The times are developing, and the techniques of painting have been improving. No matter what kind of painting it is, there must be a big difference between modern techniques and those of hundreds of years ago.

Let's not mention other themes, just the character pictures. The ancient figure drawings, in the eyes of today's people, are very strange and not very coordinated.

Either fat, or with a large face, the body is disproportionate.

It was not until after the Ming Dynasty that Western painting was introduced to the Central Plains and slowly merged with Chinese painting, and the distortion of figure painting was improved.

This is the progress of technique and aesthetics.

Now the murals painted by Shiraba, he is not only restoring, but also re-creating. In the original picture, whether it is an emperor, a god general, or a fairy, it is basically a big cake face, and the figure is even more chubby, full of flesh.

No way, ancient people, fat people are basically rich and noble, powerful class. I haven't heard of ordinary people, who can eat fat.

Therefore, in the eyes of ancient painters, the gods must be fat.

If you are not fat, can you be called a fairy?

But the aesthetics of the ancients definitely do not meet the standards of white leaves. Therefore, when painting the murals, he made some modifications, and carried out a small "beautification" for the figure and appearance of the gods, so that they conformed to modern aesthetic taste.

In his pen, the emperor and the god will be graceful and luxurious, and at the same time, the momentum is extraordinary, and at the same time, it is a standard upright figure, showing a heroic atmosphere.

As for the fairies, their posture must be very graceful, and their facial features have become very exquisite, which is more in line with the public's fantasy of ancient beauties.

All in all, it was because of this "magic change" that it took him more than a month, but he failed to complete the mural.

Still, he was willing to do it.

After all, he has been a long, long time, and he has never shown his passion like this. So he was somewhat unhappy about the disturbance of Fan Ji'an and others, and he barely coped with it......

"Wu Daozi, have you ever painted the eighty-seven immortal scrolls? The eighty-seven immortal scrolls are really related to the Chaoyuan Immortal Staff Diagram?"

However, at this time, one question after another appeared in the minds of Fan Ji'an and others, and they were eager to get some answers in Bai Ye's mouth.

However, Bai Ye no longer responded to them, and continued to carry a brush, sketching smooth lines on the snow-white wall.

"You ......"

Seeing this situation, some people felt offended, so they wanted to reprimand and reprimand. Fan Ji'an waved his hand and stopped.

"Let's go. ”

Fan Ji'an groaned and beckoned everyone to leave.

Walking outside the temple gate, someone gritted his teeth and said, "This kid is too arrogant." ”

"Arrogant, no one in sight. ”

"I don't respect the old at all, I don't respect the old ......"

The voices of criticism are endless. However, a more serious study shows that most of these slanderous words come from other people's mouths.

Fan Ji'an and a few old men were basically silent, but on the contrary, they also showed a look of thinking, as if they were thinking about something.

After a long time, an old man asked, "Brother Fan, what do you think?"

There was no clue about the question, but Fan Ji'an understood it and hesitated: "I think...... We should look it up. ”

"Makes sense. ”

"Let's go!"

A few people have made a decision, just like they came resolutely, and now they are leaving in a hurry, regardless of the other people's goings and opinions.

"Huh?"

When some people saw this, they were naturally stunned and sluggish. dared to scold them for a long time, it was purely a mistake, and it was a waste of effort.

Anyway, after Fan Ji'an and the others left, the architects led by Jiang Yuan also left with a little disdain.

For a moment, only some people were left looking at each other and smiling awkwardly.

How to say it, a little cold, and a little annoyed. Hey, it doesn't flatter, but it sets off them villains.

Although this is a fact, it is a little unpleasant to be exposed like this.

Hum......

They are also gone.

However, soon after they left, the news began to spread in various art forums. The title of each post is either flat and straightforward, or thrilling and exciting, anyway, it is very eye-catching.

Everyone opened the post, read the content, and was suddenly surprised.

Wu Daozi, Wu Zongyuan, Bai Ye......

Eighty-seven immortal scrolls, Chaoyuan immortal scepter diagram.

It's amazing how these keywords are connected.

Is it true or fake? Everyone will inevitably be suspicious. After all, in everyone's impression, white leaves should not be involved with Chinese painting.

It's just that when all kinds of details are constantly disclosed, public opinion also begins to boil.

Many people suddenly became interested and began to discuss.

Among them, the hot spots are basically concentrated in ...... Did Wu Daozi really paint a work with the theme of the Eighty-Seven Immortal Scrolls? Did Wu Zongyuan's Chaoyuan Immortal Scepter Diagram really copy this work of Wu Daozi?

Interesting proposition, people argue endlessly, and enjoy it tirelessly.

After a long discussion, everyone basically came to a few conclusions. First, in the current literary and historical materials, there is no record of the so-called eighty-seven immortal scrolls. Second, Wu Zongyuan's Chaoyuan immortal scepter diagram also only exists in the literature, and the picture has been lost, and everyone does not know the specific appearance.

The mural of the third white leaves...... What is the situation?

You can't just talk about the picture.

Hooray!

In an instant, under the few people who posted, they were all urging to draw a picture. Everyone has the same opinion, there is no picture and no truth, and if you don't send a picture, you are a hooligan, and you report it.

Under the unity, someone really posted a picture. A clear high-definition picture, even if it is only a part, is enough for people to see the clues.

At first glance, there was a sudden silence under the lively post.

Zhonghai, Yu family.

Yu Chi was holding a lightweight laptop, and the moment he saw the photo, his hands almost shook and the notebook was dropped.

He was taken aback, immediately jumped to his feet, and hurried to the study.

"Dad......"

In the study, Yu Hao played with the purple clay pot and tasted tea. Seeing Yu Chi break in, he kept a calm look: "What's wrong?

"Look. ”

Yu Chi didn't say a word, and handed the notebook directly.

Yu Hao stared intently, his gaze was certain, and a different color flashed: "This is ......"

"The murals of white leaves. Yu Chi immediately explained: "Recently, he has been obsessed with mural creation in Hangzhou......

"I've heard you say that. ”

Yu Hao nodded: "It's just that you didn't tell me, this is a white drawing." ”

"That's how I found out......"

Yu Chi scratched his head and said, "I always thought that he was creating oil paintings." After all, Western murals are mostly in the form of oil paintings. ”

It's also interesting to say. In both the East and the West, the flourishing of painting art began with murals, which can be regarded as a commonality.

"So this work ......"

Yu Hao raised his head suddenly: "Did you show him?"

"Huh?"

Yu Chi was stunned and stunned: "Isn't it you?"

In an instant, the father and son looked at each other without saying a word, and the air suddenly became quiet.