Today is not a more than two more.,The previous chapter is off the small black house.,The modification didn't pass once.。 The conscience of heaven and earth is the description of the plot of the movie, there is no way, it cannot be written below the neck.

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Cheng Hao didn't know at all, and he didn't care what He Xin was thinking, because her brutal personality determined that she would not have the consciousness of pushing herself and others.

Therefore, when He Xin held back the sentence "I want to divorce you" for a long time, she didn't know what to do.

She made an appointment with her best friend Xiaojing, who was a child, and wanted to talk to her and ask for an idea.

Xiaojing's husband is a rich man, but Xiaojing's marriage is not happy.

Xiaojing's husband is not a good bird, he outside all day long, brings his lover to the house, is discovered, and beats Xiaojing.

Xiaojing, who had such an experience, gave her two choices after learning what happened to Cheng Hao:

"If you don't want to keep him, keep a tight eye on the passbook and let him go, and if you want to keep him, you can find a way to keep him by your side. ”

Cheng Hao listened to Xiaojing's words, and probably realized that he was usually a little excessive, and planned to be kind to him after He Xin came back. He Xin was completely fed up, and after saying that after the divorce, he had an affair with a female colleague outside.

Wang Xiaoshuai is a top student of Nortel's directing department back then, and his works may not have the so-called "penetrating power to the appearance of reality" in Chief Jia's films, but in terms of technique, he is absolutely outstanding.

For example, when He Xin was eating with Wan Qian outside, the light was soft and brisk, and the whole atmosphere was relaxed and romantic. As soon as the camera turned, Cheng Hao was sitting alone on the sofa watching TV at home, the cold light was projected on his body, Xiaobao in the depth of field was doing his homework alone, and the space where Xiaobao was located was a warm light. The setting of two kinds of light, one cold and one warm, cleverly divides the two airbornes and also divides the two worlds. This setting not only reflects Cheng Hao's misery and pity, but also reflects the alienation of her mother-son relationship with Xiaobao.

He Xin came home very late, and this time Cheng Hao didn't shout for him to "kneel on the washboard" and took the initiative to take off his socks for him.

He Xin was also iron-hearted this time, and ignored it.

Cheng Hao's brutal and willful personality exploded again. Breaking cups and bowls, yelling, angry at the child, scared the child to cry.

At this point in the film, whether it is Chinese or Japanese audiences, the feeling is the same, that is, there is such a kind of person, who is cold and self-respecting in neutral words, and selfish in derogatory terms.

They can usually hurt people without scruples, and others are really angry.

They will symbolically apologize to each other, and the other party accepts it, but if they don't accept it, they will immediately turn their faces. It's as if they're the most amazing people in the world. Such a person is strong and self-respecting on the surface, but in fact he will only be looked down upon.

Then Cheng Hao had all kinds of speculations about He Xin's various anomalies.

She finally couldn't hold it anymore and followed He Xin, seeing her husband and a young woman enter the hotel.

She went to the door and overheard that the room had begun to applaud for love. She picked up the fire extinguisher and wanted to break in, but at this time, there was a child's voice calling for her mother, Cheng Hao suddenly stopped, for the whole family to be tidy, in order to let Xiaobao grow up healthily, she put down the fire extinguisher in her hand.

But she couldn't help but breathe this tone, and she thought of a way to call the police to report her husband.

"I want to report, on Minmin Road, in the box directly opposite Chuxiong Building, in room 206 of Taoyuan Hotel, someone is prostituting and soliciting prostitution!"

He Xin was arrested by the police and released on bail by Cheng Hao the next day.

After that, Cheng Hao's attitude towards He Xin was even worse, and even Xiaojing who was eating together could see it.

Knowing that Cheng Hao reported her own husband, Xiaojing said that Cheng Hao was crazy.

Cheng Hao, who has a tendon, has a reason: "I just don't want others to snatch Ma Xuewu away!"

