In fact, speaking of this,I have to say,In terms of Guoman,Voice actor is indeed a big issue that has to be paid attention to。

This is not Zhou Fangyuan's mouth, after all, he is a reborn person, and the point of his rebirth is around the end of 18 years, in fact, at that time, there were already many high-quality Guoman. And there are really too many good-looking Chinese comics, round the plot, on the picture, on the special effects...... If you really want to give an example, it's not over,So,If Zhou Fangyuan says that Guoman can't do it at all,It's a fart to open your mouth,The rise of Guoman is in 2018,It's already been a very clear thing。

But the voice actor is definitely the biggest shortcoming of Guoman.

Many people say when watching Guoman that listening to the dubbing of Chinese voice actors in Guomanga has no other feeling, that is, it is embarrassing, including when watching many Japanese Chinese dubbing, it is also this feeling.

It's not at all like the kind of passionate or soft emotions when watching Japanese comics, I feel that the Chinese comic dubbing and Japanese comic Chinese dubbing give people either too much force, or not enough force, in short, it is very embarrassing, not like watching it.

This situation, although not all, certainly exists, and there are many more.

Of course, it can be explained that some people are used to listening to Japanese dubbing, and at first glance they are not used to listening to Chinese dubbing, but I have to admit that the domestic dubbing field does need a lot of training talents.

And there are still several problems with this.

First of all,We don't live in a Japanese environment,So even if we can understand it, we won't feel embarrassed,In fact, the two or three dimensional characters in Japanese speak in two completely opposite states,Fuso also feels embarrassed to speak in the second dimension;secondly,Lines problem,Some Guoman lines are seriously Japanese,It's not at all the thinking or daily words of the Chinese people,Can't substitute natural embarrassment;Third,Animation technology is not enough,The expression of the characters is not vivid enough,Can't match with the voice,People who watch it feel embarrassed by an unconscious sense of dislocation,Evidence is that some voice actors are also paired with TV series and movies in addition to Guoman, but no one finds the sound of TV series and movies embarrassing.

Fourth,Most of the powerful domestic voice actors have gone to dub TV dramas, movies and games,Few of Guoman's voice actors are professionals from professional classes,So embarrassing;Finally,There are still few domestic voice actors as a whole,Plus 4 reasons,Resulting in a high voice repetition rate,So embarrassing,Although there are some strong people,But it is also a very few。

There is a famous saying in the Fuso anime industry, that is, "voice actors are monsters!"

This sentence will gradually be known by more people in China, which shows how powerful the voice actor of Fuso is!

For example, Kana Hanazawa, she is one of the most famous voice actors in Japan, not only a voice actor but also a very famous singing star, who sings songs for the opening and closing credits of anime, and often participates in various singing shows.

There are many similar examples.,It can be seen that in the voice actor group of Fuso.,Especially the anime voice actors.,If the conditions are good, they will develop into acting stars.,From behind the scenes to the front of the stage;People who have watched the anime's "Dream Eater" should know that the heroine of the animation, Yadou Miho, is determined to become an excellent voice actor, and in order to achieve her dreams, she also went to a school that trains voice actors, and in Fuso, there are actually a lot of schools that specialize in training voice actors, because the development of Fuso animation requires a large number of voice actors.

On the other hand, domestic animation,At least at this time in 06,It's still a niche industry - in other words,Even if it's 18 years,The domestic animation industry is still not as good as other entertainment industries,So there is basically no industry in China that specializes in training voice actors,Like some of the more famous animated films may directly find stars in the film industry to dub,And ignore the training of domestic voice actors。

In fact, if anime wants to make great progress, it must at least cultivate a group of excellent and distinctive voice actors.

There are also some well-known voice actors in the absence of China, such as the well-known Bai Ke, who used to be popular in college by dubbing the comic "Funny Comic Rihe"; 's program is also a relatively early well-known dubbing group in China, but their existence is only a small part, most of the voice actors, in fact, have not undergone too professional training, many of them are halfway monks, or related majors have been transformed, to be honest, let them have some movies and TV series, the problem is not big, but it can be replaced with anime, and the problem is very prominent.

