There is no need to hesitate for anything, the character is to die, and the distortion in the brain is to be destroyed.

It's disgusting.

That devouring feeling from the abyss has been permeating the body.

And the subtle trance of "all this is just the content of the realization, and it is all just happening inside" also appears from time to time.

The character is still struggling, and I feel the character's death again, and at the same time look forward to the character's shattering.

It's just that nothing can be accomplished, there is no need to say so much at all, I just fell into the depths of this lake and kept falling.

How all this happened is not something I can do to influence it.

The consciousness is the outsider, aware of the presentation of these pictorial elements.

The so-called me is just a picture element, just the content of the awareness, and the falsehood is still in it.

But the character pretends that he is not, pretends that he is in control of his life, and pretends that his words and actions are affecting the way the world works.

It is not such a state of separation, it is all one, and it is all a direct representation of the whole.

Perhaps, what am I still grasping at that will cause the character to remain so tenacious.

However, no matter how much you struggle, the role is the role, and the role of Yuan Changwen is false, what else can be changed.

Emotions make me see falsehood, emotions make me dishonest.

Moreover, fear itself is unreasonable, you see, a character who is not me can pull me so much, making me run for the role of Yuan Changwen.

Does that make sense?

Of course, the direct presentation of picture elements is to be aware of such content, and it also makes sense.

How did you develop the habit of subconsciously treating others as real people?

I'm not saying to take others for dummies, just to stop believing that all this is real.

The most important thing is that I am not real either, there is no me at all.

So, what the hell is that kind of thing that makes me arrogant, makes me happy, and makes me uncomfortable and painful.

It seems that I can't explain my behavior, why I chose this way.

Because there was no choice at all, there was no distortion in the mind, just a heartbeat and then just did it.

Some reasons may be found, but these are loopholes that can be easily refuted by others.

For example, "Why drink Coke?"

I want something sweet.

"Then why not drink honey, which is also sweet and good for the body, rich in trace elements that the body needs. Coke contains a lot of carbon dioxide, so it's obvious that if you want to drink something sweet, you should choose honey or something like that. Even, brown sugar water is not bad. ”

But in fact, "I want to drink something sweet" is just a reason to look for after it happened, and I don't know why I just wanted to drink it anyway, and then Coke happened to be there again.

This kind of trivial matter will not be too entangled, Tang poetry is the so-called life event, such an answer may be labeled as "no brain", "reckless", "impulsive", "don't want to be clear" and so on.

The funny thing is that when you ask the other person back, the other person can't give any perfect plan or words, because no matter what, the distortion in the brain has holes.

Even if you say that there is a high chance, it is just a high probability that "I think".

Of course, there is nothing wrong with it, the other party is just an NPC, and these words are just the program settings of the other party.

Awareness is the key, and what is aware is.

And I've always focused on the content, and I can only focus on the content, after all, I'm just fake is the picture element.

It seems that what Yuan Changwen's character should do is more important than being in a certain state of consciousness.

Back to the discussion of the river and move on.

is always entangled in the right and wrong of things, and the root of this thinking lies in "I think the character of Yuan Changwen is real, and I think myself and the world are real", so I must not do wrong to avoid being hurt.

The so-called moral morality is to want to control things that you can't control through "everyone should be like this", and what stands behind you is fear.

The distortion in the mind may say that everyone has no morality and no public morality, and such a society will definitely be chaotic and fall into all kinds of panic and turmoil.

Perhaps, but if everyone didn't have a distortion in their heads, things would be fine.

Will the elements of the picture look like this?

I don't know, and I'm not interested.

It's just that what I realize, it doesn't matter what it is, whether others are irritable or crazy, even if someone assassinates me and chops me into meat sauce, it's not a big deal.

There's no me at all, it's just a first-person immersive movie-watching experience.

I didn't know what to worry about, I didn't know what to worry about, things haven't changed but I think it's okay.

It's as if it's all friendly and the world is no longer hostile.

I don't think about anything like a "reality slap in the face", and even, when the "reality slap in the face" really happens, I don't think it's a slap in the face.

The character will die, along with the fear and the twist in the mind.

And after death, a sense of absurd satisfaction will fade into the air, as if there is no effort at all, and everything will happen naturally and easily.

Everything becomes within reach, and there is no need for persistence or effort at all.

The twist in the mind may ask, "Then I'll see if you become a billionaire."

I don't know how to answer this rhetorical question, maybe all this is a lie, this relaxed and natural state is an insult to life, maybe you should work hard.

The rhetorical question is a bit like this, "How do I, when do I, how do I know for sure I should?"

If you feel it, you can naturally, you don't need to think too much, is an easy and natural thing.

"Since it's an easy and natural thing, why don't you for me now?"

It's just this feeling that I can't continue to answer at all.

It seemed that I had to prove something to the distortion in my head, and I had to convince the distortion in my head, but alas, my goal was not that.

Destroying the distortion in my mind is what I want, not to keep the distortion in my head, let alone to change the specific content of the distortion in my head.

Slash, destroy, burn, the distortion in the brain no longer survives, and talk about a fart proof.

I don't need to convince people, let alone believe me, that's just a means for the characters to struggle.

It seems that I can't convince others to prove that my words are.

In this way, the character's attributes will be harmed.

Caught in the middle of a role, all kinds of troubles, and using the twist in the brain, a tool full of holes.

Throw them all away, kill them all.

Downflow is the only thing that can point me to, trusting the downstream, not the twist in my head.

It will not change anything because of the so-called affection, nor will it change anything because of the identity of the other party.

The titles "mother", "wife and children" have no hidden meaning, and the twist in my mind doesn't want to continue to control me.

See who dies first and see what exactly is worth terrorizing.

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