In fact, slashing can reduce the distortion in the mind, which still seems to be a speculation.

That's right, it's speculation, it's just that devouring feeling has come, it's just that disgust with the character that I have to kill.

I can't get used to seeing the distortion in my head arrogance there, and the obviously baseless affirmation sentence is pretending to be true.

That's all, the rest of the trade-off itself is a distortion in the mind.

To kill is to be reckless, to kill is to be unreasonable, and to kill is to be reckless madness.

If I still want to think about something, then I can only prove that I am still grasping something, and I am afraid of losing something, so I will think about it.

The characters are all dead, and they are still thinking about a fart.

yes, I don't know what I'm doing, I don't know what to do, I just can't help but want to destroy it all.

Perhaps, it is impossible to kill at all, so what?

Grab the slash is complete, catch the touch is real, which in itself needs to be slashed.

Perhaps, I will really become a stupid character, a useless loser, and a negative teaching material for nothing.

However, the world is not real, and the word "value" itself does not exist, and it is also a word invented because of the fear behind it.

If you think about it, a lot of things in the past were missed out on fear.

Of course, it could be because of the accumulation of these things that I started to kill in complete anger.

More strictly speaking, it's just the picture element explaining the picture element, in fact, I don't know if there is a connection between me at the moment and the memory of me in my head.

Thinking that the memory in the brain constitutes the character of the present moment, this is because I believe in the memory in the head, and believe that everything in the past is real, then the role in the present moment will be composed of all the things in the past.

What if I don't believe it at all?

If I just go with the flow, then I can do a lot of things that go against the principles and habits of the past.

After all, the past is the result of distorted trade-offs in the mind, and the flow is just a heartbeat, who knows where the flow will take itself.

Why bother to predict the future, for a fearless person, predicting the future is a complete surprise that ruins life.

Life is full of fun, life is full of surprises, is there anything you expected?

Is this expected more or less?

Perhaps, this is the difference between the teacher's teachings and the slashing that really can't stand the character's falsehood.

The kind of slashing that is carried out by unbearable characters doesn't think about touching the real at all, it's just crazy slashing.

And I always have one goal in mind, which is to touch the truth.

Thus, it brings some unfounded affirmations, such as slashing can lead to touching the truth.

Die, die contentedly.

There is no real truth in this world, and there is no need to care about everything in this world, even if the whole world agrees with anything.

The character would still struggle, but there was nothing to hold onto, and I would watch myself die.

Hacking himself to death with his own hands, a little bit of decay, is like watching a drowning person struggle and die.

The role of Yuan Changwen is irrelevant, and anything you want to think about is just to catch it, and it's just to protect the character from harm.

What about useless work?

What about wasting time?

It's about ruining the characters, it's about ruining these things.

Not to work for a better character, just to ruin it all.

The role of Yuan Changwen has nothing to do with me, whether it is the completion of the kill or what, it is just a picture element.

Ruining the characters, destroying the grasp of the unreal as the real.

Throw away the characters, throw away the whole world, and despite the beauty of this fake palace, please still stand in the ranks of the unreal.

Touching the real will ruin this beautiful experience, and seeing the unreality of the character from the outside is equivalent to creating a strong estrangement from the world.

Well, the badness of the world, as well as the beauty of the world, no longer seem so obvious and intense.

Just like a theatergoer, no matter how beautiful the theatrical performance is, no matter how much substitution is on the stage, it has nothing to do with me after all.

At this moment, I just know intellectually that it doesn't matter, but emotionally I still identify with the role of Yuan Changwen.

The misdirection of the metaphor still exists, there are no spectators at all, and none of the characters are in reality.

What that awareness was, I didn't know.

How do you describe in detail an infinity that does not exist without characters?

Don't change the subject, the distortion in your mind is still arrogant, and there is no need to explore the truth.

Because these things have been told countless times, and many chapters ago, continuing to explore them is only a hindrance to the killing.

All kinds of worries seem to be very reasonable, and I don't need to dwell on those worries, just focus on letting the characters die.

Dead people are the best.

The world seemed to want to show me something, and I couldn't see what it was, regardless of the distortion in my head.

I'm not too used to a life without thinking, but putting aside the distortion in my mind and the so-called complexity of the world, it seems that it is good to go with the flow.

Slowly, you will get used to it, and after discarding the distortions in your mind, you will naturally have to go with the flow, and you will not want to continue to use your thinking.

Honestly, I don't understand why all schools are emphasizing thinking, not chopping.

Simple effort, happy sweat, and fearful effort, even if the mind is twisted, you know which one to choose.

Perhaps, it's because everyone is like this, and they haven't seen that kind of relaxed and natural lifestyle, and what kind of teachings are they talking about.

The people around him are either trembling in fear, or they are like cultivators, grasping at something illogically in fear.

Bigotry is perhaps the best way to describe a monastic.

Even if you don't discuss the real thing, these things are obviously much more important than academic performance and the like.

And once the discussion is true, there is nothing important at all, it is all, it is all false, and there is no me.

Dreaming is not to wake up, I'm a monster, yes, that's right, the act of destroying dreams shouldn't be in a dream in the first place.

There is no need to discuss, there is no need to refute me, I am a monster, I just have a problem with thinking, I am ruining my life, ruining my life.

No one can stop me from killing, or distract me, and I certainly don't want to convince anyone.

Therefore, the widows and widows of small countries do not get along with each other.

Just die, there's nothing to say, there's nothing to remember.

I've guessed what the situation will be, and I'm okay with it, and I'm willing to accept it.

The character of Yuan Changwen is going to die, and the distortion in his brain is to be destroyed, and the entire universe is going to disappear.

There is only consciousness left, only that awareness.

The rest will be reduced to ashes.

There is "no role" in the first place, so killing the character and ruining the life is not a loss at all.

It's just wishful thinking that all this is real, and thus making up words like loss.

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