So to put it bluntly, the comparison between the voice actors of Guoman and Riman is not so much a difference, but a qualitative gap

In fact, most manga fans don't understand Japanese at all, but when watching anime, you can still clearly feel the difference between the two. This difference does not come from the language, but from a sound-created situation: when you listen to the character lines of some excellent Japanese comics, sometimes you can substitute yourself into the atmosphere of the story through the voice without the guidance of BGM or plot. Moreover, the joys and sorrows, self-confidence or low self-esteem of the anime characters can be fully reflected through the voice actors.

It's one tone when you're blaming yourself, and when you're cheering up or being happy, it's another, and as the characters' mental outlook changes, the tone of their voices will also adjust, making you feel that the voice actor who voiced this anime character seems to be much more than one voice actor, which is very realistic. However, it is not easy to do this, and it is not possible to do it with ordinary training alone, but it is necessary to have a voice talent and a foundation of practice that has accumulated over time.

But when watching Guoman, many viewers can only feel the difference in tone, and in the tone of the characters, it seems that it will always be the same. Take Guoman's masterpiece "Qin Shi Mingyue" as an example, if you ignore the subjective likes and dislikes, and listen carefully to the characters' voices, you will find that even different voice actors and different characters seem to have the same tone. For example, Li Si, except for Qin Shi Huang, many times, no matter who he talks to, as long as he listens to the other person's words, he will be used to exclamating "oh-", and the drag sound is also very interesting, because you will find that it will reappear in the mouths of other characters in the near future.

To be honest, let's not talk about the present, let's just say that before Zhou Fangyuan was reborn in the previous life, Guoman had achieved great success in shaping the character's character, but the problem was still in the voice actor, resulting in an originally unfathomable character, as long as he spoke, the mystery was suddenly swept away, and sometimes it was even very dramatic.

But this is not surprising,After all, the Japanese comic industry has undergone a certain development,Thus forming the foundation of today's consolidated atmosphere。

Our anime has a long history of development, but the path of development is not as smooth as Riman's, there are too many obstacles along the way, and the concepts of the two countries are completely different, so whether it is in the cultivation or play, there are naturally such big environmental limitations.

So put aside the issue of voice actors, let's look at the anime development of the two countries.

The subject matter can be said to have its own merits,Japanese comics are mainly modern styles,Guoman is more dependent on tradition。

Most of the time and space settings of Riman's masterpieces are in the contemporary era, and most of the story backgrounds take place on campus or in the city, such as "Weather Child", "Takagi-san, who is good at tricking";

The main reason for this distinction is culture.

Our culture has a long and profound history, and many of our traditions are very elaborate, so they can be used for artistic creation, and there is a constant source of inspiration. Fuso has a history that it wants to be a long time ago, but it is not as dominant in world history as our country, and many things themselves have been passed down from us, so they need to innovate themselves in addition to their own traditions.

Maybe this statement is not too convincing, but you can compare American comics, which are basically modern or futuristic themes, because they don't have so many historical traditions to use as creative materials, and they are the other extreme compared to us. In this way,Japanese comics in the theme of the plot,It's like a balance between Chinese comics and American comics,So they not only look back on the tradition,But also look forward to the future,Sometimes even borrow from foreign traditions。

In addition, there are differences in the three views.

At this point, there is no way to compare the animation of the two countries, but once it sets foot in the field of "tear-jerking", the three views of Guoman collapse instantly.

If the audience of animation is the majority of teenagers, the three views are undoubtedly a major element that cannot be ignored in animation, although compared with other "hard indicators" of animation, it is not much related to animation art, but its impact is huge, because it may directly instill the values of animation into the audience, especially some negative values.

When it comes to the three views of animation, we have to talk about the field of "tear-jerking". The tear-jerking effect of Riman is undoubted, which is especially highlighted by Jing Ani's works, many comic fans have cried to death, and Zhou Fangyuan is too, the moving feeling of watching "CLAAND" is still engraved in my heart. There is also "Rebellious Lelouxiu", especially the part where Lelouch dies at the end, which is really very tear-jerking, Zhou Fangyuan was a big man at that time, and he was urged to do nothing.

