But then their days were much better, because they didn't need to play the accompaniment anymore, they could enjoy his singing, or maybe it was just a piano performance, and the surprise always came from the unknown. They didn't plan to get off the stage, the effect on the stage was undoubtedly better, and they could even follow Qin Fangge's singing to improvise two improvisational accompaniments, as long as they didn't seem too abrupt, with their level, it was no problem at all.

The same is true for Pan Lina, the most important thing she needs to master to play the drum kit is the rhythm of the music, which is what she is best at. The rhythm of pop music is simple, and it is true that compared to serious classical music. Let's put it this way, pop songs are usually repeated, and although there may be some differences in the rhythm between several times, the change is not particularly large.

Therefore, as long as Qin Fangge sings it once, her drum beat can completely keep up, and Huang Jing and Kanako are also the same for several erhu players.

And in the short rest time after he sang "Three Hundred and Sixty-Five Miles", when Qin Fangge got up from the piano, the silence in the bar was also broken in an instant, and the almost frenzied applause and cheers were simply deafening. Zuo Shuqin and the security guards of several bars were already guarding the stage, which could not let the audience rush onto the stage, but fortunately, although the guests were emotional and the slogan of "I love you" was also loud, they did not take action to give hugs or anything.

Once when Qin Fangge sang here for the first time, Xi Wanqing was the first to come on stage to give a hug, but this time, she was much calmer. The two girlfriends around him didn't mean to go up at all, and still sat quietly in their positions, sipping red wine.

Chen Yushan switched positions on the stage with other girls, but she also had no idea of going on stage.

Qin Fangge still pretended not to like applause and cheers, he stood up from the piano, not to accept everyone's applause and attention, but to get the guitar. There are many guitars that will be brought into the wine here, electric guitars, folk guitars, and even classical guitars, although they are all guitars, but the technique and style of playing are very different. Qin Fangge will choose a folk guitar, with his current guitar performance level, the folk guitar can also play the effect of a band.

When he picked up the guitar, Zuo Shuqin and Zuo Mengfeng were even more vigilant, because the guests of the bar became more and more excited and even restless, although they were all old customers of the bar, but such an atmosphere made it particularly easy for people to lose their minds.

It seems that the guitar will be more down-to-earth than the piano, Qin Fangge doesn't sit holding the guitar anymore, it seems that he plans to stand and play like this. In a small scene like a bar, he doesn't need a microphone at all, and he is very free to move. It's just that the expression on his face always seems to be the same as that of many "facial paralysis" actors, a consistent smile.

He is still in the same style, too lazy to talk nonsense, and he is not even too lazy to say polite words about helping Zuo Shuqin, the little proprietress sell wine. As he auditions on his guitar, the frenetic atmosphere in the bar quickly subsides, and he enters another desolate and psychedelic world.

The style of his guitar prelude is the same as that of the audition, beautiful and moving, but with a heartbreaking and sad vicissitudes of life, the simple tone of the folk guitar seems to make this vicissitudes taste more and more intense, and it is not only the feeling of the scene, but also the vicissitudes and loneliness of the mood.

The time of this prelude is also extraordinarily long, more than a minute, Qin Fangge did not show off his skills but he was better than showing off his skills, just creating such a dreamlike, but intoxicating musical conception, is not something other guitar players can do.

Not to mention the other guests in the bar, Pan Lina and Huang Jing, who were also on the stage, were almost killed by his guitar prelude. Qin Fangge didn't play the guitar much, and he rarely showed it, but the guests with a good memory all remembered that when he took out "Yanjing Basement" and the English version of "Hotel California", his guitar playing skills were already deeply impressive.

After the prelude had done enough foreshadowing, Qin Fangge opened his mouth to sing, and it was also the kind of vicissitudes of life, barren and lonely, but it made people extremely intoxicating and confused, "The sunset on the horizon reflected on my face again."

Again reflected my restless heart

This is where the place is still so desolate

That endless journey is so long."

Everyone felt right, and after listening to his songs, everyone in the bar was more sure and no longer had to be ashamed of their lack of musical literacy. Of course, they didn't think so much about it, and they were all following his music and singing along on this endless long journey.

"I am the prodigal son who is always alone in the distance

You are my woman in the middle of nowhere."

When Qin Fang sang these two sentences, he still had that faint smile on his face, as if he couldn't find anything special from his expression, but his eyes seemed to be deeper, which was particularly in line with his maverick, lonely prodigal son's lyrics. But in the latter sentence, the controversy is a bit big, who does his lyrics refer to, who is his woman in the vast sea of people?

The speaker has no intention, but the listener has the intention.

Among the women present, there were many who had intimate relationships with him, and their minds were also different. The next sentence quickly named the theme, and it seems that it is still the theme of homesickness.

