Chapter 1229: Inspection
Speaking of Xu Wei, the controversy is quite big, some people say that the lyrics and melodies of his songs are very same, and some people say that he abandoned the spirit of rock and roll for money, became commercial, and wrote pop songs, which is a betrayal of rock and roll. Even fans who really like him have completely different opinions about the songs he writes at different times and in different states, and the style gap between his early and late music works is indeed very large.
It's hard to say that this is the case, but in Qin Fangge's opinion, he just uses music to express his mood and story, and there is really no special meaning in saying so many other things. Just like Qin Fangge himself, he has his own unique mental journey, he creates music and even uses other people's music, not to cater to anyone, as long as he thinks it is appropriate, he likes it. Xu Wei is not perfect, nor is he the kind of invincible musical genius, and the music also repeats such as "lonely, wild, time, distant mountains, freedom, autumn, youth" and other representative lyrics.
is also a musician, Qin Fangge can understand these singer-songwriters better than others, and understand their psychological states such as depression, pain, anxiety, and confusion when they suffer from depression.
But for listeners, they don't need to care about this at all, as long as the music can move people and resonate, it's enough. You can like a lot of songs from many singers, but you don't have to be serious, you like all the music works of a singer, and you have to criticize it strongly or even make more excessive behaviors.
Qin Fangge himself is even more typical, he doesn't dare to boast that Haikou thinks that his fans like every one of his music works. His style changes more, and it can be said that there is no stereotyped style, which has a little benefit, that is, when others want to complain about his music style, they can't find a groove at all.
This "Once You" also touched him, sometimes it doesn't even need too much, as long as there is such a melody, a lyric is enough, and it is also the reason why Qin Fangge is coming out now.
After the song ended, Qin Fangge took a leave of absence for himself, saying that he was tired of singing and wanted to take a break. His request will naturally be agreed to by the audience, and they will not be allowed to disagree, and they will still respond with applause and cheers. The melodies and lyrics in a few songs, what moved them and resonated with them, can only be savored and remembered slowly. They don't dare to ask too much, although people's hearts are always dissatisfied, but they are already very lucky to be able to listen to the preemptive version. Moreover, even if they asked for a lot, Qin Fangge would not be able to satisfy him so much. Looking at his appearance on the stage, it is completely like entertaining himself, but it is his state that makes everyone feel more precious.
Huang Jing and the others naturally didn't believe Qin Fang's nonsense that he was tired of singing and singing, although he sang four songs in a row, but if he could perform a complete opera, he still had the strength to soar to the level of soprano C, and such a song was not good at all.
Of course, they won't be stupid enough to debunk him, he is actually giving the guests of the bar a break time, and it is also excellent to order a few more glasses of wine!
As he sang in the song, "Let us dry this glass of wine, a good man's mind is like the sea, he has experienced the warmth and coldness of the world in life, and this smile is warm and innocent." ”
The lyrics and melodies still seem to hover over the bar, leading the crowd to continue to indulge in this wonderful world of music.
Huang Jing and his excellent music works are not surprised by him, no matter what his inspiration is, they are all admired. They also told Qin Fangge about their thoughts on listening to his two songs, and he didn't go down immediately to explain that there was a follow-up, whether it was Huang Jing or Kanako, they were not in a hurry, and Huang Jing also asked him very gossip about who the woman in the song was?
Qin Fangge smiled and said nothing, leaving it to them to guess for themselves, and he was embarrassed to say that he was singing someone else's song. Because of her understanding of Lin Baoqing, she may associate more.
didn't ask the result, Huang Jing and the others guessed in another direction, feeling that they were not referring to a specific person, but a type of person. This is also very realistic, and the number of his women is really quite a lot.
Qian Shuyuan also had an idea, and asked Qin Fangge, "Can you come to a tender feminine song, so that we can have something to do." ”
Feng Lulu doesn't want to move, preferring to be an audience, "His two songs are a bit of a light rock style, and they give people a very good feeling, we all like it very much." Is there anything like this, you can take it out together!"
