??

And Ruan's popularity is not much better, there are not many music works written specifically for Ruan, and many of the repertoire are adapted from the repertoire of other instruments. There are only a handful of such large-scale pipa concertos, and the whole world is actually China, and there are probably only five or six Ruan concertos.

But Qin Fangge's song was a birthday gift to Wang Zizi, and the score did not circulate, and the girls and teachers around him knew about it. Even Ning Xiupei doesn't look at these now, she really can't see it, and it's not what she's good at, piano, violin, concerto, symphony and the like are slightly better.

Wang Zizi naturally attaches great importance to such Ruan Concerto, and as a birthday gift to her, the meaning is also quite special. It's just that such an excellent musical work can't help him become famous in a short period of time, and if he plays it himself, there will definitely be no problem. But for Wang Zizi, if she wants to play well, it is a challenge to leapfrog the level, which is also the original intention of Qin Fangge's creation, inspiring them to challenge themselves bravely and achieve a leap in performance skills.

Chen Tianhong and Han Wei can practice slowly and leisurely, they can't wait for more excuses, communicating with him and practicing these tunes is the best cover, and when the two of them are alone with Qin Fangge, in addition to discussing art seriously, they will also do some romantic things, which can be thought of without guessing.

Wang Zizi and Qian Shuyuan are different, it is not easy to break through the bottleneck, otherwise it can't be called a bottleneck.

And Qin Fangge's expectation was half a year, but after Wang Zizi herself played, she felt that he was too optimistic! Practicing other repertoire, the more she practiced, the more she improved, but when she practiced this song written specifically for her, she felt that the more she practiced, the more she felt that she had too many shortcomings. For this reason, Wang Zizi also communicated with several other sisters who received birthday gifts, whether it was Chen Tianhong or Han Wei, Qian Shuyuan or Yu Xiaoxia, they all felt the same way, the only exception was Lin Baoqing. Teng Shuting's birthday gift is okay, because it is simply an ensemble for all of them, but judging from the fact that she has not organized everyone to start rehearsals yet, the difficulty is still quite large. Wang Zizi doesn't particularly understand more composition things contained in the song, but they all know that they should have a lot of inspiration and help for Teng Shuting to learn composition!

Wang Zizi also knew that Qin Fangge didn't mean to embarrass them, but when he entered the door with him, he still couldn't help but complain to him, "Sometimes it feels like you were sent by God to attack our confidence, and there is no one who practices this song so entangled!"

Qin Fangge only regarded this as a compliment and praise, and laughed at her, "Do you think! Is Master Zhongruan so easy to be? It's good to suffer some setbacks and blows, and if you cross this hurdle, the road ahead will be easier." I never doubted your talent and potential, but I can't help much in this matter, I can only help beat the side drum and cheer for you!"

"We all know that if you don't make much progress in practice, you will inevitably be a little impetuous. Wang Zizi said that after she waited for Qin Fangge to also enter the small classroom, she closed the door with her hand.

"Don't worry, if you want to be able to practice the performance right away, calm your mind, and strive to gain something every time you practice!" Qin Fangge said quite easily.

But he only gained Wang Zizi's white eyes, "We all understand the truth, but it's difficult to do, and not everyone is the same as you." ”

Qin Fangge said with a smile, "Then I won't talk about the big reason, in fact, there is really nothing to say, it is nothing more than substituting my own imagination and emotions into practice, the key is to think more and practice more, and pay attention to details that I have always said." Zizi, you have been practicing this piece for a long time, and there is nothing wrong with your musicality and basic kung fu, what you need now is water grinding kung fu, continue to accumulate little by little, and wait for the time when the water will come to fruition. ”

Wang Zizi listened carefully, and then she still used the problems she encountered in practice to communicate with him. Of course, she naturally won't forget to ask Qin Fangge to open the DV and record these things that can be said to be teaching videos, which is also the most standard situation when they communicate with him to discuss art.

Qin Fangge is also still conscientious, in addition to the verbal explanation, Wang Zizi is more willing to see his demonstration. He is also not ambiguous at all, and he is also handy at playing her Zhongruan.

It is said that the ruan and the guitar are more similar, and it is true, the two instruments are indeed very similar, and the playing techniques also have a lot in common, such as hooking the strings, overtones, and so on. Zhongruan is mainly played with a pick, and guitar picks and finger plays are available. In terms of instrument construction, the guitar is larger, and the larger resonance cabinet and sound hole make for more volume and fuller sound. The timbre of Zhongruan is relatively more primitive. Moreover, the middle ruan has four strings, while the guitar has six strings, so the harmony is more expressive, after all, it can produce two more notes at the same time.

In terms of performance techniques, the guitar has developed more, and many of Zhongruan's performance techniques are also inspired by guitar playing, or directly adapted, or created by inspiration.

Qin Fangge also transplanted some performance techniques from guitar playing, and after reaching his level of music, the degree of integration is not a little higher than that of other cross-border performers. And Wang Zizi's current level has not really reached the level of "everyone".

Thanks to his perverted physical fitness, not to mention the dexterity of his fingers, he has reached the pinnacle of human beings in terms of strength control, more like a machine, and every minute is particularly accurate. On the contrary, Qin Fang Song can still play calmly and unhurriedly, demonstrating for Wang Zizi, and many times she has to slow down to see clearly. Fortunately, there are also DV recordings, so you can slow down and learn afterwards.

Wang Zizi is also completely involved in it, and when she gets serious, she is even more beautiful.

Although Qin Fangge doesn't want to mention it too much, but in such a music full of romanticism, emotions are quite important, and the love story of Tang Ming Emperor Li Longji and Yang Guifei Yang Yuhuan is also the whole poem, and Qin Fangge uses this as the blueprint to create the main line of music.

Although there is a big gap between Wang Zizi and Yang Yuhuan's body type, she is a slender type, far from Yang Yuhuan's plump, breasts, fat, and buttocks plump type, but they are all the same "natural beauty is difficult to give up", since she did not have the opportunity to "choose on the king's side once". Of course, Bai Juyi also beautified their love story, you must know that Yang Yuhuan was Li Longji's daughter-in-law at the beginning, and his father-in-law and daughter-in-law are called "picking ashes". However, for the emperor of the Tang Dynasty, it was not a matter at all, since Li Shimin wantonly accepted all kinds of wives, such indecent love has emerged in endlessly. Li Shimin's son Li Zhi married Li Shimin's woman, that is, the famous Wu Zetian, and when Wu Zetian ascended the throne as the queen, he was the first three thousand. However, these problems in life style do not affect their ability to be remembered or even worshiped by the world.

In this song, Bai Juyi beautified the love story of the two, and when Qin Fangge created it, he also followed Bai Juyi's surreal romantic style.

Moreover, this also proves from another perspective that successful people have the right not to be blamed. Even Li Longji, the culprit who made a mess of the prosperous Tang Dynasty, and the emperor who couldn't protect his beloved woman Yang Yuhuan in the end, and who also fell to the point of misery in his later years, are also remembered and even praised by future generations.

Qin Fangge also fantasized about traveling through the past to become an emperor, and when he was creating this song, he was also ridiculed by the girls that he could substitute for Li Longji, and some laughed that he was working hard in the direction of the ancient emperor's harem. In all fairness, Qin Fangge himself didn't dare to say that he could do better, but if he passed with the insight of future generations, at least the end would not be so miserable.

Of course, in this music, Qin Fangge does not need to engage in these political factors at all, the theme is still about love, and when it comes to historical events, he does not need to avoid it, which is also the best time to show the talent of the composer and the skill level of the performer. The Anshi Rebellion and Ma Weiyi Mutiny couldn't be bypassed, but Bai Juyi arranged another romantic ending for Yang Yuhuan later.

Qin Fangge also wrote three movements according to the rhythm of the poem, the first part is the beginning to "Breaking the Song of Ni Clothes and Feathers", Bai Juyi used 32 sentences to write about the love life of Emperor Tang Ming and Yang Guifei, and told about the situation of the desolate government and chaos of the country and the outbreak of the Anshi Rebellion; the second part from "the smoke and dust of the nine-fold city" to "the soul has never come to dream", a total of 42 sentences, writing about Yang Guifei was killed in the Ma Weiyi mutiny, and Tang Xuanzong's thoughts about her thereafter; "Linqiong Taoist Hongdu Ke" At the end, it is the last part of the poem, and the preacher helps Tang Xuanzong to find Yang Guifei in Xianshan.

And Wang Zizi is still practicing the first movement of the love life of the two, the time is actually not long, only about ten minutes, but the content is quite a lot, and it is also her favorite movement.

This movement is also extremely gorgeous, Bai Juyi uses poetry to describe the beauty of Yang Yuhuan, and Qin Fangge uses music, beautiful melody like a song, romantic and amorous rhythm. There are even fewer large-scale court music and dance passages, and the neon dress and feather dance cannot be bypassed in any way. Li Longji made great things when he became emperor, but he and Yang Yuhuan made great contributions to the popularization of music and dance. During the Tang Dynasty, it was also the pinnacle of ancient Chinese music and dance, and since then, Chinese music and dance have become more and more declining.

The interpretation of the song of long hatred can be written as a book, and the music is transmitted to the audience listening to the music in a more direct form of communication. As a performer, Wang Zizi must know everything about poetry, music, and even the relevant historical background.

The so-called "the more you know, the more you don't know", an in-depth understanding of these things will also make Wang Zizi a little confused, and she feels that many things have subverted her past cognition. But it's not without its benefits, at the very least, it makes her better aware of the situation. When playing, she must substitute her own emotions and understanding, and use her understanding to convey musical thoughts and emotions to other audiences.

Wang Zizi is a woman, and she is still a beautiful woman, and she is quite proud and proud of this. She also has a woman's romantic fantasy, from a woman's point of view, Yang Yuhuan is undoubtedly the pinnacle of a woman's life, except that the ending is a bit miserable. There is a description in the song of long hatred, "Looking back and smiling, the six palaces have no color."

The spring cold bathes in Huaqing Pool, and the hot spring water is slippery and creamy.

The waiter helped up the delicate and weak, and it was the time of the new inheritance.

The cloud sideburns are swaying, and the warmth of the hibiscus tent is **.

** The bitter short day rises, and the king does not come to court early.

There is no leisure for the Chenghuan banquet, and the spring is a special night from the spring outing.

There are 3,000 beauties in the harem, and 3,000 are pampered in one.

The golden house is dressed up as a delicate night, and the jade building feasts are drunk and spring.

Sisters and brothers are all in the land, and poor and glorious are born.

So he ordered the hearts of parents all over the world not to be born again male and female.

The high place of the Li Palace enters the green clouds, and the fairy music wind is heard everywhere.

Slow singing and dancing silk bamboo, the king of the sun is not enough.

Yu Yang Mo came agitatedly, breaking the song of neon clothes and feathers. ”

Qin Fangge has also done a very high degree of restoration in music, among which Li Longji's love for Yang Yuhuan is even more so, hot springs, hibiscus tents, banquets, spring outings and so on. It is really a collection of thousands of pets, the ultimate fantasy of many women, which can be seen from the popularity of costume heroine dramas, "All men in the world spoil her and love her, and women are jealous of her and hate her". Of course, in the end, she can only be the most powerful man in the world, "slow singing and dancing and condensing silk and bamboo, and the king will not see enough", he doesn't love enough, he doesn't have the strength of the emperor, when Yang Yuhuan was the princess, he couldn't enjoy such good treatment, and large-scale music and dance such as the neon dress and feather dance are not something that a prince who has no power and no money can afford.

Wang Zizi admits that women are born to love vanity, Yang Guifei is like this, she herself is no exception, she will not feel ashamed, she does not hesitate to show her beauty, and likes to dress herself up beautifully.

Qin Fangge also told them that this is very normal human nature! Just like men, don't all men want to "wake up to the power of the world and get drunk and lie on the knees of beautiful women". It is also the most normal thing for women to expect men to be able to "rush to the crown and be angry", "not love the country and love the beauty", and "only take one scoop of 3,000 weak water".