Even if it is pop music, the lyrics can have many interpretations, but there is no specific standard, the audience is more willing to believe in their own feelings, and they are more willing to believe that what the author singer really wants is to feel and touch the deepest emotional expression to the audience. The same song will sound very different at different ages in life. And singers, in different moods and age groups, sing music that is also very different, but this is also the charm of music.

"Every cold night on the road in a foreign land

This thought hurts me like a knife

Always in dreams I see your helpless eyes

My heart is awakened again"

For example, here, what Qin Fangge really wants to refer to is his hometown or his lover, no one knows, maybe both.

"I stand here remembering the time I parted with you

You're so lonely standing in the middle of the crowd

That's your broken heart

But my heart is so wild"

Each audience may have their own unique interpretation, and as a singer, they can't be forced, Qin Fangge has long understood this truth, just continue his own performance.

"You will always be home in my heart

You are always waiting alone for me, waiting silently

Every cold night on the road to a foreign land

This thought of it hurts me like a knife."

It's also very interesting here, especially for girls like Lin Baoqing, Chen Tianhong, and Han Wei, who are delicate and sensitive, do they compare their lovers to their hometowns, or do they compare their hometowns to their lovers?

Homesickness is inherently melancholy, and here, there are even more vicissitudes and desolation.

Missing is like a knife, it makes people hurt, whether it is for their hometown or their lover, it is so! People who have experienced longing will naturally understand, and whether it is Chen Tianhong or Han Wei, or Lin Baoqing who chose to break up with him, they all have a deep understanding of this, and that longing seems to be something that makes people grow up and is heavy.

"Always in dreams I see your helpless eyes

Once again, my heart was awakened

I stand here and think of the parting with you

You're so lonely standing in the middle of the crowd

That's your broken heart

But my heart is so wild

Always in dreams I see your helpless eyes

My heart is awakened again"

In this repetitive melody and singing, Huang Jing and Pan Lina could also join in, but they didn't have such a mind, and they were all intoxicated by his music and singing. They are not like Chen Tianhong, Han Wei, Lin Baoqing and other girls, they have a particularly close relationship with Qin Fangge. But in this way, they also have their own interpretations, and they are not over-interpreted, his lyrics and music can have multiple meanings.

By the end of the song, his meaning seemed to be clearer, and it also made many viewers present tearful, not only girls or women who had a close relationship with him.

"I always see myself walking on the way home in my dreams

You stand under the sunset with a beautiful face

That's your dress flying

That's your gentleness as water."

Delicate face, skirt flying, gentle as water, in the feelings of girls, the most in line with this image is Lin Baoqing, she is as demure as water, delicate as a flower, like a fairy in the sky descending to earth, and she is also the first girlfriend Qin Fangge admitted. She has written countless pieces of music, not only songs, but also guqin songs, piano and flute ensembles, and even masterpieces such as the First Piano Concerto.

It's just that although Qin Fangge on the stage is standing tall and the jade tree is in the wind, he only plays the guitar and sings without speaking, and he does not specifically specify which one such a song is given to, whether it is his hometown, or which woman present, the one he called "You are my woman in the vast sea of people".

The guitar in his hand, the tail music played without hurrying is still like him, warm as jade, beautiful as picturesque, in the whole vicissitudes of desolation of the song, it seems to have more warmth and tenderness, is it the charm of a beautiful woman or the hometown complex in the bottom of my heart, I don't know. But as long as it can arouse the resonance in everyone's hearts, it is enough.

It seems that in addition to this, they can't find any other way to express their inner emotions to the greatest extent, excited, sad and desolate, the nostalgia for time and hometown, the thoughts and nostalgia for the first love, etc......

Qin Fangge was still his usual style, and he didn't even respond to the enthusiastic audience, and those shouts like "I love you" didn't seem to be addressed to him, and he didn't explain more. He will definitely not say that this song was not written by him, but by another singer named Xu Wei in a "parallel time and space", and the song title is "Hometown".

But Xu Wei's catastrophe is not limited to this, his "Persistence" was taken out by Qin Fangge before, and he will then sing some of his other classic works, and what is about to appear is Xu Wei's other song that is particularly popular with everyone, especially students, "Once You".

From the perspective of the audience below the stage, Qin Fangge was now immersed in his own musical world, although he didn't have much interaction with them. But it's nothing at all, good music, heartfelt music, is what everyone really wants, and it's the ultimate goal of coming here.

Qin Fangge's live singing skills and level are not on the same plane at all with those current singers, even Chen Yushan, who specializes in singing his songs, compared with him, the gap is particularly obvious. However, Qin Fang is obviously playing with tickets when singing such songs, and to a greater extent, he still brings wonderful and beautiful music to everyone as an author.

It's another guitar prelude with a beautiful melody, but this time, the mood and style are obviously much happier and brighter than the previous song, without so many vicissitudes and sadness, and it also makes everyone's mood better.

