19:45。

The audience of the Guosheng Concert Hall was full, and Wuyang was full.

Under the seat of 2,000 people, the buzzing is endless.

On the stage, a black streamer grand piano is located at the front of the entire stage, and it is easy to misunderstand that this is a themed piano concert without hinting at the content of this concert.

At 19:50, the hall was still mixed with voices, and it seemed that the audience was impatient with the 20-minute waiting time.

Most of the audience came for the new concept opera, so there was no surprise to the stage that had not yet been set, as those who had seen the GU Orchestra before knew that their opera stage would only be staged after the lights had dimmed throughout the hall.

After about five or six seconds, the long beams and wooden doors on both sides of the backstage were pulled open with two 'squeaks'.

Then there was a sound of shredded footsteps, and the two columns of musicians took their seats on the stage.

In an instant, an intricately woven orchestra was assembled.

The sound in the audience was a little quieter in this scene, and with the next appearance, the whole hall suddenly burst into applause.

Cai Song's costumed appearance brought the first wave of atmosphere, and when the applause gradually subsided, he bowed again.

Turning around, the whole hall was quiet for the first time.

The audience was looking forward to the next scene on stage, and they thought that it would be followed by a symphony by the Gu Orchestra.

But the figure on the podium did not raise the baton, but leaned sideways and made a gesture of please.

The audience closer to the stage looked in the direction of his arm, and after a few moments, they saw a tall young man in a black tuxedo appear at the backstage exit on the left side of the stage.

There was a gentle smile on the corner of his mouth, his steps were not large, and the whole person looked extremely relaxed.

"Smack-"

With the first crisp applause from the podium, the entire orchestra went to the front row of the audience and then to the last row of auditoriums.

"Whoa————————

Here, the second wave of atmosphere in the hall was brought up.

In the applause, some people already knew who this young man was, especially Mozart's music fans, and Qin Jian was recognized by them as soon as he appeared.

And opera lovers and music critics, who are indispensable for a concert program, are even more familiar with this figure, how can they not know the founder + conductor of Figaro Spring, who has been in the limelight in the Yenching classical music circle recently.

As for the audience representing the academic school, needless to say, this figure can almost represent the highest point of the youngest generation in China.

People who know, this applause is not clear, they don't understand how Qin Jian's figure can appear on this stage.

I don't know that the people who eat melons are not lonely with the drums, at least the young man who came to the stage at the end made them look like they were quite hanging, and most of them didn't come here to watch the excitement?

At the beginning, there was such a lively play, and this ticket was worth it.

This vote is really worth it, and anyone who understands understands it.

When Qin Jian shook hands with the orchestra leader cordially, and sat down in front of the piano with a smile on his face, when the scene was staged in the audience's all-round perspective, everyone felt that there was a taste.

The scene that is often staged in this TV video looks much more textured than the video picture in reality, and everyone can't help but have a trace of anticipation for the next scene.

This expectation has nothing to do with whether they understand classical music or not, and even just such a small scene on the stage, they are attracted by the characters on the stage.

In terms of the stage style of a pianist, Qin Jian has indeed never deliberately sold male sex, nor has he put on a false expression or walk with the wind in order to cater to a certain venue environment.

It depends on the mood.

Just like today, playing Mozart for the first time in my own country for my compatriots can barely be regarded as an official performance.

In such a concert hall again, he felt very peculiar.

Although it is not his home field, Cai Song has arranged himself in the most dazzling place on the stage.

"Hoo ————"

Exhaling slightly, Qin Jian folded the white handkerchief that had wiped his hands and stuffed it back into his pocket.

In the silence, he looked at Cai Song, who had been waiting for him all the time.

The two finished looking at each other and exchanged information.

This nod also means that the most influential conductors and pianists of the new generation in China will complete their first collaboration on the music stage.

Although this is a one-sided cameo cooperation, its significance is also extraordinary.

At this time, there were already knowledgeable people in the audience who couldn't bear it, and they were eager to hear how such two people could handle a piece together.

Cai Song turned back to face the orchestra, leaving his entire back to the front of the audience.

Two seconds later, his baton fell deeply before it could be raised.

The gestures between gestures are indescribably chic.

The whole orchestra seems to form a whole and merge with his body movements.

‘PianoConcertoNo.20inDminorK.466：lallegro’

As soon as the orchestra's prelude sounded, those who listened to it could not name the work in its entirety, but it brought back their auditory memories.

Mozart's Piano Concerto No. 20 in D minor, K466, 1st movement, Allegro.

The continuous syncopation of the violins and violas in the string group dramatically renders a tense musical atmosphere, which hints at a melancholy tone.

When the melancholy F minor close-ties turn to D major, the colors of the music become clearer.

The chromatic difference of tonality is blended by Cai Song to create an extremely perfect effect contrast, resulting in great tension.

At the same time, it also paves a smooth path for the piano to enter.

As the orchestra fades away, the solo of the piano sounds.

At this moment, there was only one voice in the entire hall, the black and white keys under Qin Jian's ten fingers.

The slender ten fingers took over the music in a rapid back and forth movement and jump, and with its sonorous timbre and bright and simple temperament, it changed the relatively somber theme of the orchestra's first presentation section.

For a while, the feeling of the whole stage gave people a feeling of brightness.

Drama

Subsequently, the piano melody of Qin Key, which represents different emotional tones, and the melody of the musical instrument group led by Cai Song are intertwined, which is more like a dialogue on the mind and consciousness.

Cai Song's gestures are short and precise to control the orchestra, trying to control every volume of each voice within his hearing, while Qin Jian, on the other hand, rises and closes in the dialogue conflict, and through the opening part in a posture of complete competition with the orchestra, opening and closing, where the hand passes, the sound outside the strings falls with an accent.

Sometimes the orchestra has the upper hand, sometimes the piano is condescending, and the confrontation between the two emotions becomes more and more intense, and a strong sense of drama arises spontaneously over the stage.

In the audience's audio-visual view, this is undoubtedly a wonderful confrontation between the conductor and the performer.

But only Qin and Cai knew that the music was moving forward according to Cai Song's complete musical ideas from the beginning.

But at the same time, both of them understand that after all, the music is still the work itself, a return to the musical fragments created by the composer with music in order to express a certain emotion.

From small musical motives to large musical themes, they can all be covered in the scope of music ideas.

However.

Lesles sometimes expresses more than emotion.