"Whoa!"

The subtitles on the big screen were still scrolling, the music was still playing, but the audience couldn't wait to give them a standing ovation.

Cheng Hao, Wang Xiaoshuai, and He Xin, the three main creators, including producer and translator Xiaodouding, came to the stage under the call of the on-site host.

After accepting the applause of the audience, the media and the guests again, the reporter couldn't wait to ask:

"Cheng Hao, you contributed an incredible performance in this movie, and there are almost earth-shaking changes from the characters you created before, how did you do it?"

Of course, it is inseparable from the guidance and help of director Xiaoshuai. Everyone may know that this "Ten Thousand Arrows Through the Heart" is my second big-screen work, for the movie, I am still just a newcomer, this time Director Xiaoshuai really gave me a lot of help to let me play the role of Li Baoli well. Cheng Hao said modestly with the microphone.

As he spoke, he deliberately turned his head to look at He Xin, who was standing beside him, and said with a smile: "At the same time, it is also inseparable from Teacher He's encouragement and support." ”

Wang Xiaoshuai said at this time: "Haha, I don't know how Teacher He encouraged and supported him. No, the process is good, just a little too modest. When it comes to the help I can give, it's really limited, mainly because of her own efforts. To be honest, at the beginning, the producer, oh, that is, our teacher He, proposed to let Cheng Hao play the role of Li Baoli, and I had doubts......"

Speaking of this, reporters and guests from China all let out a burst of good-natured laughter, but some foreign media didn't know what it meant, and inquired privately.

But everyone should have seen the result, Cheng Hao has created a living Li Baoli. You may not know that this movie is in the preparation stage, Cheng Hao started to prepare for this role half a year in advance, and even went to Hanzheng Street to experience life before the start of filming, and picked a flat shoulder for more than half a month......"

Speaking of this, another exclamation sounded below. To be honest, actors have been very far away from experiencing life in these years, but I didn't expect that Cheng Hao, who is standing on the stage now, is really mixed up in the mixed Hanzheng Street to pick up a flat burden?

In the end, Wang Xiaoshuai said with a smile: "So the kind of pungent flat bearer Li Baoli that everyone saw on the screen just now was not performed by Cheng Hao, but she really experienced it!"

"Whoa!"

Everyone clapped their hands in unison and paid tribute to Cheng Hao's professionalism.

yes, that's the best way to open up marketing, and you have to let someone else tout it for you. It's like "Ah, I memorized my lines today!", "I got a wound on my hand when I was filming today." ", "I hung for seven days and seven nights in order to make a scene......" This kind of self-marketing is much smarter.

Moreover, the handsome director of this year has not fully exposed the mentality of the fox eating grapes, and there is also a "upright" character on his body, and the words that come out of his mouth are still quite credible.

Then the parties will generally be very emotional, all kinds of bittersweet memories and sweets, expressing how difficult it was at the beginning.

She always showed her friendly smile and said in a joking tone: "I just feel their lives up close, if I really want to carry the burden, I can't." The eldest sister I was following at the time could easily pick up more than a hundred pounds, and I couldn't even catch up with half of her......"

In the end, she said with a mysterious and proud face: "At that time, I was picking up a flat burden on Hanzheng Street, and I have never been recognized except for the eldest sister!"

In addition to this kind of tidbit-like story, many reporters have asked some relatively professional questions about the movie itself. This kind of question is naturally answered by director Wang Xiaoshuai.

For example, a reporter asked, why there are so many shoulder-shot shots and too many slightly shaky pictures in the movie, isn't it because the audience's viewing experience is not considered?

"Although the shoulder-mounted lens cannot avoid slight shaking, it can give people a realistic sense of bionic vision. At the same time, this is also because this is more in line with the colloquial expression in the dialect and the living state of the character Li Baoli, which can increase the authenticity and documentation of the film!"

Wang Xiaoshuai is particularly adept at navigating this kind of technical questions about filmmaking, using technology to reflect themes and emotions, and he has always believed that technology has always served emotions. In later generations, he often disagreed with the directors of some commercial blockbusters on this topic.

He also emphasized: "All the shots shot on the shoulder are relatively passive, basically following the behavior of Li Baoli, that is, we can see both Li Baoli herself and Li Baoli herself in the camera." My original intention is that the audience will follow Li Baoli's point of view to watch the movie, so that the audience can better identify with the feelings of Li Baoli's character!"

"Director Wang, why can't you give Li Baoli a brilliant ending at the end?" a reporter who obviously empathized with the movie raised his hand and asked.

Wang Xiaoshuai smiled slightly, spread his hands, and said with a pretending face: "What life can give, we can give." If life is not given, how can we give?"

Speaking of which, he also said to the reporter, who didn't seem to be very old, and said seriously: "The reason why tragedy is called a tragedy is precisely because it shows that the tragic characters have failed miserably after fighting against fate again and again. It's not that he mourns his misfortune and is angry with him, but he fights, but he can't fight. Only in this kind of dramatic situation can we arouse our pity for the tragic characters at a deeper level, and let us join the characters in denouncing the injustice of fate!"