And Guoman in the "tear-jerking",The disadvantage is more obvious,If you have a certain number of bases in watching anime,It's hard for you to see a Guoman that can move you to want to cry。

There have been many Guoman who wanted to try to "tear jerker" in this field, but they all ended in failure.

For example, the famous "Big Fish and Begonia" wants to use a grand background to echo the heroine's inner emotions, and in the end, the audience gets a visual experience, as if they have a little resonance, but as long as they think about it a little, reason will criticize this "resonance" to the fullest. Because of this kind of touch, it was exchanged for reason and thought as a sacrifice, but many people were unwilling to lose their minds, so they began to dislike this national comic.

"Weather Child" has a certain similarity in this setting, although it is moving, but it is not to the point of tears, and at the same time, he also gives the audience a certain space to think, unlike "Big Fish and Begonia", which is "uncompromising", between moving and rational, you can only choose one of the two.

For example, in "Weather Child", the sinking of Tokyo has no responsibility for the heroine Yona, and she is not obliged to exchange her life for the prosperity of Tokyo, but in "Big Fish and Begonia", the reason why her hometown is destroyed is intuitively related to the heroine's behavior, and it can even be said that this catastrophe was caused by the heroine.

In "Weather Child", everything in Tokyo is not actually related to her in essence, her relatives are only her brother, so Tokyo is partially flooded, in fact, she will not have many emotional choices, but "Big Fish and Begonia" is different, she chooses her benefactor between her benefactor and her relatives, regardless of the life or death of her clan and those who care about her. To sum up: if you choose the person you care about the most and a group of strangers, we don't seem to have anything to say, but if you choose a single benefactor between a benefactor and a group of benefactors or even friends and family who have been with you for a long time, and even take the initiative to sacrifice more innocent friends and relatives, then in your heart, what is the value of your relatives and friends who have always been with you?

Not only "Big Fish and Begonia", but also the anime "Town Soul Street" has the same problem, this kind of work is just to be moved, and ignores the three views, to be honest, many viewers really can't agree with this aspect.

Of course,Outside the field of "tear jerking",A large part of the Japanese comic is on the three views,There are also big problems,And on the other hand, Guoman,In this regard, it seems relatively normal。 But outside the field of "tear jerker", there is still no comparison between the two.

Okay,It's far away,In short,Guoman's progress is huge,It can't be said that it surpasses Riman in an all-round way,That's still impossible。 After all, people have been developing for a long time, and a stable industry has been formed in all aspects, not to mention in 06 years, even before the rebirth of Zhou Fangyuan in the previous life, most of the related industries were also not sound. First and foremost is the voice actor industry.

You don't have a professional training school, you don't have a lot of subsoil, you don't have enough room to rise, how can you develop?

As mentioned above, the top Japanese comic voice actors, as long as they are not too bad, can develop horizontally and enter other fields. But is this possible in China? In China, several times it was 0202, and there is still a big one, no, it is a considerable part of parents who think that their children should watch less cartoons, and at the same time, there is a very large part of society, thinking that cartoons are for young children, not to mention adults, even teenagers, it seems that watching cartoons is also very naïve.

The national conditions are different, and the animation industry in Fusang can be said to be a national industry, because of some historical reasons, it can be said that from 99 to 99 to Ganghui, animation can be accepted. But at home, the situation is quite different.

Different national conditions have directly led to the slow development of the domestic animation industry, not to mention the various crooked roads that have been taken, even in the case of national policy support, the development speed is still not satisfactory, such a situation, how can a large number of healthy and complete industries be produced?

One of the final results is that the number of voice actors, or voice actors, is not enough and not mature enough, and then it leads to the dubbed Guoman, which gives people a very embarrassing and uncomfortable feeling.

The general environment, Zhou Fangyuan can't change it, so he can only work his own one acre and three minutes, and the voice actor training department within the Yuanfang Group has now cultivated hundreds of very professional voice actors, and now it is just right to take it over and contribute to the next development of the group.

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