In fact, in addition to the Pokémon series and the Gundam series, which have failed, the Yuanfang Group has also won a lot of good series in Fuso to enrich its IP library.

Previously, because of Zhou Fangyuan's rebirth, some works that were released later had actually been "created" in advance by him without him knowing, but there were also some that he did not "create".

Among them, there are two works that can be called a series, which were only recently acquired.

"Shape Moon" and "Demon Forbidden"!

The former is the brand name used by the game publisher Limited Co., Ltd. ノーツ when publishing adult games, and the latter is a work that has endured for more than ten years.

The so-called type moon is actually a hodgepodge of series, formerly known as TYPE-MOON, referred to as TM.

The first work commercialized in the type month,fate/stay night is said to have sold an exaggerated 150,000 copies,It's also relatively rare in the industry.,Beat the old company Key's 4-year masterpiece CLANNAD.,In one fell swoop, it won the 2004 galgame sales championship.,Since then, the influence has been increasing.。 And TM's success, both as a fandom group and after commercialization, has to be attributed first and foremost to Nasu Mushroom, the main builder of the TM world.

TM's story, or perhaps Nasu's story, is wonderfully fascinating.

The difference between his script and the script of an ordinary galgame is still quite large, and the script of Air or Clannad will be quite weak on its own, while the script of Tsukihime and Fate is more inclined to be a "strong script": there is a lot of psychological and environmental description, rather than a situation where dialogue is overwhelmingly an element. Not to mention the realm of emptiness, it was meant to be. fate is a continuation and adaptation of Nasu's middle school days.,And Tsukihime is a work of the same era.,Needless to say,Tsukihime's art.,CG.,Sound effects.,It's not comparable to the work of the official company.,Presumably, more text is needed to supplement these deficiencies.。

From the point of view of the connotation of the script, TM is not stronger or weaker than Key, but in terms of the charm of the "setting", TM is the best, and this is undoubtedly due to Nasu in the first place.

Players may be moved to tears when playing KANON and AIR in Key, and Tsukihime and Fate in TM will be shocked by the huge world view and complex story system and character relationships. As for the style of writing, judging from the existing translations, removing the elements of the translation itself, it is a "slightly mysterious" style that fits well with the plot.

Zhou Fangyuan actually likes the setting of TM, the simplest summary in the moon world is a root, two major inhibiting forces, four exorcist families and five major magic.

The foundation of the Root Scourge Moon World can be said to be the cause and effect of everything, the origin of all things, and the ultimate truth. The root is the ultimate goal of many magicians, as long as the person who reaches the root can grasp all the causes and effects and laws of this world, but only a few people can reach the root. The moment he reaches the root, he will erase the magician's existence in this world, and in the realm of emptiness, the only one who can reach the root and exist in the world at the same time is Aosaki Orange.

The two major inhibitory forces are Gaia and Alayah, which can be understood as two void unconscious bodies, Gaia is responsible for protecting the earth, and Alaya is responsible for protecting humanity. The inhibition will be applied to all people and things to determine whether or not it threatens the existence of celestial bodies, and if it is not possible to destroy the individual by human means, it will destroy the individual with natural disasters and the surrounding area. Alaya will save humanity without anyone noticing, and some people will be influenced by Alayah to resolve the human crisis in a contractual way, while Gaia prevents humanity from reaching the root, mainly because the chance of humanity reaching the root world destruction will increase.

The four exorcism families are divided into two yi, seven nights, shallow gods and witch jing, and these four families all have special abilities that transcend abilities. The current head of the Liangyi family, Liang Li, has the magic eye of direct death, and can see the death line on objects, and death is at the touch. The specific abilities of the Asagami family are unknown, but in the realm of emptiness, Asakami Fujino has a magic eye that can be distorted, and this ability can only destroy matter but not conceptual objects, nor can it destroy objects that he thinks cannot be distorted. The Seven Nights family has the special ability to exorcise demons and powerful assassination abilities, and the Wujing family has a focus on prayer and advent, and belongs to the witch family.

There are only five magicians in the five magical worlds.

The first magic is one of the oldest spells, the exact details are unknown, and the user is deceased.

The second magic, observing the countless parallel worlds that exist, the person who can walk freely in the parallel world, the user is Kishua?? Zelridge?? Hubein Ogu. His magic is a gemstone sword that absorbs the magic of other worlds and a chest that can be packed with a lot of items.

