The vengeful victory is still on my mind.

Although I would be in a trance and wonder why this was the case, the revenge victory still held on to the character.

In other words, because of the firm grasp of the character, it will lead to a revenge victory mentality, and the character will still not be allowed to be injured at all.

The appearance of these scenes, perhaps originally intended to flesh out my character, has now become an assistant to the slash.

Suppose I win with a vengeance, suppose I defend my role, then it must be an injection of emotional energy.

On the other hand, the emergence of these reactions meant that I was still holding on to something.

Don't kill now, wait when.

The character must be broken, the character must die, and any act that harms the character is a slash.

In other words, any scene that causes emotional pull is an opportunity to kill.

I can see that, that's where the slaughter begins.

It's not that the distortions in my head shouldn't exist, it's that I need to know that these are distortions in my head, not real.

Other people's opinions are just "what I think" other people's opinions.

Industry dynamics, just "I think" industry dynamics.

Treating these things as real is my greatest shame.

Since it can't affect the reality, there will be no waste or delay in using the characters at will.

It's just a distortion in the head, it's just a contrived fabrication.

It seems that if you want to attract a character, you must first show the charm of the character, otherwise why would others take a fancy to me.

What simple words, but is it true?

Isn't that what "I think"?

And the content of "I think" is a fart.

The worries themselves are not real, the concerns are just made up, and the measures to deal with the worries are just.

So, what the hell is all this doing?

I believe that it is not a product of reason, it is just an emotional pull.

If there is only reason, then it is easy to see "how to prove the real existence of objective things" and "how to prove the existence of time".

However, I chose to believe directly, is this dishonest performance from the pull of emotions?

And after being exposed, he is still just looking at those so-called important things, is this still from the pull of emotions?

I don't want to discard the twist in my head, it's because of the pull of emotions.

And slashing is to face the pull of emotions and use disgust and falsehood to cut off the anchor that is firmly grasped.

Emotions against emotions still sound quite reasonable.

However, I still can't be sure, it's just a guess from memory.

Protecting the character seems to be an instinct.

However, no matter how you interpret it, it is just the presentation of the elements of the picture.

Whether human nature is good or evil, it is just wishful thinking.

I don't know exactly how the character grew to where he is now, because I have no way of knowing.

At the moment, the elements of the picture are presented in this way, without then.

Whatever is presented, it is not real.

I am already in a state of unreasonableness, what is there to be reasonable, a sentence that is not true can block all the truth.

It seems that every thought in my head is, including slashing.

There's nothing to slash at all, because all slashes are still character-related, still just fake.

After all, the character is just fake, and it is not the character that touches the truth, nor is it this thinking, so what is it?

Perhaps, the flesh will die, before I finish slashing.

I don't know where the downstream will take me, but either way, it's a good choice.

Compared to the distortion in the mind, the flow seems to make life a lot more exciting.

And without the distortion in my mind, fear no longer seems to affect me, and I look at the magical state of affairs with a magical mindset.

Let's see what happens, perhaps, killing or being killed, is also a good choice.

I was not entitled to live in the first place, and any kind of death was acceptable.

After all, after death, the unacceptable part of the complaint no longer exists.

keeps saying that the character will inevitably die, and he expects death and the like, but when he really faces death, the panic still exists.

Even, even in the face of imminent death, knowing that I can't escape death, panic easily controls me.

Can anyone really smile at the "no role"?

I don't know, and I don't need to know, it's anyway.

Panic is in control of me, and it's not something to be hard to admit.

On the contrary, I don't need to hide anything, and I don't need to fight anything.

After all, I have only one opponent, and that is falsehood.

The character is violently beaten, the character is injured, and the character stands at the peak of life, no matter what, it is nonsense, and it is the presentation of picture elements.

This has been said many times, but what about when you are actually beaten up?

I can't say that I don't have pain, it hurts like a table, it's all present.

As uncomfortable as it is, these just aren't real.

I'm like a melon baby, who would be like this.

There can be no mistake in anything, whether it is righteous and courageous or turning a blind eye, it is just the presentation of the elements of the picture.

Although there will be mood swings, although they may be happy or frightened, they are still unreal.

When you don't expect it, most people feel scared or panicked.

But, it's also a lot of fun, right?

If you think about it, everything happened so exquisitely, in short, it was beyond imagination.

Maybe you will complain, maybe you will be grateful, but it will happen beyond your expectations.

It's a bit like riding a roller coaster for the first time, and you don't know what's ahead of you, you just know it's going to be exciting.

However, the distortion in the brain does not allow this stimulation and must be under one's control.

Unfortunately, there is no control over anything at all.

Hand yourself over and let the flow take you.

The point is not to like what is called bad, but to allow it to happen.

The emotional tug of the heart, the anchor that is firmly grasped, this thing must be cut off.

Fear is everywhere, and I can see it very clearly, and it gives me a firm grip on self-definition.

No matter what kind of vision of the future you have, it's just a distorted thing, and you can't help but fall into the fantasy of coolness.

And then, all the fantasies are so narrow, and the development of those fantasy plots is so old-fashioned.

Who can accurately predict all the feelings of weightlessness on the first roller coaster ride?

is still afraid of damage to the character, whether it is a simple physical injury or a loss of money, it is not allowed.

As ridiculous as it sounds, why allow yourself to get hurt?

But this grasp is not real, the fear is condensed into the character, and I am the fear.

Fear is everywhere.

A distortion is a distortion, and no matter how likely a distortion is, it is a distortion.

The subtle difference between going with the flow and thinking may need to be familiarized with slowly.

The only advantage, though, is that once I think on fear, I can see. (https:)

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