What else stands in the way, I don't know.

It's the death of the character anyway, and it's not real anyway.

What's the use of saying more, no matter how much you explain at an unreal level, it's just to plump up the characters.

There's nothing in the way, but the characters are always disgusting there.

Die, the brief easy time has passed, and it has come to a state of slaughter again.

There is nothing to hesitate about, and there is nothing to cherish, it is to ruin the character and destroy the life.

The character of Yuan Changwen wants to continue to grasp the false, but it can't be done, whether it is fear or a soft policy, the authenticity of this world will dissipate.

It's like catching a bubble in the ocean, or catching a rainbow, but it's all in vain.

The character also wants to continue to hold on to himself, holding on to the broken parts and trying to go back to the past.

It's useless, the role of Yuan Changwen is dead.

Suddenly feeling like a lump of fat and then burning in a workout, who's profiting?

Of course, this metaphor is just talking, after all, there are no characters in reality.

On the other hand, it's not the fat that you want to burn.

None of me is here, the picture elements are presented like this, and the characters are slashing.

It seems like I started slashing through a series of events, and it looks like it's because of my own anger, but these are just picture elements explaining picture elements.

I don't know anything, and I don't want to know.

Without the pull of emotion, without the whipping of fear, I didn't have to struggle to control anything, or rack my brains for anything.

The urge to figure it out is fading.

This state is incomprehensible to the distortion of the mind, because the distortion in the brain is based on the pull of fear, and the "what to do" in the mind is all just a product of emotions.

This world is not real, so the discussion is over, and what I want to say is that I am afraid that the bewitching woman is whipping.

It's okay not to admit fear, to say that you're sensible and don't have fear, but I know that's not honest.

First of all, I can't figure it out because I'm never omniscient.

Secondly, I don't have to figure out these situations, and I don't have to control anything.

It's like a drop of water doesn't want to control the ocean, just go with the flow.

It's okay to think that you are born as a human and must use your brain to overcome fate, or that you have to reverse heaven and earth if you are unwilling to go with the flow.

Personal preference only.

The character is still dying, and his heart is like a bottomless abyss being swallowed up, and it feels like a mountain squeezing over without physical damage.

There's nothing to say, there's nothing to debate, it's just death.

There won't be any basic principles of life or anything like that, it's just something that the characters set up to make life easier.

Perhaps, it was only because the upper echelons of the empire were not good at killing people from the beginning of their establishment that they advocated peace and stirred up their fears of force.

You can use money to bully you, you can use power to press, but it's not right to kill someone.

Perhaps, a certain world can kill people, but the use of money to oppress is denied by the law.

Who knows, I just want to kill all the twists in my head, whatever it is.

Once time is removed, the distortions in the mind can hardly survive, so the assumption that "time passes linearly" is ignored at all?

I don't know if I had dinner yesterday, I don't know if that apple actually landed, I don't know if this data means that the experiment actually happened like this.

But in the face of only emotional resistance, such as what is the point of this, or to say that it is just extreme, just the tip of the horns and so on.

On the other hand, the rigor of the scientific spirit, the harshness of constantly digging into the root of the problem and constantly searching for the truth, has become a joke here.

Finally, it is reduced to the level that "useful" is the truth.

Die, these words that have been said countless times, the characters still want to continue to deceive and continue to catch, but in vain.

Seeing is seeing, just like seeing a well rope as a snake, and after seeing it clearly that it is a well rope, it is very difficult to see it as a snake again.

The distortion in the mind is still there, it's still just something caught by emotions, and it's important to pretend to be real there.

The authenticity of the character is still here, as if something must be done for the character, something must be achieved in life, it is just a human distortion.

But with the blessing of the character's realism, even if you know that it is artificially distorted, you may not be able to get rid of it.

The thought of accomplishing nothing, the thought of eating instant noodles on a dark, damp cheap wire bed, seems to cause a chilling fear.

The pull of emotions is so unreasonable, you can come and go when you want to, and it is easy to sway under emotions.

There are various ways to plump up the characters, and the most common one is nothing more than using kindness to show one's existence.

For example, doing some good deeds, or imagining yourself doing some good deeds, seems to be for others, but in fact is just enriching the character.

The so-called affection and the so-called filial piety are just the fullness of their own roles.

Don't go into these things anymore, no matter how you explain them, there will be loopholes, you can be refuted, you can be found by others.

Thinking itself is a garbage tool, and I don't know how I ever liked it so much.

No matter how you think, there are loopholes, and how to arrange it is "people are not as good as heaven", so why bother to firmly grasp the distortion in your mind, why bother to find the so-called best in the distortion.

It seems that the more you know, the more you will upgrade your cognition, the better your choice will be.

Not to mention that this idea itself is based on fear, but where does the judgment that "the more you know, the better you choose"?

Since I am not omniscient, how do I know the effect of the "unknown" part on the whole event, and I can't prove that the choice of "the more you know, the better" is really "the better".

It's just a reassurance, it's just a reassurance, it's just a fear that the bewitching woman put down the whip in her hand after seeing the lamb running with the flock.

Is it really safe to have?

Perhaps, there are people who like this thrilling life.

Unreal, still unreal.

There is no need to sort out so many distortions in the head, a word that is untrue can end the battle.

I don't need to convince people, chatting only makes me fall into the role, so I should talk less so as not to be disgusting.

The character is finished, and as for how long it will take to die, I don't know.

It's very strange, why are you so afraid of time, why do you always want to rush as soon as possible?

Where does that idea that sooner the better come from?

Fear aside, why is this statement recognized?

It's still a distortion in the mind, it's still just an emotional product of everyone like this.

The character of Yuan Changwen is an inexplicable piece of shit, with countless shit in his head, just like a nesting doll.

It's a nightmare to have a twisted mind and want to take control of your life. (https:)

Please remember that the first domain name of this book is:. Mobile version reading URL: