After a three-month break, Suo Po He premiered.

……

Compared to the ghostly evil door of "The Cry", the latter is more serious, more speculative, and more exciting to me.

It is very similar to "The Da Vinci Code", on the one hand, it is similar to the role of a detective to track down the cult, and on the other hand, the cult organization uses the gimmick of apocalyptic redemption to do unrighteous things, and there are a lot of ciphertext spell symbols in the process, which is quite a lot of metaphors.

Combined with the reality of local religion, the integration of Buddhism, Catholicism and shamanism elements, the dense Buddhist hall, the murmuring incantations, the strange ghost children, the collapsing faith, the distorted human heart, to build a strange and treacherous world of sava.

Ding Cheng's acting skills are amazing!

……

Combining supernatural, detective, and religious elements, individuals have no resistance to this type of movie. It is very similar to "Double Pupils", but compared with the latter's folklore and Taoism, this film explores religion in more depth, as well as the mixed issues of faith and reality.

The first half of the investigation is very good, the suspense tension and atmosphere are excellent, and the entertainment and story tension are reduced after the in-depth discussion in the second half, but the sense of gloomy atmosphere created by photography and music still maintains the unity of perception.

The setting of fate in the whole movie is very clever, which can both arouse people's appetite and justify themselves. In addition, the Buddhist master in the film said that there is no pure evil in Buddhism, and the so-called evil refers more to people's greed and obsession, which is also well reflected in the plot.

The most divine thing is that the story about Buddhism is promoted by Christian priests, and the two religions are intertwined in the film, but they can reflect each other without contradicting each other.

……

I like Ding Cheng's two works so much!

The previous walk with the gods was also a perfect integration of the Buddhist ghost god Yama. This is also a perfect fusion of Buddhist teachings and symbols, weaving a story full of religious connotations of good and evil, evil and good, and good and evil have no boundaries.

The process of solving the puzzle in the first half is also very cool, and a lot of foreshadowing is not boring, maybe I love this kind of film very much, and the reversal and subversion in the second half are also very unpredictable and not reluctant!

……

The 120 minutes are very engaging, the narrative is smooth, the shooting is sophisticated, the background is mysterious and seductive, and there is a lot of professional knowledge involved, but the story is well told, and the thoughts follow the plot throughout the whole process.

The rhythm of detective suspense reasoning is gradually narrated about the inside motives of a religious crime murder, and the process of scripture brainwashing and the struggle of believers is also shown in detail.

There are not only horror and thriller elements, but also literary discussions on the existence of social and religious groups, and even unexpected trick reversals with reasoning implications.

The multi-line narrative slowly infiltrates from the surface to the inner intersection, and at the same time forms a reversal of the essence of good and evil in the character.

The commerciality is close to a full score, and the social targeting is still lacking, the most important thing is that the ending is completely declension collapse, the logic is fragmented, how can the golden retriever boy not die is really magical, occupying the halo of Ding Cheng's male protagonist, and forcibly wanting a happy ending?

……

The beginning is terrifying, the script is anti-routine, it seems to satirize the blind faith of human beings, uses the core of several major religions, and even mocks the aura of the protagonist of the movie, directly making the explorer a person who is at the mercy.

But at the end, it supports the paradox of the Buddhist Mahayana Buddhism, that is, a prophecy of the money-greedy master to the people in the demon sect, but instead becomes the ultimate guide.

The annotations in the film have the meaning of accomplishment, auspiciousness, death, calamity, gain, and non-dwelling, and the theme has also become a name that promotes the absurdity of reality.

……

It's an insult to this kind of film to be labeled as inverted, because its brilliance doesn't depend on suspenseful reasoning.

The discussion of religion becomes more and more mysterious as the plot unfolds, and the horror of holding the pipa and half-covering the face is just right with the cold atmosphere of the painter's hard to paint the heart, and the ending is suffocating.

Seemingly true and untrue, black and white, upside down, right and wrong, these philosophical speculation propositions are intertwined and become a moving story.

The context and core are much simpler and clearer, the interpretation of religious concepts is straightforward, the threshold for viewing the movie is much lower, and the relatively meticulous ontological reasoning and the extremely aesthetic tension of the lens are unstoppable!

……

The sacred is oppressive, fearful, but touchable. There are a lot of crossover and parallel cuts in the narrative, but there are few show-offs, which creates a rather tense atmosphere.

In terms of actor performance, Park Jung-min's role is relatively plump and heavy, when he was a child, the kind leader draped a pure white robe over his shoulders, but taught him to become a bloodthirsty beast, and when he was dying, this cunning priest covered him with a black coat, but gave him the last dignity of being a human being.

I like Ding Cheng's monologue in two paragraphs questioning the existence of God, and his acting skills explode. If God is really watching us, why is He doing nothing?

This is undoubtedly the cry that needs to be issued by social reality, sincerity should be followed, trust deserves to be respected, the hands of family members are always hot, and pious awakening will never come too late.

If God is powerless, why don't we try to show kindness to the world, otherwise the world will be too cold.

……

The sinless man, or the only way to become God?

There are a lot of metaphors, and it is enjoyable to watch. In Buddhism, there is no evil, there is one and the other, the so-called ghosts are just people's desires and greed, Jin selected four people to destroy the ghosts, but the ghosts were born from him, and the people who killed the ghosts killed the real ghosts.

I love it so much, the whole structure atmosphere details are amazing!

This story is not complicated, but the great thing is to make this uncomplicated and refreshing direct hit. I know that I know the shortcomings, but I still have goosebumps......

……

The box office broke one million on the first day!

Trigger a national craze again!

"You have become a god in Korea!" Su Yao looked at Ding Cheng and said with a smile: "First walked with God, and now it is Suo Po He......"

"That's it!" The little girl was also beside her, lest the world not mess up: "As long as Brother Cheng is in ......"

"South Korea's ...... on one acre and three points of land"

"I'll just ask?"

"Who else!"