Firmly grasp the kill, still afraid that he won't be able to complete the kill.

This is the pull of emotions, it is not a mistake or a mistake, it is just a pull.

Intellectually I knew that all of this was just a presentation of the elements of the picture, but the fake still wanted to use the emotions to get me back into character.

I have said the same words many times, and since I am still pulled by emotions and dominated by fear, it is better to continue to kill.

I don't allow these people and things to be arrogant in my head, no matter what the specific content is, it's all the product of emotion.

I am afraid that I will not achieve anything, but I can't find the logic that should be found at all, and in the end it can only be attributed to the fear of having no clue.

Unreal is unreal, even if you pull me again, even if you can intimidate me at any time, it's still unreal.

I don't need to overcome fear, on the contrary, watch fear follow fear, and the falsehood that gets caught is my opponent.

Emotions are just a means of falsehood, just a boss move.

The thought that I hadn't finished after a year would envelop me with an inexplicable panic.

It's unbelievable, on the one hand, knowing that these are all fakes, knowing that the character is not me at all.

On the other hand, he is still pulled by fear and will still fall into the whirlpool of characters.

It's very simple to convince others, just throw out all kinds of words and theories, as for whether others are persuaded or not, that's not for me to decide.

But trying to convince yourself that you want to be calm on the path of slashing is tantamount to trying to stop the waves of the ocean.

Madness is my partner, burning with anger, destroying falsehood, and naturally not being pulled by emotions.

I don't know exactly what happened, but the pull dissipated like that.

Emotions don't make sense, because I've said a lot of reason, but I'm still pulled by emotions.

Directly use fear to make me succumb, let me hold on to the character and not let go.

The state of the deceased is terrifying, there is no world without thinking, there is no longer a character of himself, he can't communicate, he can't think, and it's impossible to say this sentence again.

And the fear of not being able to kill is not the panic of facing death.

Or rather, just a morphing mode of confronting the panic of death.

Slashing has become a character attribute, this sentence has been said for a long time, but it is still here, still pulling and dominating me.

I don't know how long Yuan Changwen's character can last, but fear clearly tells me that this is not done yet.

And, showed me the way forward.

Everything is a presentation of picture elements, and I don't know when the slash will be completed, or whether it will be done.

Fear doesn't care about these things at all, it just pulls me ruthlessly and presumptuously, just wants me to do something to kill.

There is no difference between being afraid of your future career and being afraid that you will still be a small employee after you are dozens of years old.

It's a pity that no amount of fear is real, and the content is not real, and fear itself is not real.

My opponent wasn't fear, emotions were just moves that pulled me back into character.

Falsehood is not qualified to be arrogant in my head, and there is no reason to continue to live.

Even if it's the presentation of the picture elements, even if the falsehood will always exist, then please stand where you should be.

Pretending to be real, pulling with emotions made me hold on tightly, as if the only thing I could do in fear was to grasp the distortion in my head.

Fear the future career, so grasp the related distortions, such as hard work, such as cognitive upgrading, in order to have a greater degree of control over life.

Thus, to fight fear.

And I, I had to let go, in the twisted self-written horror scenes in my head.

A person who is going to die, what heart does he have to flesh out the character?

I often talk about death, what do I expect to die, and then what?

The pull of emotions is still there, and I will be easily controlled, obediently kowtowing and admitting my mistakes under the whip of fear of that bewitching woman.

It's ridiculous, and all of this is, including killing.

Since there is no causal relationship, the motive for the killing must also be killed.

I would be a garbage character, with no resistance to nothing, no reproach for murder and arson, no fighting spirit and no aggressiveness.

I don't want to do anything for the role of Yuan Changwen, and I don't seem to be interested in even a simple survival.

The words in my head are still presumptuous, and I am still looking forward to the time when I can convince others.

When you say the twists in your head, or even just imagine yourself saying those words, the plump character is already going on.

It's not a mistake, it's just the presentation of the elements of the picture.

I don't know why it's presented this way, but I don't have anything to say about what has already been presented.

Presenting "I know I can't control the slash" and at the same time showing that I am slashing.

Perhaps, the character can't stand on a higher level and detach himself from himself.

In other words, how can a character stand in a position that does not belong to him?

Perhaps, only a real theatergoer can get rid of the influence of the role and the pull of emotions.

At that time, it should be the time when the killing is completed.

But these words are useless at all, I am still here, still in the role of Yuan Changwen.

I'm still grabbing slashing, seeing slashing as my character attribute, and I don't want to deprive it of that attribute.

There's no reason to talk about it, I've thought enough about it, and it's just a procrastination to keep thinking.

Pull the emotion, just pull it, my counterattack is only abuse, and I really don't need to be reasonable.

The character is not qualified to control me, nothing is qualified to hinder me, all this is not real, what is hindering?

Truth is not here, but reality never ceases to exist.

The pull of emotions is just a kind of inertia, it is not a mistake, and it does not need to be antagonized.

All it takes is name-calling.

The reason has been made clear, and I understand it very well intellectually.

Since emotions want to attack, then there is only one way to communicate with emotions, insult VS fear.

The anger at the false made me not want to stop at all.

Even the slash itself is not qualified to be the motivation of a full-fledged character.

Eventually, the character will inevitably die and the character will inevitably break.

There is nothing to argue about, and there is nothing to discuss.

Did you consult with me?

Did you discuss it with me before the emotional pull?

Since it's just a presumptuous toy, let's see who kills who first.

Physical death is inevitable, and no matter what happens, it can't hurt the truth.

I just don't know why, I fell into the role of Yuan Changwen, and I recognized myself so much as the role of Yuan Changwen.

The presentation of picture elements, all the characters are the presentation of picture elements, and the only thing that cannot be presented is reality.

Fuck off, die, the emotional pull is just a piece of shit.

What else is there besides this trick?

What's there to be afraid of something that can only spin around in the twist of the mind? (https:)

Please remember that the first domain name of this book is:. Mobile version reading URL: