After watching the first national treasure "A Thousand Miles of Rivers and Mountains", the audience roughly understood the format of the program.

I have to praise it, this show is really good, not to mention the exquisiteness of the show, the form of the show is also very innovative, not only the national treasure allows you to feel the profound charm of Chinese culture in the cultural relics, but also can absorb a lot of nutrients in entertainment, which makes people want to stop.

On the stage, the oath of the three guardians of the first national treasure after receiving the guardian's seal is quite incendiary, and the show is unexpectedly exciting, but according to what fans always feel is wrong, according to their understanding of the pit owner, shouldn't this be?

Why?

What about selling cute?

How can the pit master's show not sell cuteness!

How could the pit master's show be so honest and serious!

Although there are humorous jokes in the introduction of the first national treasure, it still feels a little too serious and restrained, and the feeling of not letting go of the board at a glance is too unscientific!

I don't believe it, there must be even bigger surprises to come!

Otherwise, how can you say that fans are extremely witty, the first thing at the beginning of the show is naturally a little restrained, and when the second thing is done, the program team immediately began to be unable to control and let go of themselves.

The second national treasure of the Forbidden City even looks so different in its name - all kinds of glazed vases!

"Poof~!Are you serious about this name?"

"All kinds of glazed vases, this name is too dramatic!"

"What? I thought it was a bunch of bottles!"

......

Although the name is a little peculiar, it is known as the "mother of porcelain", and the craftsmanship is really scary, and the seventeen crafts that can represent the top level of Chinese porcelain production are contained in this large bottle!

Under the introduction of the little brother Wang Kai, the guardian of the national treasure, a sense of déjà vu came out in an instant, but the audience really didn't think that this bottle was easy to see, and the aesthetic of "farmhouse" was really difficult for mortals like me to understand.

Who let his master Emperor Qianlong, to be reasonable, this Emperor Qianlong is in the courtyard of the deep palace, and he is in contact with China's top artworks, and it is said that the aesthetics are absolutely extraordinary, but compared with the art master Song Huizong, Qianlong's aesthetic taste is the other extreme, probably the lowest limit of the emperors of the past dynasties. One person wrote more than 40,000 poems, and none of them went out, which can be seen, cough.

Later generations of famous collectors commented on Qianlong's "porcelain mother" and said: "The collection of various colors of glaze and all kinds of colors is an original creation of the Qianlong Dynasty." To do such a hypocritical thing, it must be after having enough food and clothing. ”

Who made him the emperor, rich is so capricious, just so hypocritical, who he loves!

Such a very topical emperor, how could the program team let it go, in the next story of the previous life of "Porcelain Mother", the most lethal official complaint came, which simply pressed Qianlong's aesthetic taste on the ground and rubbed it, without saving any face, making the audience laugh out of tears.

In Qianlong's dream, Wang Xizhi appeared, but before Qianlong had time to show off his ideas like his idol Wang Xizhi, he was angry with Wang Xizhi.

"Look at what happened to me when I was about to snow and how bad it was to be trampled by you! You count, how many big stamps have you stamped? You said that you stamped it, forget it, and write an inscription!"

The audience burst out laughing as soon as they took a sip of soda, and of course, it takes a bit of knowledge to understand this meme.

Emperor Qianlong was fond of collecting, and this energetic emperor identified, graded, and recorded a variety of antiquities collected by the court, such as calligraphy and paintings, rare books, Zhongding Yi ware, inkstones, and seals.

Before each of these works, Emperor Qianlong would personally write a preface, and in each preface he would emphasize that the work was more extensive and authoritative than similar works of his predecessors, and hoped that they would be "cherished and passed on forever."

When you meet something you like, you will stamp the inscription "to show respect", and then "Sunny Post When the Snow is Fast" This kind of god product does not need to be said, it is simply Qianlong's favorite, it is rumored that you have to lie in bed every night and hold it, and you will come to a chapter when you are happy, so "Sunny Post when the snow is fast" was covered by Qianlong Ye 72 chapters, right......

"Hahahaha~~~!!"

"Stamp Maniac!"

"Wang Xizhi is angry with you!"

In the laughter of the audience, in the face of the angry rebuke of the sages, the Qianlong Emperor played by Wang Kai was wronged, and hurriedly explained that it was to make it easier for future generations to understand Mr. 's calligraphy.

The words fell, and Wang Xizhi scolded him back,

"Then you inscribe on Mr. Huang Gongwang's painting, also so that future generations can understand it?"

Immediately after that, Huang Gongwang came out, naturally he came out to slap his face, and sighed again and again.

"That's really bothering you, it seems that the old man's painting is too profound!

This is another stalk, the Qianlong inscription on the "Fuchun Mountain Residence Map" is not the biggest laughing point, the important thing is that in 745, a "Fuchun Mountain Residence Map" was requisitioned into the palace, the Qianlong Emperor couldn't put it down after seeing it, treasured it by his side, took it out from time to time to appreciate, and gave the poem inscription in the blank space of the meter-long scroll, and stamped the jade seal.

Unexpectedly, the next year, the local officials presented another "Fuchun Mountain Residence Map", the two are too similar, and it is difficult to distinguish between truth and falsehood. But how wise Qianlong is, after his identification, the real product was thrown into the warehouse by the wayward Qianlong Ye, and he held the fake for a lifetime.