The third magic is the materialization of the soul, in other words, immortality. When it is completed, it becomes a perpetual motion machine for wireless magic, and the Holy Grail War was born for this system, and this magic is passed down by the Einz Beiren family.

The fourth magic, like the first magic, has not been circulated in detail, and according to people, it is rumored to be real, and the user is unknown.

The fifth magic, the wandering magician Aoko Aosaki, inherited the magic from her grandfather, and is mediocre as a magician, but she is very good at destruction.

As for talking about more things, it's inconvenient to go into detail, Zhou Fangyuan's most familiar anime version, or 10's fate/zero version, of course, this refers to his previous life, when he graduated from college, he was reluctant to go out, and watched anime at home all day, that was his first contact with this world.

Coyote, Silly King, Golden Twinkle...... These are all characters he is familiar with and loves, especially the sentence "Are you Lao Tzu scolding him to death?" that was later changed by sand sculpture netizens, and I can't help but laugh every time I see it.

However, although he likes Xingyue very much, in comparison, Zhou Fangyuan still likes "Demon Forbidden" more.

To be honest, in Zhou Fangyuan's opinion, the setting of the demon ban is more powerful than that of the moon.

Of course, this is his family's words, and it doesn't matter if others don't approve of it, anyway, he thinks so himself.

Demon Forbidden is a long story serialized by light writer Kazuma since 2004, and has been widely praised by readers for its extremely large worldview and concise but vivid characters - this is the most intuitive introduction to the original work. However, when it comes to the main nature of the work, it contains so many attributes that it is difficult to draw intuitive conclusions.

In fact, needless to say, the preface of the forbidden book defines this work well: a hardcore combat work that is half sci-fi and half magical. It is hot-blooded but not brainless, in love but not a harem, magical but not vain, the royal road is not a dragon tyrant, but the group portrait has a protagonist, like a pot of various attributes of the stew, but it retains its own style, natural, not affected by the chaotic light market, like a maverick pig in the majority of light.

In addition, all kinds of side stories also give the magic ban a lot of room to extend.

"A Certain Science's Super Electromagnetic Cannon" is a light-hearted work of Lily's daily but biased towards combat, "A Party of a Certain Science" is a deep and brutal black combat work with private goods, and works such as "A Certain Daily Intix" can also evolve into a daily instant noodle work. Works with different positioning bring different perspectives, and the characters are not the same, which brings an interesting three-dimensional feeling. Maverick and diversity ensure the youthful permanence of the work.

Of course, as a person who has come over, Zhou Fangyuan is very aware of the entanglement between the animation of the forbidden book catalog of the previous life and the original book.

Just like the difference between a real tiger and a tiger doll, regardless of the gradual collapse of the painting style in the future, the lack of details in the animation has led to many animation parties' one-sided and even deformed opinions on the work, especially the characters.

In addition, "Super Cannon" and "Somewhere", which exist as a side story, are co-created due to the original plot of the animation and the original work, and the same character has different personalities in different works. Sometimes the setting of the characters in the more famous side works overrides the setting of the characters in the original book, which gives rise to OOC and stereotypes: Uejo Danma "The good old man Long Aotian who can only fight with mouth guns", Mikoto Misaka "Death Tsundere Mary Sue", and "Uncle Laughing".

However, from another point of view, animation is also a successful way of production, which attracts the general audience by abandoning the three-dimensionality of the characters and leaving behind their outstanding character traits, the cute points.

For example, most anime viewers are not fans of Mai Korin because she "has a strong self-esteem that is difficult to let go of and is willing to be kind to others", but simply because of the relatively flat attribute of "tsundere".

And most people don't like the self-struggle and eventual redemption between the desire to protect the Russian snowfields and the shadows of past killings, simply because of his strength, maniac, and domineering president-like temperament - that's enough, compared to animation, portraying characters is clearly a specialty.

The world view of the Forbidden Book of Magic catalogue is extremely large, and the number of characters who have appeared is even more numerous, and not everyone will be as three-dimensional as the last one, but it is definitely full of its own characteristics. It is undeniable that Kazuma's best technique is to sketch a character in one volume that is enough to play the leading role in any ordinary work, and then retire after it has served the plot.

As for the protagonists, they are even more frequent visitors to the top ten male and female protagonists over the years.

However, it is not exhaustive, and compared to the intuitiveness and smoothness of animation, there are also two obvious shortcomings.

One: too hardcore.

