The legend of the New White Lady tells the story that happened by the West Lake, and this location must be filmed in the West Lake.

But it's October now, even if the temperature in Hangzhou is okay and the plants are green, it won't take long to shoot a suitable location

So there isn't much time left for the actors and crew to prepare.

Time is tight and the task is heavy, the three leading actors are studying the script every day and figuring out the characters, and the formation of the crew was quickly completed under Lin Qingxia's intense Zhang Luo.

On this day, Lin Qingxia brought the invited producers, directors and screenwriters to meet Qiao Feng.

"I heard that there will be hundreds of singing segments in this TV series?"

After a brief introduction to the meeting, Lin Qingxia found the screenwriter Gong Min on her own initiative and couldn't wait to ask.

It stands to reason that the scripts of the legend of the New White Lady have been written, and there is no need to find any screenwriters at all.

But Lin Qingxia heard Qiao Feng say that there are a lot of singing segments in this drama, and she feels that although Qiao Feng wrote lyrics and songs, if there is no professional guidance when filming these singing segments, it may be difficult for the actors to grasp the feeling.

Based on this consideration, Lin Qingxia felt that the crew must have a special person to be responsible for this, on the one hand, to guide the actors to complete the shooting, and on the other hand, if something is not suitable, the script can be modified.

So Lin Qingxia thought of the most famous drama in Taiwan's film and television industry.

Gong Min started out in drama, and he was born in a serious class, and later began to make movies as an apprentice.

These two things are still systematically learned, but what makes Gong Min really famous in the Taiwanese film industry is not these two things, but dramas.

In terms of drama, Gong Min is a ticket friend, but he is really talented in this way.

The scope of drama is very wide, and for each type of drama, Gong Min has a certain amount of dabbling and literacy.

All drama-related awards in Taiwan, such as the National Army Literary and Art Award, the National Literary and Art Award, the Zhongshan Literary and Art Award, the Golden Horse Award, and the Ministry of Education Literary and Art Award, almost all have a place for Gong Min.

Of course, if that's the case, Lin Qingxia wouldn't have asked Gong Min to be the screenwriter without telling Qiao Feng, responsible for the singing work inside.

The reason why Lin Qingxia invited Gong Min is mainly because she has a very powerful successful experience in the Huangmei style TV series.

When China Television started broadcasting, it wanted to shoot a Huangmei drama "The Seventh Couple", inviting Ling Bo and Li Xuan to play the leading roles, and then Hua Vision invited Gong Min to write and direct this play.

Then the response of the seventh couple after the broadcast was quite enthusiastic, and the ratings exploded.

Let China Television already have two TV stations in Taiwan, Taiwan Television and China Television, and grab a lot of market and successfully complete the three-legged tripod.

Gong Min's ability in Huangmei style TV series is no worse than Qiao Fengding's director Xia Zuhui.

And compared with Xia Zuhui, who has to control the overall situation, Gong Min will be of greater help to the actors in singing after joining the crew.

And Gong Min is indeed worthy of Lin Qingxia's attention, and he is not in vain as a ticket holder and a crazy well-known person, the first thing he asked after seeing Qiao Feng was the question of singing.

"Yes, there are 119 songs throughout the play." Qiao Feng Dao.

"Why would Mr. Qiao want to make such a TV series in the style of Huangmei tune?" Gong Min asked curiously.

Xia Zuhui and the others also looked at Qiao Feng curiously, in their opinion, people of Qiao Feng's age should be indifferent to drama.

"Because most of the stories about the White Snake are passed down through various genres of repertoire and are well-known, so when I thought of putting the story of the White Snake on TV, I thought about what form to present the story, after watching this play, I realized that it was all from here.

Then I came up with the idea of making the story of the White Snake in this style.

Because this record-breaking box office of Liang Shanbo and Zhu Yingtai that year has proved that Huangmei's film and television works are very popular and the audience likes to watch them.

Then I wrote this script, which borrowed from opera and opera, and used a large section of the script in the form of a duet dialogue."

Gong Min Xia Zuhui and several people heard this, and their doubts disappeared, and this explanation can explain why a person who is indifferent to drama would write a script in the style of Huangmei Tune.

They don't think that Qiao Feng really likes opera and likes Huangmei tune, they think that Qiao Feng is rich because of this style of TV series.

As Qiao Feng said, Liang Shanbo and Zhu Yingtai in the style of Huangmei broke the historical moviegoers and box office records in Hong Kong back then.

Such a project that is obviously very rich, and the capitalist Qiao Feng didn't do it.

As for why Qiao Feng, a person who has no sense of drama and has never studied opera, wrote such a good script and singing in the style of Huangmei tune, a few people didn't ask.

Because it's not necessary.

Whether Qiao Feng is too talented in opera, he is self-taught, or he spent money to find someone to write it, it has nothing to do with them.

They are invited to take money to film and just do their own thing.

A few people who dispelled their doubts and Joe then discussed the singing section in it hotly, and you put forward your opinions word by word.

Qiao Feng did not refuse to accept the suggestion because he had a golden finger to read the legend of the New White Lady and remember all the singing passages in it.

Because in opera, these people are professionals.

Who dares to say that the original singing section must be the best and most suitable.

Maybe these people can make a better song on this plane.

The legend of the new white lady in the original time and space, why as long as the music sounds, everyone can always sing two sentences along.

Why is the legend of the New White Lady broadcast for ten, twenty, thirty years later, people still remember its singing section vividly.

It is because of the dedication of the people who make music that they put their best efforts into making these music, and show their most professional attitude and standards, as well as rich musical and literary literacy.

Like the most classic "Crossing Love", "Ten years of repairing the same boat, and a hundred years of repairing to sleep together", not only the tune is exquisite, but the lyrics also have a background.

A large number of lyrics in the play are adapted from ancient poems.

In the third episode, when Xu Xian came home to show off his wife to his sister, he sang: "There is an alliance certificate on the Sansheng Stone, and there is a marriage in Shuangcha Lane."

The allusion of Sansheng Stone comes from the Tang Dynasty poet Yuan Jiao's "Ganze Ballad": "The old spirit on the Sansheng Stone, don't talk about the moon and the wind." "It refers to the marriage in the previous life, and the re-establishment in the next life.

In the twenty-first episode, Bai Suzhen confided her true identity to Xu Xian, and Xu Xian's lyrics: "The original intention of a hundred years of glue paint is here, and this life will never live up to Qingqing."

The first half of the sentence is from Bai Juyi, and the second half of the sentence is from the Tang Dynasty poet You Wei.