ning Yuanqi said with a smile, "Then I'm going to feast my eyes today!"

Jin Shengzhen took out two identical calligraphy and painting boxes.

The painting had to be hung, and the wall opposite the conference room window was empty, with multiple hooks fixed to it. Kim Sung-jin hung the two paintings side by side.

Everyone stepped forward to watch, Yu Yao was tall, and he didn't squeeze forward, but looked at the outer circle first.

After seeing it clearly, Wu Duo couldn't help but be stunned.

These two paintings are exactly the same!

They are all vertical scrolls on paper, and the size is not very large, about six square feet.

The framed of the two paintings seems to be new, the ayako is first-class, the shaft head is ebony, and the craftsmanship is fine.

It looks like the two paintings were framed together, and it shouldn't have been framed for too long.

But the painting of the heart seems to be old!

Map of barren mountains and remnants.

The distant mountains and near the water, the mountains and rocks are rugged, the water flow is weak, the dilapidated thatched huts, and the scattered ancient pines.

The layout of this painting is ingenious, the layers are clear, and the ink is supplemented with light ochre, and the ink is quite skillfully grasped, and the shades are intertwined, and the virtual and the real are intertwined, showing the desolation of the bleak and vivid to the fullest.

The small area on the upper right of both paintings is covered in advance with a black square piece of paper. I don't know what the principle is on this black paper, which can be automatically adsorbed on rice paper.

The place that is obscured is obviously the place where the payment and the seal are made.

It's interesting that the two paintings are exactly the same, or at least they look exactly the same.

If Zhang Chengjin's sub-jade jar is dark first and then light, then these two paintings by Jin Shengzhen are clearly going to test everyone first.

Don't say that the two paintings are exactly the same, but only take out one painting to cover the inscription and seal, and it is not easy to judge the author by pen and ink.

Zhang Chengjin was one of the first to get closer. He started as a porcelain, and only began to appreciate and study calligraphy and painting after middle age, but his artistic literacy is very high, and he has the opportunity to see a lot of good things, so he enters the country very quickly, and his skills are not weak.

After careful observation and comparison in front of the two pictures, he finally found that there were still differences in the details of individual inks.

However, this difference is not a difference in style and brushwork, and if the two paintings are not placed together, but looked at them separately, this difference may not be noticed.

Even if a difference can be determined, there are two different causes.

One is: two paintings by a painter.

There may also be differences between two paintings by one person, especially if the difference is not in style and brushwork, but only in the details of individual ink.

The other is: one painter imitates another.

In the first case, then the time when the two paintings were painted should be basically the same.

But in the second case, it is complicated, it may be a painter of the same period or a painter of a later generation, whether it is a contemporaneous or a later generation, it may be a well-known painter or a pseudo-master of imitation painting.

However, one thing that is easy to determine is that these two paintings are on paper, and they are not too old, plus the style of pen and ink, so the upper limit is easy to judge, and it is impossible to jump out of the Ming Dynasty at the earliest.

Two pictures of barren mountains and remnants of water were hung out at the same time, which made people reverie infinitely and full of interest.