Mom is still in my head, although it's just a gentle policy, even though it's just an idea of "forget it, she's my mom after all", but it's a pull after all.

I don't understand, the whole world is not real, can mother's love still exist?

There is no old mother at all, there is no me.

Let's die, if you want to destroy this thing, it's obviously not real, what qualifications do you have to pull there.

It's still thinking through the twist in your head, it's still constantly weighing and analyzing, it's all nonsense.

It doesn't look like I'm going to have some strong tugs because of my mom, but it's just an illusion, if I need to kill my mom, will I do it?

If Downstream needs me to go to jail, will I do it?

Everything is just a gentle policy, and my mother is still alive in my head, it's that simple.

There's nothing to argue about, my mother is still alive, so what's the reason not to kill it.

I would think "after all, I am my mother, I have worked hard for most of my life, although I know that filial piety is just, but I will still choose to be good to my mother" and so on, still pulling.

Unreal things are not qualified to pull me at all, no matter what kind of disguise they have the right to pull me.

And what can you pull?

After all, it's just the character level, after all, it's just unreal, and it doesn't affect the real.

I'm not going to stop slashing because of this, I don't make the character feel like they can take a breath, as if pulling belongs to the character and then I don't have to slash.

My mother is not qualified to pull me, those various ideas are just artificial distortions, and the most fundamental thing is that "if others are good to me, then I must also be good to others".

As soon as I don't treat others well, I feel bad inside, or I feel ashamed.

Otherwise, it is to comfort yourself with "forget it, others have paid so much for me, I will do it" or something like that, and then I am obviously reluctant to change because of this distortion.

After all, it's just the character attributes, and this pull is due to the collision between the character attributes.

It's not about sorting out character attributes, it's about destroying characters.

Without me, how you fear me, how you pull me, all this will be gone.

Of course, what disappears at the same time is all kinds of beauty because of the existence of the characters.

I don't know what kind of life will be like in the future, but I will naturally know that no matter how reasonable my guess at the moment is, it is just nonsense.

I used to think that the phrase "everything is perfect" is simply because it can only happen this way, and there is no such thing as perfect and bad.

Just like in a movie, all the plots are perfect, so to speak, they are all bad, and there is no other possibility, and there is no point in saying "everything is perfect".

But the feeling that has just dissipated, that "perfection" is really a grateful emotion in it, and "everything is perfect" is not a description but a sentiment with its own emotions.

A kind of gratitude, a kind of luck, which comes from the inside out, and I don't even know why I think "everything is perfect", but that's how that emotion is presented.

It's a really great feeling, like that relaxed and natural feeling, and there's every reason to believe that this is the best way to live life.

No wonder so many masters keep preaching like this, wanting to help others.

It's a pity that there is no one else at all.

It's still based on assumptions, and there's nothing to be caught.

The funny thing is that I have to throw away "fearless" to become "fearless", but if I think "there is a rule that I must throw away fearlessness" and force myself to throw away "fearless", it is just self-deception.

Many times I think that you can only have it by letting go, because all the masters say this, but after you really let go of yourself, you really let go, and you don't have it as the master said.

Because my heart regards it as a rule, I still believe in some things that I can't believe at all, and I deceive myself that I don't have a sense of tension in my heart, and I deceive myself that I don't catch these things.

In fact, firmly grasping the falsehood, and pretending not to catch it, this does not even have a chance to kill.

All maps are not "directions", but "verification".

It's not about pursuing a certain special state, but when you go to a certain position, you will naturally present a certain state.

The map has little significance, just the blessing of fear, as if you have to find the map, and you have to follow the map given by the teacher.

I'm going to have a state in a location, and I already have a state in that location, so what do I want a map for?

Before I came to this position, it was impossible to stand in a certain position because of a certain state.

Like, I wouldn't be a vampire because I was afraid of eating garlic, but I would be afraid of eating garlic because I was a vampire.

By the time I became a vampire, the so-called rules of the so-called maps were useless.

But when I wasn't a vampire, what did those rules do?

If I had to say "guidance", there would probably be only one question, "what is true?"

The teacher is dying, and I have to kill the teacher because none of this is true, and the teacher's words form a tug.

There is no reason not to kill because it is a teacher, and it is not possible to turn "uncertain" into "true" because of the word teacher.

Even if I am standing in a certain position of the teacher's narration at this moment, and I appear in a certain state of the teacher's narration, it does not mean that the teacher is real.

That's right, the teacher said that I would kill the teacher, I would destroy the teacher, I would kill the teacher.

But that doesn't mean anything, the teacher is still just a role, it's still just something I'm aware of.

If a piece of shit tells me, it stinks.

Then I went and sniffed it, and it really stinks.

What is the difference between this and the teacher's words?

Because of fear, I will grasp the map, and I will grasp the teacher like a life-saving straw.

The "verification" function of the map is also not very useful, because you are already in a certain location, and you may be a little hesitant and hesitant, but you will not be mistaken.

Or, even if you don't know where you are for a moment, you will eventually understand that this feeling is like being sure that you are going to.

A person who has never pooped will be a little hesitant about the feeling of, but it will be certain in the end.

So I'm already in a certain location, and the "validation" function of the map is no longer needed.

How can you believe these things, how can you believe in the distortion in your mind, how can you never think about the reality of the world.

And now, the question has become, how can it be shown that the character is killing.

It's amazing and wonderful.

Die, die completely, the role of Yuan Changwen will cease to exist.

The positive will disappear along with the negative, and the unreal is not real.

This world is just a picture element, and the character of Yuan Changwen is only aware of the content, what is there to cherish.

Without the pull of emotions, throwing these away seems a breeze.

So, why bother keeping these things, even when the emotions are pulling, they are just picture elements.

https:

Genius one second to remember the address of this site:. Mobile version reading URL: m.