If it weren't for the fact that the genuine painting was really "realistic", it would have reached the level of "confusing the real with the fake", so that the Qianlong Emperor could not bear to discard it, and the collection was in the inner house, and the authentic work of "Fuchun Mountain Residence Map" was afraid that we would never see it.

But it's also a blessing in disguise, right, it was not stamped with a poem by the emperor in the inscription on the picture, and it retained the "clean body".

You can't even tell the difference between real and fake paintings, you don't understand it yourself, and you dare to say that it is to make it easier for future generations to understand?

Huang Gongwang flicked his sleeves, Xiao Hongli trembled, and was aggrieved.

In various TV series in the past, it was often said that Qianlong liked to pretend not to understand, and always liked to use fakes as treasures, which has a historical basis.

Also suffering from such treatment is the Northern Song Dynasty landscape painting master Fan Kuan's "Traveling in Streams and Mountains".

However, Emperor Qianlong received two ancient paintings from his courtiers. The subject matter of these two paintings is the same, they are both traveling in mountains and rivers, and the authors are the same, both claim to be the authentic works of Fan Kuan, the great master of landscape painting in the Northern Song Dynasty; even the pictures are exactly the same: a majestic mountain stands in the middle, a waterfall rushes straight down, a team of donkeys travels through the mountains and forests, and the distant mountains and near the water rush to the face, which is worthy of the master's handwriting.

The only slight difference is the brushwork style, one is slightly quaint, the other is slightly beautiful. These two paintings are obviously not painted by the same person, so who is real and who is fake?

Perhaps Emperor Qianlong was a petty bourgeoisie, and he liked a little fresh feeling the most, so he waved his pen and set the one with clear and beautiful brushwork as a genuine masterpiece, and then stamped various inscriptions on the picture, leaving all kinds of traces of "Qianlong visited here", which destroyed the harmony of the picture for no reason.

Since the other one is a fake, it can only be classified as inferior, and it was spared the torture of being inscribed by Qianlong, and put it in the warehouse, and no one has cared about it since then.

But the real thing is the real thing, and the real gold is not afraid of fire. In modern times, the first to realize the value of the Xishan travel map was Mr. Xu Beihong, who discovered the unusual features of this painting from an artistic point of view, and directly identified the Xishan travel map as the first national treasure of the Forbidden City, saying that this picture is "majestic, majestic and ancient", and is "the most poured person in my place".

Even so, no one dared to conclude that this painting was genuine, even if Mr. Xu, the first person in modern Chinese art, discovered its extraordinary from an artistic point of view, until later, the researchers of the National Palace in Taipei found that there was a signature of Fan Kuan hidden in the painting.

Today, the authentic painting that was approved by Qianlong has been pierced and is a fake imitated in the early years of the Qing Dynasty, while the other so-called fake is the genuine Northern Song Dynasty Fan Kuan's own handwriting, the first masterpiece of Chinese landscape painting, and now it is the treasure of the Taipei National Palace Tianzi No. 1.

Therefore, how can it be enough for the two sages, Wang Xizhi and Huang Gongwang, to come out and scold Emperor Qianlong?

Su Luo gorgeously added another Fan Kuan to the plot, the three sages were not enough, and after the sentence "You want to make such a bottle, do your family know?", his father also came out to slap his face, and the audience laughed completely,

"Hahahaha!!"

"No, I laughed so much that tears came out of my eyes. ”

"The official complaint is the most deadly, Lord Qianlong!"

"Qianlong: You come out for me in the program team, I'm shameless, right?"

"Qianlong: Come on, drag the program team out for me, behead!"

"Hahahaha!"

......

And Qianlong also had Qianlong's insistence, and said firmly in the face of various doubts,

"Now that the four seas are unified, my son also wants to make the culture prosperous, and this porcelain vase is also to let future generations know that I can collect the masterpieces of porcelain in the past dynasties!"

Even if I fall into a vulgar style, I want to show off, I show off as a craftsman in Jingdezhen, and I show off as a prosperous Qing Dynasty!

In fact, the reason why Qianlong's prosperous era was able to have such a long-term impact was that the prosperous cultural rule played a decisive role, and it can be said that Qianlong planned and operated a grand cultural undertaking throughout his life.

Among them, the most representative is the compilation and transcription of the "Siku Quanshu" in the 37th to 46th years of Qianlong. The Siku Quanshu contains a total of 34 kinds of books and 79,309 volumes, almost including the main classics in Chinese history before the Qianlong Dynasty, which can be called a great cause in the history of ancient Chinese culture. More importantly, the whole compilation process is not a simple collection of books, each book has been identified by editions, judged the authenticity, examined the chapters, proofread the text, and presented to future generations to use the excellent version, which is really a great achievement.

As a result, this various glazed vases, which were called "porcelain mothers" in later generations, came out!

Exquisite enamel color, azure Ru kiln, elegant blue and white porcelain......

For thousands of years, the essence of Chinese craftsmen's porcelain craftsmanship has been integrated into its body, and the elegance is the vulgar, and the vulgarity is the elegance!

One more question,

"Can this kind of fusion not be beautiful?"

......