Xiao Jing got to the point: "What did you do earlier? Why didn't you treat him well? You want to let him stay by your side and don't want to leave, that's what you can do!"

In fact, Cheng Hao himself also knows that it is not good for He Xin.

But she also has her own reasons: "At the beginning, Ma Xuewu knelt and begged me to marry him, with my looks, there are many people chasing me, I married him a countryman, it is his blessing, why is he not good to me?"

Xiaojing said that it was precisely because Cheng Hao thought so that he would always be unable to catch He Xin.

Cheng Hao said that men are cheap, and He Xin is the same as Xiaojing's scumbag husband.

Xiao Jinghuo understands better than Cheng: "Don't compare Ma Xuewu with Liu Dongfeng, Liu Dongfeng is a bastard, Ma Xuewu was forced to this road by you." ”

Liu Dongfeng is Xiaojing's husband.

He Xin's mother's hometown was demolished and there was nowhere to go, so He Xin took his mother to his home.

Cheng Hao saw his mother-in-law and immediately drooped his face, and Cheng Hao, who had always looked down on the countrymen, had another quarrel with He Xinda.

The next day, He Xin received another layoff notice, and he knew that he was arrested because of Cheng Hao's denunciation.

He was so desperate that he committed suicide by throwing himself into the river.

In the suicide note he left, He Xin said that he couldn't face the pain of life, he was sorry for his mother, sorry for Xiaobao, but he didn't leave a little last word for Cheng Hao.

Even at this time, Cheng Hao still thinks that the fault is all someone else's.

She put all the responsibility for He Xin's death on He Xin's mother.

"Don't come, don't come, you have to come!"

But at the same time, she couldn't understand why this unfortunate thing happened one after another after moving to a new house.

It's just that Xiao Jing spoke: "The first time I went to your house, I felt that there was something wrong with this house, I couldn't talk about it at the time, you go back and take a look at it yourself, I can't wait for seven or eight roads, all rolling downstairs from your house, in all directions, what is the feng shui called? Ten thousand arrows pierce the heart!"

At this time, the audience suddenly realized that this is what Ten Thousand Arrows Through the Heart (Feng Shui) said.

Cheng Hao, who has a stubborn temper, doesn't believe in this evil: "Ma Xuewu jumped into the river, grandma Xiaobao has to be covered by me, the more I want to say, this is called ten thousand rays of light!"

In order to support the family, Cheng Hao quit his job selling socks and changed careers to start a flat shoulder with Sister Cai. Although it is hard to carry a flat burden, as long as you are willing to work hard, it is not a problem to earn one or two thousand a month.

Cheng Hao handed over all the money he earned to his grandmother and told her to help him take care of Xiaobao's life and study. Xiaobao not only appreciated it, but also put his father's posthumous photo on Cheng Hao's bed. Since he was a child, he has always blamed his mother for killing his father, and he vented his hatred for his mother in this way.

Ten years have passed in a blink of an eye, and Cheng Hao walks the streets and alleys every day with a flat shoulder, his skin has become rough, and his hair has turned gray. Xiaobao has grown up, from an unknown little boy to a tall and handsome Huang Xuan.

Seeing this, attentive audiences, especially knowledgeable filmmakers who attended the premiere, will find that the film takes the death of Ma Xuewu played by He Xin as the dividing point between the two paragraphs.

In the two paragraphs, the composition of the relationship between the characters is almost similar, and they are both triangular pyramidal relationships.

The difference is that the first half mainly revolves around Cheng Hao, He Xin and the young Xiaobao, and He Xin and the young Xiaobao, as the bottom of the pyramid relationship, are dominated by Cheng Hao. The first half focuses on the image of Cheng Hao's tyrant, and from the perspective of traditional gender discourse, such a relationship is unequal in family relations.

In the second half, after He Xin's death, such a pyramid relationship was reversed and became an inverted triangle, Cheng Hao moved to the bottom of the pyramid, and the grandmother who replaced He Xin as the traditional family image stood at the top of the pyramid with Xiaobao to examine and dominate Cheng Hao's fate.

