Condensed the most brutal 127 hours of a person's life into a wonderful movie of less than two hours, Danny Ball did it, more precisely, Lee Joon-yi, and he showed all the audience how much courage and perseverance human beings can burst out in the face of the challenges of life and death. *——*// Through this movie, this answer hits the heart directly!

Towards the end of the movie, Alan Ruston decides to save himself by cutting off his arm. Although Danny Ball has been very restrained, he deliberately blurred the scene of the operation and the degree of blood, trying not to make the audience feel uncomfortable. But the truth is, when the sound of the guitar changes from slow to fast, and then the fast rhythm mixed with metal music, the green tendons on the temples start to beat constantly. When Aixin Ruston broke his nerves, a long series of broken sounds popped out, making all the audience feel as if each of Athralston's knives had been cut on himself. "Jumping", everyone couldn't help but tremble, feeling that their tendons were broken. The tempo is getting faster and faster, the melody is getting more and more chaotic, it feels like it is about to reach its extreme, and when it is completely out of control, everything comes abruptly, and it is finally done, and everything is over. The weakened Alan, Ruston, the moment his eyes made contact with his severed limb, that kind of shock and palpitations shook the hearts of all Guan An, and they couldn't help but flash a trace of the aftermath of the catastrophe in everyone's hearts.

Even though Dan Er Bauer repeatedly restrained, this scene still scared many people, some people vomited directly in the movie theater, and even two people were stunned, which shows the shock of the picture.

A character, a small space where the protagonist cannot move, there is almost no dialogue, only monologues and self-deprecation. It's hard to believe that such a plot would make a movie. However, Danny Ball sits down, and he not only excludes this chalky story, but it is thrilling and thought-provoking. Because he used the only subject that could make it thrilling and thought-provoking—a life.

What's more, Lee Joon-yi proudly sang the main theme of life with his own strength, leaving an indelible mark on everyone's hearts.

Psychology divides the death of a person into four stages: rejection, anger, frustration acceptance. The viewer saw all of this in the hour of Alan Ruston being stuck in a crack in the stone, the knife. From the initial panic, anger and vain attempt to lift the stone with brute force, to the spirit of the foolish man who only needs to work hard and grind the iron into a needle, he uses a small knife tongue to pull the stone, makes a pulley to pull the stone, and then fantasizes about various possible rescue situations: it is discovered by the park ranger, and the sky is raining and flooding the golden mountain to lift the stone by buoyancy.

Again and again, Agaraston tried to reject the fact that he was securely tied to the shuttle bus to the bridge. Until all the eighteen martial arts were dismissed by God, the optimism and persistence of mankind ended here, and the anger and rejection also subsided. Agaraston gradually began to prepare for his departure, taking pictures of his last words on a DVD camera and carving an epitaph for himself on a stone wall.

However, the Emperor never closed all the doors at the same time, he always opened a window when he closed a door. Although this is a real and chalky event, and everyone knows that Allen and Ruston will survive in the end, God will not be open to you just because you are optimistic. What is it that has been supporting Agaraston's already collapsed ** and the hope that has been worn out?

What Dan Ball keeps reflecting in the film, and what is most easily overlooked, is the answer. At the beginning and end of the film, the bustling crowd of people, whether it's a subway station, a pilgrimage, or a sports competition: the bicycle team passing by on the way to the town, the backpackers walking together, the parents, sisters, and ex-girlfriends that always flash in their minds and hallucinations, and the smile until they escape from Blue John Canyon and look at the family murals left by the ancient Indians on the rock wall, all of which express Dan Ball's answer to the question of "what is man": man is the sum of all social relations. And what carries these relationships is love. Man is a social animal, from the moment we are born, we have been inseparable from others, it is family affection, love and friendship that supported Aitharaston to spend 127 cruel hours, it is the relay between people that rescued Aitharaston.

Alan Ruston completed his comprehension of the true meaning of life and the transformation of life in the process of self-help in 127 pairs. This metamorphosis shows us in the most brutal way that it is deep and indestructible. Using a knife that is so blunt that it can't even cut an apple, he cut off his right hand that was stuck in a stone, and this is a true story, and I believe that no one here will not be shocked. God brought Ayyllaston here, not simply to let him out, nor to simply open a dead end, God asked for some kind of ritual to prove the transformation and sublimation of life, which is sacrifice. This is the only way to accomplish salvation in Christian philosophy. The process of Agaraston's broken arm is the process of his rebirth, like the painful struggle of a baby at birth, completing the baptism and complete transformation of the newborn.

