The shape of the movie "Huang Feihong" is actually not too troublesome, after all, it belongs to a period drama, and it can be designed according to the shape of the late Qing Dynasty.

And there are a lot of experts in this area, after all, only a hundred years have passed, and it is not a court drama with many etiquette, so there are not many things that are too elegant.

Styling at the end of the Qing Dynasty, braids, long shirts and cloth shoes.

In other words, if you think about it carefully, the caftan of that era was really an excellent choice for pretending to be forced.

The first scene is the appearance of the thirteenth aunt.

The main thing is that Lin Xiao wants to see the effect.

After all, most of the whole film of "Huang Feihong" is a man's play, and although Aunt Thirteen is a vase in it, she is the only heroine.

At the same time, I also want to try group play.

Because the first scene is a group play.

As we all know, many times group scenes are very difficult to film, because there are too many actors involved, and a slight mistake has to be repeated.

The first scene is the scene where Huang Feihong and Aunt Thirteen officially begin to appear.

The actors are already in place, in this group drama, the actors are all old drama bones, if you want to say that filming in China, there are still advantages, the advantage lies in these old drama bones, their acting skills are absolutely enough, but the cost performance is very high, and the key is that the artistic virtue and professional level of the old drama bones really have nothing to say.

It's just that the old drama bones are actors, not stars.

Yes, the acting skills of the old drama bones can definitely throw off those traffic babes a world, but the salary of those traffic niches can throw off the old drama bones N streets.

Of course, it is not so easy to convince these old actors to make cameos, but fortunately, Lin Xiao has cooperated with them in many films before, so they can be regarded as old acquaintances.

In this film, it is also quite interesting for old actors.

Soon, everything was ready, the scene was recorded, and "Once Upon a Time" officially started filming.

Just guessed that after a few clicks of turning on the machine, Lin Xiao wrinkled and shouted.

The problem is not with the actors, but with the background!

"What the hell, whose mineral water bottle was here?" but a half-drunk mineral water bottle was placed there.

As a result, the second time, there was a problem again, and this time the problem was with the group performance.

In the first group scene, seven or eight were filmed before they successfully passed.

And when Aunt Thirteen appeared, the woman who buried her head behind the camera lifted the black cloth covering her head to block the light, and smiled at the camera.

Yan Jue herself is very beautiful, and her clever smile in this shot gives people a stunning feeling.

It's just that......

"Yan Jue, go wash your nails! I don't want to see a next time. ”

Isn't it, although it is said that Aunt Thirteen is very foreign in this era, it is not foreign to the extent of wearing nail polish.

The red nail polish looks particularly dazzling!

It's not that no one wears nail polish in this era, but in fact, the time when nail polish is really popular will have to be pushed back a few decades.

However, although there was a little problem on Yan Jue's side, on the whole, this heroine was still quite satisfactory to Lin Xiao.

Of course, Yan Jue is not qualified to talk back to Lin Xiao, Lin Xiao is not only bigger than her, but also a director, and her boss.

The responsibility of the thirteenth aunt in the whole "Huang Feihong" is one word "beauty"!

Of course, Aunt Thirteen is not just a vase, in the whole play, she is not only the heroine, but also the first person to accept new ideas in the alternation of the old and the new, and can also be regarded as the introduction of Huang Feihong in a sense.

She wears a dress, a sunhat, she has a camera, she can speak English, etc., etc., etc., are undoubtedly symbols of the changes between the old and the new times that Wong Fei Hung has made in the whole film.

So Yan Jue's role is very important.

Next is Huang Feihong played by Wu Tian, although Wu Tian's literary drama is not brilliant, but he has real kung fu in his hands, and he is a martial arts instructor, so he really doesn't need Lin Xiao to worry about the action.

For example, in the play part, Lin Xiao is actually not too proficient in action design, but when he asks for it, he must not only show the bearing of a generation of grandmasters, but at the same time, he must not be too gentle and chic.

Yes, Lin Xiao didn't tell Wu Tian how to fight, but only told him what kind of effect he wanted.

As a result, after Wu Tian and Wu Fa and his party discussed, they only designed an action that satisfied Lin Xiao in a short time.

The martial arts style of "Once Upon a Time" is very different from the mainstream martial arts style nowadays.

Classical martial arts, like the action design in "Martial Arts", is a slower type, but under Wu Tian's design, it is slow to show style, it can be said that half of the success of "Martial Arts" is because of that unique action design.

But what is the mainstream martial arts style nowadays?

It's the kind that tends to hit beautifully, and it has strength, the action is concise and clear, and it pays attention to killing with one hit.

This type of martial arts style is more common in many modern action movies.

For example, in secret agent type films, the actions are very concise and clear, but it is extremely comfortable for people to watch, and I feel that this should be the case.

The martial arts style of "Once Upon a Time" is different.

Lin Xiao asks for the kind of action that is biased towards elegant, but it is different from flying around like pure martial arts, it is also related to the class of martial arts, like the martial arts in "Huang Feihong", most of them are actually biased towards reality, such as Foshan Shadowless Feet, which is already the best martial arts in this film.

Of course, it can't be like in "Smiling Proud Jianghu", and it can't be like in "Tianlong Babu", the eighteen palms of the dragon, the six-vein divine sword or something, are almost close to the level of Xianxia.

Huang Feihong's martial arts style should be elegant and chic, because Huang Feihong is the character of a generation of grandmasters, but it can't be too realistic, after all, Master Huang wants to fight a group.

Action movies pay attention to action, the most textured, the most intuitive action, if the fight is not good-looking, basically the action movie is not far from hitting the street.

However, in the end, Wu Tian's martial arts skills still made Lin Xiao very satisfied.

The fight should be chic, but it must also be strong, and you can't hit N times, and the opponent can still stand up and fight again, right?

Although Lin Xiao is not too proficient in action design, after all, he has inherited the card blessing of Old Monster Xu, so occasionally just a few casual words can let Wu Tian and them know what kind of effect Lin Xiao wants.

For example, Master Huang's weapon, the black umbrella.

For example, Master Huang must have a signature move, a signature move that belongs to the grandmaster, and the white crane shines its wings!

Lin Xiao could still demonstrate, although it was still a few streets away from the Grandmaster, but it was enough for Wu Tian and them to know what kind of effect he wanted.

As a result, the progress was unusually smooth, especially since this is the first film cooperated by the Wu Family Gang and Lin Xiao, and it is the main promotion of Wu Tian, the façade of the Wu Family Gang, so the martial artists are 100% enthusiastic.

The result is not bad, at least the effect is in line with the style that Lin Xiao wants to present.