The spatial relationship determines the relationship between the characters.

For example, in the first half, Cheng Hao found out that He Xin and Wan Qian were cheating on the police, and after forgiving He Xin, he took him home from the factory.

In the second half, the family sat around the table to eat, Cheng Hao was squeezed into a corner of the picture, Xiaobao became the visual center of the picture, between Xiaobao and Cheng Hao, you can see the portrait of his father He Xin in the background background, such a picture setting, just shows that He Xin's death is an indelible scar between mother and son forever.

At the end of the movie, the grown up Xiaobao played by Huang Xuan lived up to expectations, and his college entrance examination score was the first in the city, and Cheng Hao also thought that he could finally come to the bitter end, in order to celebrate the family of three eating at home.

At the dinner table, Huang Xuan took out the portrait of He Xin, first toasted his father, and gave a second toast to his grandmother. Cheng Hao said that he wanted to toast He Xin for the third cup, but Huang Xuan accused her of not being qualified to toast his father's wine. He picked up the wine glass and told Cheng Hao that after the two drank this glass of wine, they would sever the mother-son relationship, and he would earn the expenses for college in the future, and Cheng Hao would move out of the house and leave it for his grandmother to live.

Cheng Hao's heart was completely cold, he had worked hard for ten years, but in exchange for his son, he didn't recognize him as his own mother.

When Huang Xuan and Cheng Hao had their last argument on the rooftop, it was a panoramic shot, and Huang Xuan stood on the opposite side of Cheng Hao, a tall and strong, a short and rickety, stark character opposite.

After Cheng Hao broke down and left, the scene cross-edited the memories of Huang Xuan himself to investigate and find out the cause of his father's death, as well as the passage where Cheng Hao walked alone and cried along the Yangtze River.

One is surreal and extremely high-key, the other is absolutely dark, the picture is cross-edited, and the strong contrast makes people have to be moved by Cheng Hao's pain.

Cheng Hao cried and sat by the river until midnight, when several youthful children asked Cheng Hao to help them take pictures. Cheng Hao looked at these innocent and unbridled laughing children, and smiled a little.

At this time, Cheng Hao suddenly had an epiphany, because she had never seen her son laugh so presumptuumously as the children in front of her.

She finally figured it out, and finally chose to leave the house book to her son and leave the house by herself.

She carried the luggage with a flat shoulder, and the picture at this time was different from all the previous shaking shoulder follow-up shots, this time the shot was very calm, because Cheng Hao had already made up her mind at this time, and she was determined to leave this home that made her "ten thousand arrows pierce her heart".

The deeper meaning of ten thousand arrows piercing the heart was finally unveiled at this moment.

Cheng Hao didn't leave a word for her son, and after going out, she met another man in her life - Jianjian. Jianjian apologized to her with a hippie smile.

Cheng Hao warned him that his life was not good, and whoever was close to her would be pierced by ten thousand arrows!

But Jianjian said that they are both people who have lived half their lives, and neither of them is much better than the other, he doesn't believe in any arrows piercing his heart, and he is not afraid at all.

Cheng Hao took one last look at the house he had lived in for ten years, got into Jianjian's car and left.

At this time, Huang Xuan was standing in the corner watching this scene, and when Cheng Hao got in the car and left, the camera switched to Huang Xuan's side, and the camera replaced his eyes, watching the car leave.

At this time, the audience couldn't see Huang Xuan's expression, and didn't know whether he was happy or worried, Wang Xiaoshuai deliberately used such an open treatment to give the audience a space for imagination.

Immediately after that, the camera turns, transforming the original internal visual focus into an objective perspective of God. The camera shot from a high place, watching Cheng Hao get into the car, the car turned off, she got out of the car to push the car, and then got back into the car and went away with the car......

The end of the film seems to symbolize that Cheng Hao's life after that may not be very smooth!

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