Qin Fangge smiled and said, "I'm actually a little worried that you won't like it! Yes, there must be......
Feng Lulu asked him to take out this opportunity together, and even Qian Shuyuan nodded, "No matter what style of song you create, as long as you create it, it will be welcomed by everyone." ”
Qin Fangge was not so optimistic, he also said, "One thing Yuan Yuan is right, a musical work, no matter what the quality, will always be liked by someone." ”
Such songs are more straightforward and easy to understand, and they are also the easiest to capture people's hearts in the first place. Kanako said, but also said, "It may be that the hearing resistance is a little worse, and if you cycle too much, it will be easy to get bored." ”
A few people chatted for a few words, but they still returned to the question raised by Qian Shuyuan, this Qin Fangge's song reserve can be described as a bottomless pit, of course, it is not a problem. Qian Shuyuan also asked Zuo Shuqin to bring up the paper and pen, well, now the bar guests can order drinks and chat with peace of mind, they are all moving paper and pen, and it is estimated that it will not be completed for a while. Zuo Shuqin, the little proprietress, is happy to see such a scene, as long as Qin Fangge is on stage, there is no need to worry. Especially when he called Chen Yushan up, he didn't know what the hell was tossing. Chen Tianhong, who was originally listening to the song quietly below, also took the opportunity to send paper and pen to follow on the stage, she would especially regret not bringing the pipa over, the bar actually has a pipa, and it will be used in the opening song, but she is worried about the live arrangement, too many instruments and too much trouble, so she still has a good time.
Qin Fangge did a great job, Qian Shuyuan asked women to be tender, so he called Chen Yushan up, and then said that it was time to test her for these days of practice.
Huang Jing and the others could see that this guy was completely irresponsible and lazy. But it's not easy for them to intercede with Chen Yushan, this is indeed a test for her, it may not be anything to Qin Fangge, but for Chen Yushan, it's a completely new song, okay!
Chen Yushan took it bravely, she was not afraid of losing face, she was not as good as Qin Fangge, she could sing while playing the guitar, she just had to concentrate on singing good songs. Qin Fangge was not so ruthless, saying that he would take her with piano accompaniment.
What he will come up with is an old love song, and the name is quite cheesy, called "Resentment of the Sky Has Changed My Heart". The style is also quite special, the front is fine, and the back requires her to sing in a Peking Opera accent.
This is not new to Chen Yushan, the original "One Night in Yanjing" he took out also had a Peking Opera singing voice, and she also studied it carefully for a period of time, and also cooperated with other singers, that is, Sun Chaohui, the big brother in the mainland pop music scene.
But Chen Yushan didn't dare to relax in the slightest, pricked up his ears to listen to him, and when he wrote and drew on the paper, the main theme and lyrics were all written. This is not complicated, but how to sing it is a big difficulty, and Chen Yushan also needs to have her own understanding and interpretation.
Among the group of girls on the stage, Kanako, who has the most research and experience in singing, also told Huang Jing, "Although the lyrics and melody of this song seem simple, it is extremely difficult to sing well, especially in the second half." ”
But they don't actually have to worry about this, the task of their few erhu hands is not light, Qin Fangge will seem to be transformed into a big demon king, and assign them harsh tasks. He is a musical genius, and it is like arranging a piece of music for pop music and playing it, but they still need to play quite tacitly, and they need to play exactly the same with one erhu or several erhus.
As for Pan Lina, she is not afraid at all, she just needs to master the rhythm, she can improvise, she is still quite confident in her ability to control the drum kit.
Chen Yushan couldn't ask Qin Fangge to demonstrate, so she could only listen to him as much as possible, and then, as he said, integrate her own understanding, move people with emotion, and touch people with love.
Several of them were busy on the stage for a while, and the audience below the stage was not idle, ordering wine and tasting wine and exchanging their understanding and feelings about music with each other.
