However, in addition to the emotional expression, there is a deeper connotation to Luxis.

It is because of this connotation that no matter how Cai Song uses small means to create the musical atmosphere he wants to express during rehearsals, Qin Jian can fill the needs of the other party's heart for piano parts with his own way of playing.

Just like Shen Qingci's recent remarks to Qin Jian about the elastic speed of rabuto, it is difficult for a player who uses his sense of hearing to judge the speed of music to get close to the music itself.

This statement is not only used in Chopin's works, but Qin Jian feels that it is suitable for any well-structured classical music work.

From 15:27 to 16:03, Qin Jian didn't really slow down his playing speed in this work that was stretched for 36 seconds.

How did he do it?

At this point, he has his own little secret, which belongs to him.

Similarly, this is what Cai Song admires deeply, Qin Jian is indeed a high-end player of the piano, and he has extraordinary personal skills.

After all, Qin Jian still played K466 in his own way, but it was really not the version in the recording CD.

If you listen to it with the piano as the protagonist, this time K466 still belongs to him, but it is perfectly matched with Cai Song's brainwaves.

There is this scene.

This match also stems from the two men's shared understanding of the composer's deep meaning.

Although the two of them are a soloist and a soloist, and their starting points and perspectives are very different, they are very similar in the final understanding they obtain.

During a long chat in Moscow, the two also talked a lot about each other's views on Mozart's music because of the three concertos recorded by Qin Jian and DG.

Cai Song's evaluation of Mozart's music is "bright and elegant, and there is a shallow and deep sadness hidden under the mood".

At the same time, Qin Jian also said that in addition to the inner emotions of music, Mozart's music also truly reflects people's understanding of a series of themes such as life, value, and equality in the era when the feudal aristocracy was coming to an end.

This view was also endorsed by Cai Song.

Perhaps two people will adopt different or even two extreme ways when interpreting each other, but the final destination is the same.

Like the wedding of Figaro this time, the story is very Mozart - 'the story of an ordinary citizen fighting against the nobility for his power.' ’

The story is like a side of Mozart's musical spirit, and the two have already reached the ultimate consensus on this aspect, so it is enough to rehearse and look at each other.

In the audience, everyone quietly admired.

Such a scene, such a musical picture, is really unusual.

As Cai Song conducts the orchestra's continuous performance of the fourth-sixth chords, a dazzling improvisational section leads to a dazzling improvisational section, and while the final climax of the music's emotional mood and dramatic conflict, Qin Jian is even more surprised to control his ten fingers.

As a pianist, in such a large concert hall, it is necessary for him to make his performance clear to everyone in the audience, but at the same time not to disrupt the volume balance of the whole music by excessive volume.

The moment his arms pressed down and his hands touched the buttons, he increased the strength of his right hand by two points.

At the same time, the whole hall was filled with the sound of the piano and the orchestra was full of tension.

And the music where the conflict reappears is not doing a constant confrontation.

Qin Jian's arms were raised high and lightly sent the last notes into Cai Song's baton with a hidden attitude, and the piano part was over.

Then the whole music fades away in a quiet and hesitant atmosphere with a sense of abrupt stopping.

This unexpected treatment also highlights the inherent tension of the music itself.

As the music faded away, the lights of the entire Guosheng Concert Hall slowly dimmed at a speed visible to the naked eye.

The quiet hall was left with only the last remnants left.

But the applause of the audience did not have time to start.

"Coax ————!!"

"Buzz !————"

In an instant, the whole stage once again sounded hot music!

The GU Symphony Orchestra took over the K466 perfectly, and the overture to the Wedding of Figaro seemed to fall sideways.

Gorgeous strings continued the stage with the theme music of the evening.

Feeling the volume impact created by Cai Song leading the orchestra up close, Qin Jian praised it in his heart.

"The rest is up to you. ”

Taking advantage of the dim stage, Qin Jian quietly left the stage according to the agreed process.

No one knows exactly what is happening on the dimly lit stage at this time, and no one knows exactly how long they have been intoxicated by this exciting symphony

Until three sets of bright lights hit the stage.

Under the illusion of light and shadow, the era seems to go straight back to the eighteenth-century manor house from the modern era.

'The Marriage of Figaro'

In the gradually lit up hall, its first act was opened.

...

...

Walking out of the backstage, Qin Jian returned to the rest room under the escort of the escort.

Dress and make-up removal.

Ten minutes later, Qin Jian wore a mask and appeared in the VIP seat in a low-key manner.

The originally long repertoire was cut by modern light and shadow technology and the Gu team, and finally ended in less than two hours.

This is another bold reform, and Qin Jian also guessed it in advance through the overall time of the show.

However, I have to say that the integrity of the whole story has not been shortened because of the cutting of the original script.

And from another point of view, the repertoire compressed to less than two hours is roughly equivalent to the duration of a movie, which is acceptable to the audience for the general theaters in China.

If it really lasts for four hours, let alone the theater, it is estimated that not even many people in the audience will be able to make it to the end.

At this point, Gu also chose an adaptation route that caters to the market according to the actual situation.

Of course, that's not to say how perfect the Figaro wedding was.

Compared with the general audience who unanimously gave high evaluations, there are also many 'professionals' who still give comments like 'crooked'.

Distort the story, distort the stage, and distort the background of the times.

Qin Jian disagrees with this, although Gu adopts an avant-garde stage form, but from various details, such as the core of the story theme, on the basis of the original work, the Gu team highlights the theme of 'love' in the story, and tightly surrounds this theme through the elements of jealousy, grievance, suspicion, sarcasm, and awakening of the characters in the play under modern light and shadow, creating a unique style for this play.

However, after the end, Qin Jian and Cai Song also mentioned in the exchange that if he came to shoot this drama, it must still be carried out in accordance with the original mode of four acts and twenty-eight songs.

"Are you arranging for the public to see?" Cai Song asked Qin Jian rhetorically.

Qin Jian had to say that there was nothing wrong with Cai Song's question, so he didn't answer the other party's words at that time.

It wasn't until the next day, after Cai Song conducted the Magic Flute for Figaro's Spring, that night the two of them argued about modern technology and traditional live stage at the Fuge Bar.

After dawn that day, Qin Jian drove Cai Songsong back to the hotel.

In the afternoon, Cai Song left Yanjing and rushed to Lianshi, where Cai Song's next performance will begin.

...

Although Cai Song is gone, he really left a lot of topics for Qin Jian and Figaro's spring.

However, Qin Jian didn't have the heart to care what the outside world said.

April 22, 12:23 p.m.

There is only one hour left until the announcement of the qualifiers for the 17th Chopin International Piano Competition.