In the treacherous natural environment, struggling to survive, people can often break through their own limits and do some unspeakable things, and the different perspectives and attitudes used in the film to record or portray the dilemma of survival determine the overall tone of the movie. Many movies that survive in distress like to focus on sensationalism, or despair, fear, and pain, which makes the tone of the movie more gloomy, but in "127 Hours", Danny and Ball bring the audience an optimistic and positive film temperament, although cruel, but also full of a vigorous vitality.

The soundtrack of the movie can illustrate this point very well, in general, the dilemma survival movies like to use tragic symphonies, thrilling electronic music, and the soundtrack in the "oral magazine, time" most of the time is very much like the music of a party, the rhythm is light, sunny, Full of passion and love for life, we can feel the attitude of facing the earth when facing cruelty, like a tender seedling growing in the cracks, striving to grow towards the sunlit outside, and in the movie, Alan Ruston is the sunny plant that brings us hope.

There is no doubt that Dan Er Bauer expressed the highest respect for life through "127 hours", and it brought us a profound interpretation of life with a unique new vision, and Dan Er Bauer gave it a temperament that is sunny and passionate, and this is the attitude that life should have. When we recognize ourselves and overcome ourselves, perhaps we will be able to understand the weight of life. For Agaraston, this encounter is both a disgrace and a blessing, and for us onlookers, to see this film and gain something, is a kind of chapter.

In fact, there are many stories of survival in the natural environment, such as "The Rest of the Desert Island", this movie is also a one-man show belonging to the two-time Oscar winner Tom Milk Hanks, who relied on his acting skills to make the movie shine. The same "127 hours" is also a one-person movie, and Lee Joon-yi supported the whole movie alone. This kind of film will give people a dull and boring first impression, whether it is the director's wrong technique or the actor's lack of aura, it will lead to the failure of the movie. As a result, Lee Joon-yi did not disappoint everyone, whether he reached the original height of Granny Hanks still needs to wait for the verification of time, but from the audience's viewing mood, there is no doubt that Lee Joon-yi succeeded, and he lit up the whole movie by himself. [Daybreak Gods hit Baidu.]

As a character biopic adapted from a chalky adaptation, "Four Hours" has its inevitable weaknesses, the plot conflict is not enough, and the story line is too simple. Danny Ball only chooses one clue in the narrative soil, and 80% of the shots in the whole film are his pictures and his perspective, but this is exactly what the director wants to highlight. When you're trapped, you can't know anything other than yourself!"Did my family know I was missing?" Are they looking for me?"Did my friend call the police?"Unknown, dazed, scared, anxious, worried. Only by using this technique can these emotions be better displayed, and it will be easier for the audience to understand the psychology of the protagonist at the moment. Although Danny Bauer has abandoned the effect of plot conflict, he has achieved a high degree of restoration in the presentation of emotions.

It is Danny Chuner's choice that also gives Lee Joon-yi a broad stage to show his acting skills. From the first second of the movie, the Yi that everyone knows disappears, from the eyes, movements, and details, the image of Agalaston is simply and vividly depicted in the eyes of everyone.

He likes to go out on adventures alone and never tells anyone where he has gone. He doesn't answer calls from his sister and mom, and he never returns, even when they plead. He likes music, he likes the wilderness, he likes to be alone, so he especially likes to listen to music alone on weekends and go crazy in nature. All in all, he is as free as the wind, which is the dream of many young people. However, the wind is selfish, even selfish, it only cares forward, it doesn't care where it comes from, it doesn't care about the mountains and leaves it once caressed, and it can't be saved all the way. "I am who I am, I go my own way, and I laugh out loud. The image of Aitharaston jumped out.

Rejection, anger, frustration, acceptance. Li Zhunyi's every expression is so real. No one can recognize the sloppy young man in front of him as Lee Joon-yi, everyone only knows that this is Allen, Ruston, a young man who is creating a miracle of life. [Daybreak Gods hit Baidu.]

When Agalaston used a knife to break his own tendons and successfully completed self-redemption, the shock, happiness, and pain in his eyes made all the audience empathize, as if they were not sitting in the theater, but in the endless Grand Canyon, with two hours, experiencing the knife hour that belonged to them.

When the movie ends, everyone has to salute Agaraston, Danny, Ball, life, and even more to Lee Joon-yi, this one-man show where Lee Joon-yi dances alone is gorgeous and shocking!

Today's second update.