Lin Baoqing didn't go on stage like Chen Tianhong, so she sat there and whispered to Han Wei and Xiao Yuran. They are still distinct from Xi Wanqing and her two best friends, and they are completely harmonious or something, but they can only be in Qin Fangge's sweet dream.
Lin Baoqing and Han Wei chatted about it, naturally it was still a few songs that Qin had just released, and they all had a common theme, that is, homesickness, no matter what kind of metaphor was used, it could be regarded as written for their hometown, and in the case of lyrics, it was quite easy to grasp the main idea. In classical music or serious music, the theme is generally not so clear, and it can be understood in many ways.
As for the style, they only mentioned it briefly. It's just that the preferences of several people are also different, Han Wei prefers the decadent style of the lone star prodigal, and feels that the emotions of loneliness, wildness, vicissitudes and loneliness are particularly feeling. Lin Baoqing prefers the peace and warmth hidden in these music, the kind of changes that have seen all the vicissitudes of life, but still maintains a quiet attitude towards life.
Xiao Yuran admired the melody and rhythm, and she said that the intro and interlude of several songs were breathtakingly beautiful, and she was more interested in this arrangement.
Lin Baoqing and the others don't think it's strange at all, Xiao Yuran is learning piano, orthodox serious music, and he has been exposed to classical music since he was a child, and he is not so sensitive to pop songs. She prefers to focus on relatively technical music, of course, she admires Qin Fangge's musical talent.
Xi Wanqing, Xue Min, and He Ruyun naturally have something to talk about, in their opinion, the creation time of Qin Fangge's songs is undoubtedly the period when he left the motherland and hometown during his time abroad, and the more profound his feelings became! At the same time, they were also glad that they did not miss such a good opportunity, and he really rarely sang such songs in his usual words, and the same was true in front of them. doesn't talk about the question of 1o or not 1o, even if he wants to convey sweet words, he seems to prefer piano music.
The other guests in the bar are also similar, the bar owner Zuo Mengfeng and the other waiters will be too busy to make more comments on this, but everyone knows the truth that it is difficult to reconcile, even if it is Qin Fangge's music, they dare not say that it is suitable for all ages, everyone likes it. If you can move some people, arouse the resonance in their hearts, and feel that they have gained something, it can be called good music.
Moreover, more importantly, Qin Fangge's main business is not in pop music, whether it is opera or piano, or even violin erhu or something, in his career, the priority is far more than pop music. He was able to come to the bar to play and sing such a song, largely because of Zuo Mengfeng and Zuo Shuqin's face, and he really didn't dare to demand too much from him. What's more, the quality of these songs is particularly good, whether it is the first two pure pop style songs, or the back two rock style songs, they are particularly easy to touch the most vulnerable and sensitive places in people's hearts.
Whether it is a musician like Zuo Mengfeng and Han Xufei, or a bar waiter as an ordinary person, they can find something that moves them from his songs.
On the stage, after Chen Yushan listened to Qin Fang's song, she first took the score and went backstage to ponder it alone, and there was a small dressing room in the bar, which was not a big place, but there was no one in the club, which was just suitable for Chen Yushan. Huang Jing and the others naturally didn't bother, they also had tasks on their shoulders, but the difficulty of their tasks was much lower than that of Chen Yushan. The dressing room couldn't squeeze so many of them, Qin Fangge also wrote out the arrangement, and the part of their erhu, they discussed it, the difficulty of playing was not high, but it required considerable artistic expression and emotional appeal.
There is no need for Qin Fang to say that they will also combine the lyrics and melody, this matter is Qian Shuyuan's beginning, and it is incumbent on her to do the accompaniment. This "Resentment of the Sky Has Changed My Heart" is undoubtedly another pretty good song, but when Chen Yushan sings, you can only know it more clearly. But from the point of view of arrangement, such a song is not much worse, the key is that they have a few erhus, and there is also a tacit understanding between them and Chen Yushan, as well as Qin Fangge's piano accompaniment, they can already foresee that when the climax of the music comes, it will bring the audience that powerful impact and infectiousness.
(End of chapter)
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