Today's recording work, before starting, Luo Yiming's only difficulty is still on Teacher Mei Baojiu.

At the end of the preparations, Luo Yiming was talking to the teacher Mei Baojiu.

The content of this conversation was also recorded by Luo Yiming for a while, telling Mei Lao all the recording effects he wanted to express and could present.

Why did Luo Yiming have to learn Peking Opera from Master Mei Baojiu, and why did Luo Yiming not just ask the station to invite Mei Lao to participate in the show, but he had to do it himself.

In fact, Luo Yiming thought of it at the beginning.

If this were not the case, Mei Lao would definitely not agree to start his warm and thoughtful speech in such a form.

Although the station will polish his speech at the request of the guest, and even ghostwrite the main direction of the speech.

But if the guests don't ask for it, Luo Yiming will certainly not restrict the content of Mei Lao's speech, he will ensure the authenticity and spontaneity of the speech when the big name comes.

However, in this issue, Luo Yiming must communicate with Mei Lao on this key issue.

Because, his opening will have a deep reflection on traditional Peking Opera.

This kind of thinking comes from a young person's most genuine love for Peking Opera, hoping to carry forward Peking Opera and make more young people like Peking Opera.

But this reflection... If there is no communication, it is likely to make the teacher feel emotional.

Luo Yiming had to make sure that didn't happen.

What's more, the current status of Peking Opera is super embarrassing, it is regarded as the quintessence of the country, but it can be said that many students are not interested in Peking Opera. They can be respectful on the surface, but in fact, they still reject Peking Opera in their hearts.

In this issue, Luo Yiming's theme is to promote new Peking Opera on the basis of inheriting the traditional Peking Opera art, if Peking Opera cannot be allowed to glow with a trace of vitality, Luo Yiming feels that the big names in the second phase will fail.

Mei Lao has agreed to perform a short piece of the content of the new Peking Opera with him on stage.

Therefore, in Mei Lao's speech, Luo Yiming also wanted him, a Peking Opera boss, to have a statement of support for the new Peking Opera.

Luo Yiming's question is actually not presumptuous.

Because he knew that in his previous life, in 03, Taihe Maitian announced that he would launch a Peking Opera record with Mei Lao.

After years of careful preparation, a set of epoch-making Peking Opera records was settled, and it was also launched simultaneously with the movie "Mei Lanfang" in 07.

In his previous life, all the Peking Opera singing segments of Mr. Mei Lanfang in "Mei Lanfang" were all completed by Mei's father.

It is worth mentioning that the two major dramas "Taizhen Gaiden" and "The Drunken Concubine" not only inherited his father's legacy of promoting the art of Peking Opera, but also maintained the traditional essence of Peking Opera.

Mei Lao also boldly tried a new way of expression that was in line with the times.

In the records of "The Drunken Concubine" and "The Legend of Taizhen", Mei Lao integrated elements such as Chinese folk music and Western orchestral music with Peking Opera, raising Peking Opera from traditional opera to the height of musical works, creating a new milestone in the Chinese Peking Opera industry.

In Luo Yiming's previous life, as a lover of the new Peking Opera, he remembered these.

In fact, Mei Baojiu's living habits and hobbies are quite "fashionable", and she is definitely not conformist.

He is a quasi-professional audio enthusiast, record collector and even a car enthusiast.

In his previous life, he would occasionally travel by car.

Regarding the set of records he released in 07, Mei Baojiu said that the trend of the future of opera is changing with the needs of the public and the times, and I am willing to seek development on a new road.

It is precisely because of this that Luo Yiming was able to be so bold to ask Mei Lao to add this expression of the new Peking Opera to his speech.

If he recognizes the form of the new Peking Opera, after the broadcast of this program, it will inevitably generate heated discussions among the media, including Peking Opera critics and even netizens.

And Peking Opera artists from all walks of life may start the exploration of Peking Opera because of Mei Lao's words.

Of course, the traditional Peking Opera is bound to be preserved and inherited, but the new Peking Opera is prominent, and I believe it will be achieved soon.

