Therefore, the time for everyone to observe is longer. And after reading the previous wave, it just gave way to the space in front of the painting, and it was not far away, still in the outer circle.

After most people read it, the discussion gradually rose.

Wu Duo was one of the last four people to watch. These four people are the youngest of the four of them.

"Master Ge, do you see what's coming?" Luo Yuze asked Ge Liang with a smile.

Wu Duo heard this title, and couldn't help but laugh secretly in his heart, Luo Yuze secretly called people "Luohan Head", and now he is also called "Master" in person, but it still sounds quite awkward.

Ge Liang glanced at Luo Yuze without pretentiousness, "No." ”

Ning Shuang didn't pay attention to the two of them, looked at them very seriously, and muttered softly, "If you don't look carefully, you can see a little difference, you will really think that it is a remount." ”

Calligraphy and painting are fake, and there are many means. Among the paintings on paper, the unveiling is one of the most difficult to identify. Of course, the silk book cannot be revealed.

If the thickness of the rice paper used for painting is sufficient, and it is a handwritten pen that penetrates the back of the paper, then a layer of rice paper can be removed, and the lower layer is still the painting. In this way, you can get two "authentic works" that are exactly the same.

In fact, the famous painting "one into two", not all kinds of paintings can be, which requires the situation of paper, the use of ink, and extremely clever technology.

Peeling one layer and changing two pieces is basically the limit. Some legends are "one to three" or even more, which is purely conjecture or artistic expression.

Because the ink used in the painting pays attention to the layers and shades, after removing the first layer, the lower layer will not be exactly the same as the first layer. If it is not a pure ink painting, and pigments are used, the permeability of the pigments is not comparable to that of ink, and the difference between the lower layer and the first layer is even greater.

Therefore, it is relatively rare for a painting to be "changed into two" directly after one layer is revealed, and most of the paintings need to be repaired and partially old. In addition, there are also seals that also require special treatment.

This is the painting. If it is a pure calligraphy work, it is possible to "change one into three", but it is not possible for a non-first-class master. If you want to "change one to three", you need to peel the paper layer very thinly, and even so, the ink color will still be slightly thin, and you still need to cooperate with the thoughtful ink color and aging techniques.

Of course, the ink details of the two paintings in front of me are different, and this difference indicates that the painting is not "one to two", but two paintings.

Wu Duo saw an opportunity and "got started".

Until he walked back and sat down, Wu Duo's heart was still shocked.

These two paintings are actually more than 200 years apart!

One is from the early Qing Dynasty and the other is from the Republic of China!

This shock is mainly because Jin Shengzhen actually got both paintings.

And not a shock to the imitators.

Because although the author of the original painting is a generation of grandmasters, the imitator is also a generation of grandmasters!

Shi Tao!

Zhang Daqian!

Zhang Daqian's imitation of Shi Tao is recognized as a masterpiece.

Most of them, imitating the latter are Shi Tao's seals.

There are also imitations of Zhang Daqian's own prints, indicating that they are imitation paintings. Even such imitations often fetch high prices today.

Shi Tao's name is Zhu Ruoji, originally a descendant of the royal family of the Ming Dynasty, because of the misfortune of fate and the contradictions of life, his paintings are full of changeable dynamics and special tension; Shi Tao is also particularly good at using ink, the so-called "ink can be angry"; therefore, it is extremely difficult to imitate.

Zhang Daqian, but he can imitate vividly.

Zhang Daqian is a genius. At the same time, he also has a large collection of Shi Tao's hand-me-down paintings, and he is familiar with Shi Tao's painting style. He has made a lot of copying, and the final product is to imitate Shi Tao's hand-me-down works one by one.

During the Republic of China, "Zhang Daqian's imitation of Shitao" appeared on the market in batches, and it was difficult to distinguish between the real and the fake.

It is not that it is difficult for ordinary people to distinguish between truth and falsehood, but that it is difficult for great painters, connoisseurs, and collectors to distinguish between truth and falsehood.

Even Huang Binhong, Chen Banding and other characters who are familiar with Zhang Daqian have collected Zhang Daqian's imitation of "fake Shitao".

As a result, many famous masters have been eye-catching, and it has become a strange thing of the year.

And Zhang Daqian, a "professional household with high imitation Shitao", these imitation paintings are also worth a lot of money today.

However, this one blocked the seal, Wu Duo thought to himself that it should be two different seals, Shi Tao's work is the original seal, and Zhang Daqian's imitation of this one is his own seal.

Having learned the lessons of the last time, Wu Duo does not plan to come out this time.

And when the obscured black piece of paper is removed, everything will be clear.

There is really no shortage of masters at the scene, and some people can recognize it as Shi Tao.

In particular, Lu Yuanfang, the owner of Jingyuan Painting Pavilion, talked eloquently and carefully about the brushwork, and while he recognized Shi Tao, he also guessed that the other painting was very likely to be an imitation of Zhang Daqian.

Of course, he guessed that it was Zhang Daqian's imitation, which was similar to Wu Duo's final explanation that the jade jar was a "big pass", and there was no evidence, mainly because Zhang Daqian imitated Shi Tao's great name.

He just said that one Shi Tao and one Zhang Daqian, but he couldn't tell which one was Shi Tao and which one was Zhang Daqian.

In fact, from the beginning of the Qing Dynasty to the present, for more than 300 years, no one has imitated Shitao.

"Boss Lu really knows how to draw. I heard that he still has a picture of Zhang Daqian's imitation of the Bada Shanren's "Wild Lotus Lonely Heron", but it is rarely shown. Hu Yunde sighed softly in his seat.

Chen Yongjun nodded, "His Jingyuan Painting Pavilion only has Chinese calligraphy and painting works before the Republic of China, and does not deal in modern and Western works. ”

Luo Yuze looked at Wu Duo, "Hey, why don't you squeak?"

Wu Duo smiled, "Isn't this what Boss Lu said?"

Lu Yuanfang and Jin Shengzhen knew each other, but Lu Yuanfang obviously did not know about these two paintings in advance. Listening to his discussion, Jin Shengzhen nodded frequently.

"Brother Lu is discerning. In that case, let's appreciate it again!" Finally, Jin Shengzhen removed the black piece of paper that obscured the seal.

And the crowd came nearer and watched.

I saw that on the map of barren mountains and remnants on the left, the inscription was: Da Dizi A Chang.

The two sides of the seal are both in white script; one side: collect all the Qifeng drafts; and the other side: the descendants of Jingjiang.

That one is Shi Tao's original work. Da Dizi and Jingjiang descendants are Shi Tao's aliases, and Ah Chang is his small character. He is a descendant of King Jingjiang in the Ming Dynasty, but he grew up in the Qing Dynasty.

And the picture of barren mountains and remnants on the right, the inscription is: Daqian Zhangzhan.

The two sides of the seal, which are the opposite of those used by Shi Tao, are both Zhu Wen;

Zhang Daqian, formerly known as Zhang Zhengquan, was later renamed Zhang Zhan. And Daqian is just his alias, and it is also his former Dharma name - he has been a monk for three months.

Many people are very greedy for these two paintings, not to mention anything else, if this can be collected and hung at home, always admired and lingered, it is really wonderful!