"Director Wang, is it also a dialect version that will be released in China?"

"Except for the Wuhan dialect version, which was shown at the premiere in Wuhan, which is the same as today, the rest are in Mandarin. Of course, from my personal point of view, I prefer the Wuhan dialect version, and Li Baoli, who speaks Wuhan dialect, can show her image of a frivolous and aggressive citizen more thoroughly. ”

"Ten Thousand Arrows Pierce the Heart" has two versions of Wuhan dialect and Mandarin, and the Wuhan dialect version premiered today, of course, in addition to Japanese subtitles, there are also English subtitles sent to the competition.

The reporters' questions came one after another, and many questions were also asked to He Xin, such as why did he play a supporting role like Ma Xuewu?

He Xin joked: "My task is to act as the green leaf of Teacher Cheng Hao. ”

The round-faced ****** girl took the opportunity to ask again: "So do you get along in the same way in life as in the movie?"

"Uh......"

Without waiting for him to answer, Cheng Hao next to him picked up the microphone, although his face was still full of smiles, but his tone was cold: "Movies are movies, life is life, don't you think that I am also a character of Li Baoli in life, right?" Okay, next question!"

As a result, the girl was deprived of the right to ask questions again.

......

"Life is like the broken car at the end of "Ten Thousand Arrows Pierce the Heart", try to push it when it turns off. It's a good movie, it's about people who are unhappy, but you have to learn to let go of yourself, and you earn money for one more happy day. ”

"Everyone in the film has character flaws and things that are wrong, and this is the case in life. It's a long tragedy that makes people shrink and succumb little by little. ”

"I was hooked on the philistine flavor of Hanzheng Street, even though I had never been to China, and the best Chinese movies I had seen in the last five years. ”

As for the domestic media, they were even more shocked and wrote articles one after another:

"Cheng Hao is unbelievable, I can't believe that woman is played by her after watching it!"

"Heartthrob makeover!"

"If Cheng Hao is an American, she can win the Oscar!"

"If you don't watch such a movie, it's really a thousand arrows through your heart!"

"Ten Thousand Arrows Pierce the Heart", this is a truly realistic movie!"

"After thinking about it for a long time, I didn't find any suitable words to describe Li Baoli, not because she was so distant and unpredictable, but because she was too real, so real that it seemed that she was the three aunts next door or the fifth aunt on the street, passing by you every day, with a big grinning face, with a cheap mouth and an unyielding heart......"

The next day, reports about "Ten Thousand Arrows Pierce the Heart" dominated the major media in Tokyo. He Xin's judgment was correct before, both belong to the East Asian cultural circle, and Japanese audiences and media can empathize more with what the movie "Ten Thousand Arrows Pierce the Heart" shows than Western audiences.

Compared with the Japanese media, which focuses on the film itself, the domestic media pay more attention to Cheng Hao's performance, and have always believed that Cheng Hao will be the hottest candidate for the film queen at this Tokyo Film Festival.

From not even being able to find his name, to being full of praise for himself on the Internet, in just one day, the situation has reversed. Cheng Haole can't close his legs, of course, there is another very important reason that our teacher He's golden-tongued Langjun's boudoir nickname is not in vain.

......

Compared with the one-sided praise of "Ten Thousand Arrows Through the Heart", the other Chinese-language film "Super Typhoon", which premiered the next day and was shortlisted for the main competition unit, obviously did not have such good luck.

Compared with Feng Xiaoning's previous boasting of reproducing the terrifying impact and weirdness of the typhoon with exquisite special effects, and then calling for the Hollywood blockbuster "The Day After Tomorrow", "Super Typhoon" was questioned by Japanese audiences as soon as it was screened.

They questioned many of the details of the film, and believed that the film was not as thrilling as they imagined, and obviously did not buy the level of special effects and stunts that they had boasted before.

Even many domestic media joked that although the special effects level of "Super Typhoon" is not as good as "The Day After Tomorrow", it can still catch up with the level of "Ultraman".

In the face of many doubts and even cynicism, Feng Xiaoning continued to brag about his so-called combination of 8/10 of the real scene and 2/10 of the high-tech model, and then what Hollywood blockbuster investment is often hundreds of millions of dollars, "Super Typhoon" only spent 50 million yuan, and it is very commendable to achieve this effect.

In recent years, American films have used more and more special effects, if they are getting stronger and weaker and we are getting weaker, the gap is bound to continue to widen. And the reason why I insisted on choosing domestic special effects.

"It is to give them the opportunity to promote the development of national films......"

It is worthy of being committed to the creation of the main theme all the year round, and the topic of responding to the questioning of the film has unconsciously changed the concept, and suddenly rose to the height of promoting national films.