Mr. Mei Baojiu is actually a music enthusiast.

Every time he travels out of town. The luggage for the return trip was all large and small, and most of them were music equipment from Akihabara.

And the records of Deng Lijun, the Four Heavenly Kings, Michael Jackson, Celine Dion and others are also Mei Baojiu's favorites.

Luo Yiming didn't know that Mei's family also set up a special sound room, and the equipment was luxurious and advanced.

Mei Lao has long known that the existence of modern Peking Opera is very embarrassing, but it is a pity that he is already old, even if he has the heart to revitalize Peking Opera, but the years are not forgiving, and his heart is not enough.

Luo Yiming told him this at this time.

If you don't understand this person, Mei Baojiu is not sure about Luo Yiming's purpose.

But during this period of contact, Mei Lao knew that Luo Yiming sincerely wanted to promote the development of Peking Opera.

In his speech, he added a paragraph of support for the ideology of the new Peking Opera, calling on young people who like Peking Opera to explore the way out of Peking Opera and perform in the form of New Peking Opera.

After a "long talk", the two reached a consensus on this issue.

At this time, the on-site director informed that everything was ready, and Luo Yiming also walked on the podium of the studio first.

"Today's episode is about our country's quintessential Peking Opera. Before the start of this episode, I would like to ask the audience a question, do you like Peking Opera?"

I don't know Luo Yiming's stalk, when Luo Yiming stood there with a serious face, after the opening, the classmates were stunned.

A few of the front rows reacted super quickly, played the role of Tuo, and said, "I like it." ”

But the voice was not neat, and he was a little hesitant.

"Zuo Yan, do you like Peking Opera? ”

Zuo Yan thought for a moment and said, "I like it, but I just think it's a very elegant existence, and I may not have the ability to appreciate it." ”

Luo Yiming continued to look at Zhang Weiwei: "What about you, Weiwei." ”

Zhang Weiwei was silent.

"I can think that if you don't speak, is it because you don't like Peking Opera?"

Zhang Weiwei was still silent and did not respond.

This was the true reaction of her heart.

Luo Yiming no longer asked, facing the audience, Luo Yiming's voice intensified: "Why do the vast majority of young people today don't like to listen to Peking Opera?"

"Is the artistry of Peking Opera too high, as Zuo Yan said, we can't appreciate it? Or is it the impetuosity of modern society. ”

"I don't think it's all!"

Luo Yiming's words took a sharp turn, which made all the audience stunned for a while.

Today, I am a Peking Opera performance artist.

So the rhythm of the theme, throwing bricks and jade, is not like that.

Luo Yiming felt that he was going to do something.

Luo Yiming really wants to do something.

In this episode of the show, Luo Yiming is going to do something.

Standing at the podium, he was still serious and serious: "We have never lacked highly complex art, and if art itself wants to continue to develop, it must constantly renew itself. ”

"Peking Opera is a traditional art, and in the case of Peking Opera, it is not overly complicated and has an excessively high threshold, and its early stage of creation, that is, the last years of the Qing Dynasty, is completely in line with the context and mentality of the time. ”

For example, the famous Su San Qijie took place in Shanxi in the Ming Dynasty, but the singing in this scene is an authentic Laojing film, and the social structure and even official positions reflected in it are also set up in the Qing Dynasty. ”

This is also why Peking Opera almost became popular culture at that time, from princes and ministers to pawn peddlers, they would hum a few words, and they would also "look at it until tears were shed" or "look at it with a red face".

"So young people don't like it, I think it's because it doesn't fit into modern life and can't form a sense of substitution. ”

"Most people today prefer to watch TV dramas, and when they go to work every day, everyone may discuss the plot, stars, gossip or something. These may resonate more. ”

"So, who still loves to listen to Peking Opera. ”

Wow.

If the rhythm ahead is not so obvious.

can say that, Luo Yiming is not like doing a Peking Opera program, but like he is going to criticize Peking Opera.