Referring to Hema's other works, such as "Heavy Weapon", "Unstepped Call", etc., you will find that hardcore is his consistent way of writing. Every time a concept of science or magic appears, Kamaike and Ma will make a detailed setting for it in the story, and advance the story by interpreting the setting. It can be said that whether it is magic or science fiction, magic ban belongs to the "hard" faction. This feature is both an advantage and a disadvantage in itself: the Scholar will get great pleasure in the process of reading, and the average reader may not know what to understand.

Second: the lack of continuity in the plot.

The story of the forbidden demon can be said to be segmented, which is also related to its certain group portrait attributes, and the plot is advanced by narrating the encounters of the three protagonists separately. Although the different story segments are quite related to each other, it is difficult to form a smooth linear narrative when they are set to be part of the story. In contrast to the equally famous Sword Art Online, while making an appropriate description of the sci-fi setting, Sword has a relatively smooth linear development, and each volume is interdependent, and due to the mentality of "predicting what will happen next", fans naturally have strong purchasing power.

Most of the time, one or two volumes tell a story, and the story lines of different protagonists intersect each other and switch frequently, so the connection between the stories is relatively weak.

Addressing these two weaknesses requires a lot of effort on the part of the reader – in contrast to the way most people take it lightly. In this way, the rough but point-to-point depiction and narrative of the animation meet the needs of most people, and can even send new fans who are willing to read carefully, which can be said to be a typical "light animation to advertising".

And the animation has its own strengths and complements each other, which is also the key to the success of the work.

The work of Demon Forbidden, in the light world, can also be regarded as an evergreen.

From April 10, 2004, when the first volume of the Old Testament was released, to Zhou Fangyuan's rebirth, the catalogue of forbidden books of magic has gone through its 14th year.

In the past 16 years, there have been two seasons of anime, and the third season is about to be released, and the epilogue animation and manga are blooming everywhere, but readers have never been able to see any signs of stopping the writing of the never-ending human flesh typewriter of Kazuma. According to his efficiency of "before the fifth volume is released, the sixth volume has been written, and the ninth volume has an outline", I am afraid that the blueprint for the creation of the covenant is already in his mind.

It was this kind of "typing" that has been like this for decades that has impressed the majority of Demon Forbidden fans, and then moved the Dengeki Library.

From the "No Demon Forbidden Three" at the 10th anniversary festival in 2014, to the outspokenness of a certain party in 18 years, Super Cannon Three, and even Demon Forbidden Three SP.

Unfortunately, the Demon Forbidden is indeed getting old.

As an old IP of the previous era, before Zhou Fangyuan was reborn in his previous life, the popularity and profitability of the magic ban could no longer match a large number of rising stars, and the story became more and more difficult to get rid of the original routine, and the animation work was also difficult to explain. As for the more distant future, whether they can see Demon Forbidden 4 and whether they are willing to see Demon Forbidden 4, these two questions have always contradicted the Demon Forbidden Chefs.

To be honest, before Zhou Fangyuan was reborn......, it was difficult for him to continue to make great progress in the industry where various new tricks emerged one after another.

What is the future of the Forbidden Series? It's hard to answer, but what is certain is that it will not be a comfortable and free road to heaven, but will still be full of twists and turns.

However, in this life, Zhou Fangyuan wants to make it different, in fact, the popularity of the forbidden animation is getting lower and lower, in addition to the worrying quality of itself, the bigger problem is that the time span is too large.

The release time of Demon Forbidden II is 10 years, and when it comes to Demon Forbidden III., when it is 18 years old, it is still only a piece of publicity, and the feature film has not been seen yet. This,To say that it's to make way for the progress of the original work,That's impossible.,In fact,The content of the magic ban is extremely rich.,The animation is often crazy to compress the plot.,It won't lead to over-funding.,This is also a big regret of the original party.。 And the industry, it likes to decide whether the next sequel will be made according to the sales volume, the sales are not good, the sequel is worrying, the time is too long, the popularity is declining, the sales are worse, and the sequel is far away...... It's a vicious circle.

So Zhou Fangyuan wants to take this work down, the purpose is very simple, he is too lazy to hand over this work to the original producer, he wants to become the producer, one of the small regrets in his previous life is that he couldn't see the third season. This time, his goal is not only the third season, and he doesn't compress the plot, he just wants to complete the plot, and then promote it season by season, he doesn't believe that such a work, in the case of fully sufficient funds, will gradually decline in popularity, including Sister Cannon, as long as he can be sufficient, he believes that this work, as well as these characters, will definitely be able to bloom more brilliantly.