And at the same time, the interior of the old family building.

After sending a text message to Su Yiyang, Gu Nanqiao completely settled down and prepared for a showdown with Xiao Fangran.

In the past six months, Su Yiyang and Feng Tan's plans have never shied away from Gu Nanqiao, and although Su Dashao did not say anything about the deeper things, he did not let her cooperate with anything. But relying on the tacit understanding between each other, Gu Nanqiao can also guess a lot, and she can naturally help her boyfriend what she wants to do.

Gu Nanqiao knew what the top priority was now, and what the "Old Dream Project" represented to the Ji family. On the surface, this selection is just a commercial battle between two private performance groups, and Liyuan Hall has deep roots, and when compared with the spring, it is like a tug-of-war of equal strength.

But from a deeper point of view, this is a contest between the Ji family and Su Yiyang.

Spring is full of gardens all the way up, and finally has the opportunity to shake the authority of the Ji family, and Ji Guangfan is gradually cornered, too lazy to play those cat and mouse games with Su Yiyang and Feng Tan, the two sons of the old people, wanting to take this opportunity to get them out completely.

The turbulent surge behind this is far more acute than it appears, and there is only one chance, whether it is the reversal of the old case or the complete overthrow of the Ji family, it is all done here.

Now that the overall situation has been decided, the key to victory is to continue to accumulate chips in hand in order to completely close the net.

.......

Gu Nanqiao thought about all of this quite thoroughly, so he was in a hurry to ask about the things that Xiao Fangran hid and didn't say. At such a juncture, there is no point in compromise, Gu Nanqiao must do something. It's not so much a showdown as a persuasion, she needs Xiao Fangran's strength to put her on her side.

Before Gu Nanqiao could completely sort out his thoughts, the sudden doorbell rang.

She came back to her senses from many considerations, picked up the mobile phone next to her, it was already past eleven o'clock, and the sudden visitor at this time, even if she didn't guess, knew that it must be Ms. Xiao Fangran.

Xiao Fangran drove from the city, and there was no one on the road in the middle of the night. Young people with nightlife mostly start their entertainment in the downtown area, and those who don't like too many parties and socialize have already stayed at home, watching TV and playing games, and their wives and children are ready to rest. Even white-collar office workers who are busy working overtime for their dreams and the future have almost all returned home at this time.

Because of this, the Third Ring Road is very easy to walk, and Xiao Fangran came much faster than expected.

After entering the door, the black handbag she was carrying was placed on the sofa, and she crossed her legs elegantly, and Shi Shiran sat down. This great beauty, who was once known as the public's dream in the old troupe, is still quite beautiful even at this age, and she has not stripped off any beauty in her bones at the age of age, but has added a few strokes of precipitation and style, so that her gestures are temperament and charm.

Half of spring has passed, but it's still a little cold late at night.

Xiao Fangran wore a dark red knitted dress, decorated with delicate embroidery and beaded flowers, revealing elegance everywhere, and it was worth a lot of money at first glance. She wore a knee-length black trench coat outside her dress, which fluttered as she walked like the wind, and it was indescribably beautiful.

The relationship between Gu Nanqiao and Xiao Fangran is far from being like that of an ordinary mother and daughter, and when they saw their mother at this time, they didn't have any joy of reuniting after a long absence, but frowned slightly, showing a little uncomfortable in a rare way. And Xiao Fangran obviously adapted to such condescension, she untied the thin black trench coat on her body, stacked it on the sofa casually, and picked up the Peking Opera lines that were put aside and flipped through them.

"This is the latest repertoire you have developed in the Spring Garden?"

What was printed out was the singing segment of "Farewell My Concubine", and after Gu Nanqiao communicated with Feng Tan, he revised it for Chu Youyou, but it was not completely completed, and the adjusted score was written scattered on it.

In this regard, Gu Nanqiao did not shy away from this, and immediately nodded: "Yes, Youyou has made great progress during this time, and she can be on her own, I plan to push her out completely." She sang the best in this "Farewell My Concubine", which just happened to take this opportunity to attract fans and increase a wave of attention, which will be very helpful to her future development. ”

Xiao Fangran's eyesight is not ordinary people, but after a few simple glances, she can see that Gu Nanqiao is quite serious about revising this "Farewell My Concubine", and there are a few clever strokes that even take out the bottom of the box kung fu she taught at the beginning. It is naturally a good thing to be able to integrate the Peking Opera exercises and improve them from the previous standards. However, applying such good deeds to others is no less than the living Lei Feng in the 21st century, and he is a little stupid to be selfless.

After all, the effect of this play is completely predictable, and then it is polished by the increasingly mature performance platform of Spring and Color Manyuan, which is completely a rare opportunity, as long as the actors' basic skills are not too poor, it is enough to achieve the effect of stunning everyone.

