Dai Jin, is a famous painter of the Ming Dynasty, in the folk influence is greater, the style of painting prevailed for a while, inside and outside the court, especially in the Jiangsu and Zhejiang regions, the influence is great, the formation of a unique school, is the founder of the "Zhejiang School of Painting", became the mainstream of the early Ming Dynasty painting.

When he was a child, he worked as a craftsman for casting gold and silverware, and produced hairpin flowers, figures, flowers and birds, exquisite skills, very famous, and later changed to learn painting, the skills were vertical and horizontal, the painting style was vigorous, and the style of painting was rich and depressed in the Southern Song Dynasty, and the statues of gods, flowers and birds were extremely exquisite.

His landscapes, statues, figures, animals, there is no unproficient, in the early years to learn painting very hard, because of the copying of the ancients a lot, so Dai Jin's traditional brush and ink kung fu is very good. His creations are not bound by tradition, and his brushes are smooth, gradually forming his own style.

This "Butterfly Wearing Flowers" depicts a close-up view, without the splendid sea of flowers and butterflies flying as imagined. In the painting, two flowers stand upright, with several flowers on them, and at the end, there are a few budding buds.

In the middle part, the red and purple flowers open, and several butterflies fly on them, whether they are flowers or butterflies, they are painted extremely delicate and expressive, as if there are really two flowers, blooming in front of them, attracting several butterflies, fluttering, and not just existing in the painting.

The last two paintings are the works of Jin Ming, a female painter of the Qing Dynasty, in "Peach Blossom Mountain Bird", the peach blossoms are blooming, the mountain birds are crying on it, and a breath of spring is blowing in the face.

The "Carp Jumping into the Water" is even better, in the picture, two carp leap out of the water, fat and fit, making a turn in the air, and twisting their bodies.

One tail seems to be looking up, wanting to jump over the dragon gate, and the other seems to be looking down, nostalgic for the warm flowing water under him. And with each other, they seem to look at each other frequently, full of nostalgia, showing a natural and contradictory state, full of charm and evocative.

The scales on the carp body are fragmentary, delicate, the fins and gills of the fish, all of which are fine, painted very vividly, and the fish body also faintly forms a pair of axes, showing the beauty of symmetry.

On the water surface, the waves are turbulent, rolling up layers of waves, showing the body of the carp jumping out of the water, with a strong sense of movement, and the carp on the water surface is frozen in this moment out of the water, as if moving but not moving, the combination of movement and static, the whole picture scroll, presenting a mysterious charm.

The two paintings show the author's profound painting skills in flower and bird painting and the woman's unique delicate painting style.

Jin Ming, a female painter of the Qing Dynasty, the word Xiaozhu, the number of Yuanyu, a native of Kunshan, Jiangsu, is good at painting landscapes and flowers, working without board, with a handsome and chic brush, beautiful colors, posture like life, vivid, there is a naïve beauty.

Not much is known about her life, except for a glimpse of her technical talent from her inherited works.

After most of the day's identification, they preliminarily judged that these calligraphy and paintings are all genuine and valuable!

These calligraphy and paintings can be roughly divided into two parts, one part is the hand-me-down works of the major families loved by literati and ink writers, and the other part is some brightly colored flower and bird paintings, most of which imply wealth, auspiciousness, peace and happiness.

It is speculated that some of the previous part is probably the owner of the "Surplus San'in" from the relics of others, while the other part was collected by himself as a wealthy merchant and spent money himself.

Since it's all true, you're welcome, the military master is gearing up and eyeing several paintings.

"Zhao Xiaoyou, do you want to sell these? According to my suggestion, it's better to keep some for yourself, I know that you are now thinking about your life, and the background of your collection is a little worse, but these are rare ink treasures, if you miss them, you may never meet them again." ”

Although Zhou Lao also wants to get these calligraphy and paintings, as an old-timer, he is very optimistic about Zhao Tianming, a junior, and he is not far away from missing these ink treasures.

"Here, there is an example, you look at Wang Dajun, in the early years, he was also a businessman, full of copper smell, and suffered a lot of losses later, so he began to collect calligraphy and paintings, was recognized by the industry, and became a so-called big collector. ”

In order to impress Zhao Tianming, Zhou Lao also deliberately pointed to the military master next to him and said earnestly.

"Hey, Zhou Ditong, what do you mean you?

The military master was not happy, and in front of a junior, he actually regarded him as a negative teaching material?

"It's not interesting, just say it. Old Zhou shrugged his shoulders and said, so angry that the military master's beard straightened.

"Actually, I don't plan to let them all out, there are some of them, and I want to stay on my own. There are two paintings of Xu Wei, and I will leave one one, the one "Basho Sycamore Wind and Rain", I plan to sell, and the other one, I collect it myself. Zhao Tianming said.

"That's okay, this Xu Wei Mobao, I want it, no one fights with me, right?" said the military master in a big way.

Zhao Xiaoyou, before, you gave me a piece of Li Mo, there is not much time, and I haven't had time to tell you the price, now with this Xu Wei Mobao, I plan to transfer a villa in Yangcheng to your name, I don't know how about you?"

Zhou Laoyun said lightly, but to others, it was like a thunderclap.

"Old Zhou, this can't work, it's too precious. Zhao Tianming refused.

Such a price far exceeds the price of two calligraphy and paintings, although he is very excited, but he can't take advantage of it for nothing.

That piece of Li Mo, although it is rare in the world, but the people who love the four treasures of the study are a few people after all, even if they are unique in the world, and those calligraphy and paintings are not compared.

Even if you die, tens of millions is already the limit, and that Xu Wei Mobao is sold for more than 100 million in a large auction house, which is no problem, except for commissions and the like.

This adds up to more than 100 million dollars, which is far from 200 million. However, how much is a villa in Yangcheng worth? If it is in a good location, it is not uncommon to be worth a billion!

The worst is also more than 100 million, especially after the state promulgated relevant regulations, which limited the number of villas built, and the value is rising year by year.

Nowadays, villas, in some big cities, are not something that can be bought with money, not to mention that in a place like Yangcheng, even an ordinary house costs tens of millions, what is the price of a villa? Zhao Tianming has no such concept.

The value between these is too different, don't look at those calligraphy and paintings, there are tens of millions of dollars at every turn, but compared with real estate, it can only be regarded as a small thing.