And this time the guitar intro is longer, but no one is impatient, even his improvisation, can bring people the most beautiful and wonderful enjoyment. There seems to be a special magic in his music, which can make people forget the troubles of reality and enter another wonderful music world, although there are also sadness, desolation and helplessness, but there is also happiness, beauty and sweetness, when it sounds, even the most melancholy and poignant music, but it is also extremely comfortable and hearty, and goosebumps all over the scalp are also the most normal situation.

And on occasions like bars, popular music is undoubtedly more straightforward than classical music, and it is easier to resonate with everyone, and then unconsciously follow him on a fantastic and magnificent musical journey.

Qin Fangge took out this "Once You", retained the main theme and lyrics, and restarted the other arrangements, he is too familiar with this work, his adaptation, and even his singing can be regarded as a real recreation, turning these music into something that truly belongs to him. Let composers, musicians, and singers from another world, even if they are not famous all over the world, be able to spread their music widely.

For pop singers, changes in arrangement and orchestration are also common, take Xu Wei as an example, the concert version and the recording and the mV version will be very different. With the passage of time, the growth of age, the change of mentality, not to mention the arrangement and orchestration, even the main theme and lyrics that generally do not change, when singing, it will give people a very different feeling. Not only can the audience listen to it really, but the singers' hearts are even clearer in their hearts, integrating their experience, life and social understanding, the more artistic expression and emotional appeal their music becomes.

At the beginning, Xu Wei's sentence "I once dreamed of going to the end of the world with a sword" sang the romantic fantasy in the hearts of countless men, fighting the sword to the end of the world, riding horses and singing, and acting chivalrous. Yes, every man has a martial arts dream in his heart, and he is looking forward to joining hands with his confidante to go through the rivers and lakes, fight grievances, and finally complete the great cause of punishing rape and eliminating evil, retire to the rivers and lakes, and leave countless romantic legends.

At this moment, when Qin Fangge sang it, it gave everyone present a similar feeling, and it easily resonated with everyone, especially the men with martial arts dreams, although as they grew older, this unrealistic dream may have long been annihilated in the unknown place in their hearts, but as soon as it was touched, it immediately sprouted and grew again, and finally filled the entire heart.

As his name suggests, Qin Fang singer also sings with a bit of chic feelings of riding horses and singing, "I once dreamed of going to the end of the world with a sword."

Take a look at the prosperity of the world

Young hearts are always a little frivolous

Now you call the world home

The girl who once made you feel distressed

Now it is gone

Love always makes you yearn and feel annoyed

It has left you bruised all over your body."

The "you" in this is not only you, but also me, and him, all of whom were young and frivolous, but unfortunately until now, they can only make their home from all over the world, and even the most distressed girl has quietly disappeared. Everyone has experienced such things and situations to a greater or lesser extent, and as for love, it is something that hurts others and hurts oneself, and it is also the most elusive and graspable emotion in the world.

"di1i1i1idi1i1i1idenda" This humming without much meaning can only be understood, but this is also the characteristic of this song, Qin Fangge has not changed much, he thinks it is quite interesting, of course, to a greater extent, he is too lazy to change, although he has put a lot of effort into arranging and orchestrating.

His singing continues, and his singing is exceptionally natural and smooth, as if he is reminiscing about certain times and the past, and as if he is telling a mental journey. As for what the audience will think, it's not something he can grasp.

The singing voice is still the same, and Qin Fangge has always mastered the rhythm and emotional direction, and continues to "walk on the road of moving forward bravely."

di1i1i1idi1i1i1idenda

……

It's sad and wonderful."

The life process is very simple and straightforward, sad and wonderful are the most real experiences and portrayals.

"Every time it's sad

Just look at the sea alone

I always think of my friends who are walking on the road

How many are healing

di1i1i1idi1i1i1idenda

……”

"I don't know how many lonely nights

di1i1i1idi1i1i1idenda

……

Woke up drunk last night"

"Every time it's sad

Just look at the sea alone

I always think of my friends who are walking on the road

How many are waking up

Let's dry this glass

A good man's heart is like the sea

has experienced the ups and downs of life

This smile is warm and innocent."

In the later part of the repeated chorus, Pan Lina and Huang Jing, who were emotionally infected, could keep up with the rhythm, and the song was not as vicissitudes and sadness as before, so the two also picked up the instruments in their hands and joined him in the performance.

But the other erhu hands, Kanako and Qian Shuyuan and Feng Lulu didn't move, if they were improvised, the cooperation of their erhu was basically impossible to be consistent, and it was not beautiful to add enough snakes, just Huang Jing and the erhu were no problem.

With their accompaniment, Qin Fangge's singing voice became more innocent and warm, just like the song sang.

"Every time it's sad

Just look at the sea alone

I always think of my friends who are walking on the road

How many are waking up

Let's dry this glass

A good man's heart is like the sea

has experienced the ups and downs of life

This smile is warm and innocent."

(End of chapter)

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