For the art of stage performance, the most important thing is to pay attention to the right time and place. To a certain extent, the actor and the repertoire are mutually successful, a good performance is picking actors, and actors are also picking their own scripts, if they can't achieve the best integration, it will affect the effect of the performance and make the audience feel awkward.

This situation is especially evident in the remake, where everyone has a Hamlet in their hearts, and the crowd is quite difficult to reconcile. So sometimes, the audience will complain that the role is not well chosen, it is not the person they think of at all, or an actor has excellent personal ability, and his acting skills and appearance conditions are excellent enough, but he can't create a character that satisfies the audience, and he always feels like something is missing in the depths of his soul.

There is no other reason, it is just not appropriate.

If you want to avoid this, there are only three scenarios.

Either the actor is at a level high enough to successfully navigate all kinds of roles, and can be emotionally invested in the creation of all kinds of roles, so that people can achieve empathy. It's just that this ability not only depends on the talent and understanding of the actors, but also needs to be supported by long-term stage experience, and also needs the mentality and experience of thousands of sails, so that they can wash away the lead and treat the performance as an expression projected from the depths of the soul, rather than a simple show-off with formalism.

Such a requirement is difficult for young actors to achieve, and it is completely at the level of old actors.

Either the script and the actors are quite compatible, enough to achieve some kind of unity, and then you can achieve that there are people in the play and there is affection among them. Compared with the first kind of pure reliance on the acting skills of the actors to support the whole drama, this kind of fit is obviously more difficult to achieve. To put it simply, techniques can be made up for by ten years of hard work, and mentality and understanding can also mature with the continuous accumulation of life experiences, but this kind of fit from the soul is something that can be met but not sought.

As the saying goes, if you don't go crazy, you can't live, this sentence is obviously valid in the play.

It is said that life is like a play, and drama is like life, when an actor is fully committed to creating a role, and constantly reinterpreting his masterpieces for decades, where can you see what is a play and what is real after a long time? There is no shortage of actors who have created a role that is enough to move everyone, but they have been in the play too deeply for a long time to go out, bringing out the emotions in the play, and their lives have been involved in their own lives, and even the fate of their lives has become similar to that in the excerpts of the play.

As for the third type, compared with the previous two, it is obvious that the requirements for actors are not so high.

If the repertoire itself is quite good, and the lyrics and performance methods are very inclusive, it is completely possible to experience the artistry while giving the actors enough room to perform. So no matter which actor presents it, as long as the basic skills and appearance do not lag behind, and the actor is willing to work hard to rehearse, he can be brilliant.

This kind of performance puts the pressure on the main creator, and it is a comprehensive assessment of the creative ability and adaptation ability. And Gu Nanqiao's long-term reform of Peking Opera is to present the best performance effect, and the achievements that Spring is full of gardens have achieved now are also the greatest affirmation of her adaptation ideas.

As for this "Farewell My Concubine", just by reading a few lines of scores, Xiao Fangran can see that Gu Nanqiao is certainly attentive. The rhythm and soundtrack she marked alongside the script were quite innovative, and it was enough to predict from those few finishing touches that the final result of the performance was enough to be amazing, and it was a rare opportunity for the actors.

Stage performances are all about rehearsals over and over again, but once the audience has identified with a certain version, it is very easy to overturn such an established impression, and it is difficult to accept other versions. Gu Nanqiao has now given up a good opportunity to others with his own hands, which is no less than exhausting his hard work and ending up with a bamboo basket, and it will be difficult to surpass this drama created by himself in the future.

Thinking like this, Xiao Fangran sneered mercilessly.

"You are quite good at thinking about others, as the pillar of the troupe, they all hold the best resources firmly in their hands, but whenever there is a performance, they will focus on themselves, and the rest of the repertoire will be left to others. It's good for you, it's not enough to cultivate Feng Tan to steal your limelight, and another Chu Youyou will come out at this time, what's the matter, I'm afraid that people won't catch up?"

Gu Nanqiao probably really regarded Ms. Xiao as a guest, and actually deliberately boiled the water and made her a pot of tea. This tea is the West Lake Longjing bought earlier, put it for a few years and the taste is more mellow, only to be washed away by the water is filled with the slightest wisps of tea fragrance, the tea leaves in the transparent water cup are distinct, and the tea tips with green are clear.

"If Chun Se Manyuan wants to develop in the long run, of course it's not enough for me alone, Master and Uncle Zheng are enough to support the classic version, but the youth version is where our troupe focuses on the development of the troupe, and it is also the place where we try the most, you won't be unable to see these things, right?"

It was probably a change in mentality, this time to Xiao Fangran's questioning, Gu Nanqiao's attitude was completely different from before, and he actually asked back generously.

When obedience and forbearance faded by three points, vaguely, her aura actually faintly overwhelmed Ms. Xiao.