After a while, Yu Chi was the first to react: "Dad, no, how can you doubt me." You know, the key to the vault, but in your hands, even if I want to take Bai Ye to see the painting, I have to get your permission. ”

"That's the truth. ”

Yu Hao nodded and said, "The question is, can you copy it to him?" ”

“……”

Yu Chi was silent for a long time before he said quietly: "Do you think I have the ability?"

"That's right. ”

Yu Hao thought about it, and was also a little confused: "In this way, it's strange." Could it be that there are really eighty-seven immortal scrolls in the world?"

In his private collection, there is a scroll of the Chaoyuan Immortal Scepter.

Well, fake.

According to his and his friends' research, the scroll should be a Ming Dynasty, when a painter saw a copy of the work and painted it again based on his impression.

Therefore, the level of the painting is not high, and many details are unsightly.

This is also the reason why he collects his drawings and does not make them public.

In fact, not only him, but also many people have many good things on hand, but out of secrecy, they never make it public.

In other words, there is no need to make it public.

In this world, due to the deviation of the timeline, although many things were destroyed in the war, there are also more treasures that have been handed down. A volume is just a forgery, only for reference, and it is not necessarily true to say how much attention is taken to it.

Yu Artemisia is hidden in the inventory, and some people know that he has a scroll, but his friends undoubtedly pay more attention to his work than to the fake.

"Go get the painting. ”

Yu Hao commanded and handed the key to Yu Chi.

After a while, Yu Chi carried a long brocade box to the living room. He opened the box, and inside was a thick scroll.

Spread out this scroll, it is a long scroll, Chaoyuan Immortal Scepter Diagram. The reason why this picture scroll is a forgery is because the level of the picture is too shoddy.

The clothing lines of the characters, as well as the outline of the facial features, are very rough.

It can be said that there are too many failures.

This is also the reason why Yu Hao pressed the scroll at the bottom of the box.

However, if you think about it carefully, there are actually deep-seated reasons. Yu Hao is a master of Chinese painting, but what he is best at is freehand painting.

The picture scroll in front of me is a white drawing.

The so-called powder book, in jargon, is the manuscript of ancient painting powder and sample. In today's parlance, it's a small draft.

After the draft is completed, you can draw the scoop according to the gourd and paint it on the wall.

This kind of manuscript, after being handed down to future generations, has also become very cherished and valued.

But it also depends on the situation, for example, for a freehand painter like Yu Hao, this Chaoyuan immortal scepter is really not very good.

It's not that the imitation is not good, in fact, for Yu Hao, even if the real work is in front of him, he also evaluates it like this.

This is also normal.

In the original time and space, some people have a high evaluation of the Chaoyuan Immortal Scepter Diagram, thinking that this is a masterpiece of the ancient and modern, but some people have a mediocre evaluation and think that things are very ordinary.

After all, aesthetics can be said to vary from person to person. Some people don't appreciate the white drawing pattern, and think that this kind of painting is not artistic, and it is very normal. On the contrary, some people think that the white drawing technique is superb, wonderful, and very reasonable.

Of course, disliking and not appreciating does not mean being biased.

At least Yu Hao knows that white drawings naturally have their value. Especially when it comes to the inheritance of painting saints like Wu Daozi, it is of even greater significance.

"I've definitely never seen this painting of white leaves. ”

Yu Chi groaned: "So are there other versions on the market? Maybe as he said, there is the so-called, Eighty-Seven Immortal Scrolls......

"That's not the point. Yu Hao shook her head.

Yu Chi was stunned for a moment, and suddenly understood: "Dad, do you want to make sure that the mural in the photo is really from Bai Ye's hand?"

Yu Hao stopped talking, he held the photo and compared the picture scroll.

Actually, there is no need to say more, this is a clear thing. The mural pattern figures in the photo are full of movement, with smooth lines and flowing lines.

Judging by the strokes and techniques, this is a very high standard. There is no way to compare the clumsy picture scroll with it.

This is where Yu Hao was surprised.

You must know that it is impossible to integrate oil painting techniques and Chinese painting techniques. Most of the concepts that can be borrowed are perspective and layout. It is basically impossible to present the long, smooth lines of Chinese painting in oil painting.

The reason is very simple, the pigment of oil painting needs to be mixed with turpentine to appear viscous. Therefore, if you look closely at some oil paintings, you can find that the brushstrokes of the pictures are very short.

I'm not an oil painter, I don't want to make the brushstrokes long, but I am limited and can't grow at all.

But if a famous master has such a stroke, the length of dozens of centimeters is worthy of a special book, recorded in the history of painting, and admired, studied and admired by future generations.

Accustomed to the rhythm of oil painting, and then learning Chinese painting in turn, it is naturally easy to be restricted and not adapt to the techniques. This kind of habit, for a while, is difficult to change.

Unless you have great perseverance, spend a few years studying hard, and correct your behavior little by little, it is possible to change.

The problem is that white leaves can be regarded as rising under everyone's noses. His experience, his life, has been pondered over and over again. It stands to reason that he shouldn't have the time and energy to specialize in oil painting and at the same time study Chinese painting.

After all, the art of painting is not architecture, sculpture or the like, as long as there is inspiration and creativity, and the technical requirements are not high.

Painting is not just a matter of talent, but also requires a long period of practice. If you don't hold a pen for a day, you may be rusty and unstable in your drawing.

White leaves, do you have this time?

When I was in private contact, I didn't see him learn Chinese painting techniques.

Yu Chi also had a similar question in his heart. He pondered for a moment, and immediately proposed, "Dad, why don't we go over and observe it with our own eyes?"

Anyway, Zhonghai is not far from Hangzhou, and you can set off at any time.

"Good. ”

Yu Hao agreed.

If Bai Ye is in a small temple and the mural painted is an oil painting, no matter how brilliant the oil painting is, he will definitely not be interested. But the other party created a Chinese painting, even if it was a white painting that he didn't appreciate very much, he was interested and planned to find out.

As soon as they said go, the two called the driver and set off immediately.

After two or three hours, we arrived at our destination. They didn't alarm others, and planned to go to the small temple to contact Bai Ye again. But when they went to the place, they were surprised to find that a group of people had also come in front of the temple, and many of them were familiar faces.

"What's going on......"

Yu Chi was stunned and stunned: "Everyone is here." ”

"And rightfully so. ”

Yu Hao was stunned, his eyes turned slightly, and he also revealed the light of wisdom. He reminded him meaningfully: "Don't forget that in the art field of this land, Chinese painting is the mainstream, and it has attracted much attention......

One sentence was said silently, speechless.