Chapter 145: Master Mei Baojiu's Speech (for the addition of Dahuitou)

"What is Luo Yiming going to do?"

"How do I feel that he is going to destroy Peking Opera?"

"No, no, I think Luo Yiming wants to be promoted and suppressed, this kid always takes the usual path, and you can never guess his routine. ”

"Yes, Luo Yiming said this, I was very interested in this episode of Peking Opera, in fact, if it wasn't for my best friend, I really wouldn't be interested. ”

……

The audience began to talk.

And Luo Yiming's opening made Mr. Mei Baojiu also know why Luo Yiming wanted to talk to him for so long.

Why did Luo Yiming have to express his support for the new Peking Opera?

Traditional Peking Opera does have these problems mentioned by Luo Yiming.

This question is inevitable.

In the absence of television, the price of movies, and the lack of comprehensive crosstalk, allegro, and drums, Peking Opera, as the mass media with the widest coverage at that time, became the best carrier for carrying the task of ideological propaganda.

Decades ago, everyone got together to discuss Peking Opera, the plot, the singing, the stars, all kinds of lace news, all kinds of star chasing, and all kinds of messy things in the circle.

It's the same as it is today.

From top to bottom, everyone is promoting Peking Opera.

Whether it is administrative, spontaneous, or other nature, the whole people are sought after, and Peking Opera became popular in that era.

In the past, Peking Opera was not all trite talents and beauties, it had various types of films.

Just like today's movies and television, martial arts, criminal investigation, romance, war, history, officialdom, thriller, you name it.

At that time, Peking Opera was not all conformist.

His father Mei Lanfang, as well as other famous Dan Cheng Yanqiu and Shang Xiaoyun, have all arranged plays in modern costumes, which are just as popular, and there are even imported Peking Opera based on Indian folk tales.

The tune music is also up to date.

Let's just say that Yang Baozhong is a must-have in addition to Jinghu.

In those days, in modern costumes, you could wear a suit and play with a violin on stage, and the tunes were all new.

Why did he always wear a suit to perform later?

Mr. Mei Baojiu also wants to tell modern audiences that he also has a fashion concept, and he will also innovate Peking Opera.

Therefore, listening to Peking Opera in the past has become watching while listening.

Mr. Mei Baojiu also enriched the form of Peking Opera in his performances.

But even so, Luo Yiming still pointed out the problem of Peking Opera to the point.

Nowadays, none of the traditional repertoire, the characters expressed, and the singing voice can make a modern audience feel a sense of substitution according to their own life experience.

It's terrible.

Nowadays, even veteran ticket holders are mostly obsessed with techniques, and few of them can resonate with the characters and emotions expressed in the works themselves.

It's sad.

As Luo Yiming said, more than 20 years ago, people at that time, they would rather walk for hours than go to the theater.

Now, where are young people doing such stupid things.

They should only be in a long queue at the ticket gate just to watch a movie with a female ticket.

The times have passed, and Peking Opera has declined.

Although he didn't want to admit it, Luo Yiming's words made him have to be sober.

It's not too late to make amends.

At that moment, Mr. Mei Baojiu decided to help Luo Yiming advocate young Peking Opera lovers to explore new forms of Peking Opera performances in this episode of the program.

Perhaps, this is the only way to really save Peking Opera.

While the audience was discussing, Luo Yiming was still talking: "Compared with other operas, Peking Opera may be the most unfortunate one." ”

"The same era has passed, cross talk is still alive in small theaters, still alive in online videos, still down-to-earth, and there are good corners and good works. What about Peking Opera? Except for veteran opera fans, young people rarely see and hear it. ”

"Even when the Spring Festival Gala program is broadcast to Peking Opera, it may also be everyone's toilet time. ”

Luo Yiming really began to think carefully about the extremely frightened host.

As soon as he started like this, the audience knew that the show was going to be sublimated.

A little orgasm is coming!

"Could it be that our quintessential art, our Peking Opera is declining like this?"

"It's like this. ”

"Could it be that our Peking Opera art really can't replace us when we are young?"

"At least...... I like Peking Opera very much, but I don't think that if I like it, you will definitely like it. I don't think that Peking Opera is the quintessence of the country, so you obviously don't like it, but you still have to like it. ”

"Peking Opera will not die. ”

"Peking Opera will live. ”

"In this issue, we have invited the successors of the Mei School in the performing arts of Peking Opera. The son of the famous performing arts master Mei Lanfang, and the famous contemporary Peking Opera performance artist, Mr. Mei Baojiu. ”

"Let him tell us about the story of Meipai Peking Opera and the future of Peking Opera. ”

Luo Yiming said what he wanted to express.

And after Master Mei Baojiu finished his speech, Luo Yiming and Mei Lao would bring the new concubine drunk.

Then, the concept of new Peking Opera will be proposed by Mei Lao and himself.

In this way, the new Peking Opera will not just be a noun in an episode of the program, but will be concerned by all walks of life, which will really cause a storm.

Luo Yiming wants to make a little contribution to the innovation and development of Peking Opera.

He's not playing with tickets.

As a well-known host, Luo Yiming also feels that he should do a little bit to promote the cause of Peking Opera and revitalize the art of Peking Opera.

At first, the chorus of Mr. Mei Baojiu and Luo Yiming, he may just be a partner relationship.

Ke Luo Yiming's prelude led the way, telling the plight of traditional Peking Opera, and after Mei Lao was inspired, he had to think about the future of Peking Opera.

Moreover, if it was used as an excuse that he was old and couldn't move anymore.

Ke Luo Yiming's new Peking Opera dream made Mr. Mei Baojiu full of expectations for the future of Peking Opera.

Luo Yiming is his apprentice, and he can be his "beloved apprentice" on the road of Peking Opera, pushing Peking Opera and Meipai art to another peak again, and then being able to substitute for young audiences, Mei Baojiu feels that it will be the prosperity of Peking Opera art.

Holding an antique gramophone on stage, Mr. Mei Baojiu also wants to reminisce about the past years.

This gramophone is a global "limited edition" made to commemorate the 111th anniversary of Mei Lanfang's birth, with a total of only 399 sets.

This gramophone contains various explorations that analyze the recordings and movies of Master Mei Lanfang and promote the modern dissemination of Peking Opera art.

Mr. Mei Baojiu intends to extend this dialogue to the whole country and the world.

His speech is also divided into two parts, the first part is the glory of the former Mei School art, and the second part is Luo Yiming's inspiration for him, about the future of Peking Opera, the necessity of new Peking Opera to break ground.

Mr. Mei Baojiu gave a lecture.

Starting from Mr. Mei Lanfang, to the glory of the Mei School Peking Opera art.

From his father's diligence, he was once recognized by the first teacher as "God doesn't appreciate food", but he did not give up, but was more diligent, worked hard, and became a generation of masters.

When he lived in the middle of the Xiangjiang River, the Japanese shells fell on the bed, and they resolutely refused to let the servants pass, but let their sons go to the bombs, and they wanted to blow up their own people.

Also, in front of the Japanese, Master Mei Lanfang grew his beard and boycotted the style.

Mr. Mei Baojiu's speech made everyone's blood boil.

In the end, Mr. Mei Baojiu said the new Peking Opera, saying that he was not an old-fashioned person.

Since childhood, he has studied with his father and insisted on innovation, including foreign records such as "Madame Butterfly" and "Carmen".

Now, it's time to be a pioneer on the road of new Peking Opera.

The show reached the climax of recording.