If we admit the linear passage of time, then all the words, deeds and thoughts of the characters are just fixed programs. It's just that I know so little that I can't speculate on what happens next.

Once time is removed, all the states at the moment are just perceptual content, just the elements that make up the picture.

Consider the three points of reasoning from the previous chapter, and any sane person will discard the distortion in his head as much as he discards the rotten apple in his hand. But what does it mean that I didn't throw it away at all? Does it mean that I don't have any reason at all?

An emotional monster only.

But I'll never admit that I'm an emotional monster, and that's my character attributes, such as being sensible, calm, honest, organized, etc. Just as I never doubted whether I was a human being, I never doubted whether my so-called sanity was really sanity.

But what's the point of all that: to destroy all the enjoyment, to spoil this orchestrated dream, to put yourself in a state of overwhelm.

Every time I think I'm almost done, I find that I'm still cheating. Every time, I thought there was nothing to kill, but then something appeared that I hadn't seen before.

For example, what is perceived is only the elements that make up the picture, so why bother to relate to them?

That's right, after association, it can indeed explain the whole world very well, and it can also make it easier for you to understand the world better, and it is more convenient for the characters to weigh and choose.

I wondered why I always believed in the distortions in my head, whether I removed time or not, the distortions in my head were!

Is it because the whole empire is rejecting witch doctors and the like, and I have to follow suit? Or is it because we can't repeat the experiment, so we forcibly deny their existence?

It's funny, if I were God and I needed to set up a world, wouldn't I have some weird powers? Even if it's just a little bit of change, then when the numbers pile up, the similarity between the first one and the last one must be about zero.

But we are all false opposites in a false duality, so why believe one and not the other?

When can repeated experiments become the criterion of whether or not they are real? According to the past, everyone has free will, which means that even if time goes back to the past, they will not have the same choice. So does this non-repeatability mean that the choice is false?

Why did I believe in such nonsense as "experiments can be repeated"?

Yuan Changwen was very distressed, feeling that he had become two people, and then one had countless false armies, and the other was just holding a false big knife, and then the two false things were constantly fighting each other.

Falling into the lake, but never imagined that the speed of thinking could reach such a state. Yuan Changwen was very surprised, but he didn't feel surprised, things happened like this because things can only happen like this. Even if you are the first person in the empire, how much can you know?

Yuan Changwen felt the coldness of the lake, and it seemed that the lake had become the lake itself, rather than all kinds of distortions in his mind. Cool is just cold, and doesn't add more twists.

There is nothing to think about, just to recognize your existence at the moment, not to believe in the distortion in your mind, just to be aware of what is going on at this moment. Without correlation and without reasoning, one admits oneself as the state of the moment.

What else is there to say?

I have nothing to do with the character of Yuan Changwen, so why should I meet the requirements of the character? What does the character have to do with me to fight for something and spend time for other people's ideas?

It's just that this reflection at this moment begins to simulate that awareness, causing the entire character to behave abnormally. But in the end, there was no escape, it was just the content of the awareness, and I realized that "at this moment, the character is killing himself." ”

A character can never touch reality, nor can he claim that a character is real because that thought begins to simulate that awareness.

But how do you go about killing the end?

Damn it!

I've been deceived again, "I can touch the truth after the killing", who put this in my head? How do I know that I can touch the truth after the killing?

Even if this is true, then what is "after the killing"? How many distortions in the mind do you have to kill to call the end of the killing? 100 million?

If "after the killing" indicates that the truth can be touched after the killing, then it is equivalent to a repetitive meaningless discourse. It's like "my dad is my father", it's simply a different expression of the same thing.

I shouldn't even think about these things, I just need to kill them. It's like, like I used to be, walking through this valley and seeing the lake. Well, I set the lake as my goal, and walking through this valley is just my means.

Being able to "touch the truth" by "slashing" is my idea and only my guess. How do I know this is going to happen? How do I know that I can touch the real by slashing?

I don't know, so just keep slashing. If you can't touch the truth, then you can't touch it, and things happen like this because things can only happen like this. Once the time is removed, then it is even more of a problem that does not need to be discussed.

I am still looking forward to what special changes will happen to the character, and I still think that the character seems to be able to reach another level after touching the reality. No, the character is always false, because that awareness is everything, so any "non-awareness" is false.

Kill the distortion in my mind because I can't trust the distortion in my head, which will only cause the ship of life to crash into the docks before it even sets out. As for what happened after the killing, then it was a guess. For example, the thinking of what to kill with a knife is also false, and how to kill the "thinking of killing with a knife" and so on.

I still have so much falsehood in my head that I can't get past to discuss it. You shouldn't even speculate about what will happen after the killing, then things are just a guess anyway.

Like, how to think about the scene after death, there is no escaping is a guess. No matter how reasonable it is, no matter how much it can justify itself, it still can't escape just a guess.

What's more, the existence of the character must be false.

Set "touching the truth" as the goal, so who is achieving this goal? The ability to touch the real must be real, and the characters are false, so how to touch them?

To kill is to kill, and there is no need to think about the topics that divert attention, nor do you need to think about the means of fearing that bewitching woman.

The twist in the head is shit anyway!