??? It's a pity that Qin Fangge is not such an infatuated person, and he didn't say that he was alone, Wang Zizi also saw this quite clearly. Although she is confident, she is not blind and not conceited, when her sisters jokingly told her to conquer Qin Fangge, she was completely unconfident. In the end, Lin Baoqing came out, but there was no way to make Qin Fangge only love her.

Thinking about it from her own perspective, Wang Zizi felt that if she had been Qin Fangge's girlfriend at the beginning, she would not be much better than Lin Baoqing, Lin Baoqing's comprehensive quality was higher than hers, and her family background was not comparable to Wang Zizi, who was born in an ordinary family. In this way, Qin Fangge still chose to be "as free as the wind".

Of course, that's not entirely bad. Just as people often say that "there is no pure relationship between men and women" and "there is no real friendship between women", human nature is selfish, even if the relationship is good, there will still be some thoughts of their own, although they may not put them into action or even words.

It is precisely because of Qin Fangge's amorous personality that Wang Zizi can harvest such a "masterpiece" without paying any price. He didn't ask her to do anything she didn't want to do, and there was only so much she could do for him, and probably as he said, playing this piece well was the best thing he could do for him. And his help to Wang Zizi is not only this, in addition to artistic help, in life, it is equivalent to helping her get rid of the past dilemma, and she no longer needs to go out to work and make money. Making music with him, each of them earned hundreds of thousands, and she couldn't earn so much after working outside for a few years. For this, Wang Zizi was grateful to him.

But obviously, Qin Fangge didn't regard this as something too special, and she didn't do it because she was particularly beautiful. Just like the birthday gifts he gave to other girls, Wang Zizi was not so sentimental, thinking that Qin Fangge was hopelessly in love with her, this is not a film and television work.

Of course, Wang Zizi still has confidence in herself, she is very beautiful in appearance, her musical talent is not bad, and she is not worried about having no common language with him. may be slightly inferior to Lin Baoqing, but it is not a problem to be equal with Chen Tianhong and Han Wei. It is also the most normal thing for girls to compare with each other, Huang Jing and they often say that Qin Fangge is eccentric, but in fact, they all know in their hearts that they can't do it at all if they want to achieve a bowl of water, in essence, it's just to use this to get some sense of existence!

It's just that now, Wang Zizi found that she didn't have that much advantage in front of Chen Tianhong and Han Wei. It is said that women are cautious, and it is not surprising that they are delicate and sensitive, sentimental, and hopelessly eager for romantic love to come to them. Wang Zizi is most dissatisfied with the most dissatisfied part of her body, probably the skin, they all say that "no one is perfect, no gold is barefoot", she thinks that God thinks that she is perfect in other aspects, so she has made a balance. Of course, Wang Zizi's standards are high, and her skin is actually the level of ordinary girls. But I'm afraid that there will be a comparison, Li Ruoli Lin Baoqing Xiao Jingru Kanako is not to mention that they are born with white and delicate skin, the key is Chen Tianhong and Han Wei, their skin seems to be cleaner and more crystal clear than in the past, although they did not admit it.

But Wang Zizi and they are not blind, let alone fools, they can be distinguished by pulling them out for comparison. The reasons why the two of them are nourished by love are too metaphysical and completely inadept enough to convince the public. But the deeper reason is also unclear, Wang Zizi has communicated with Chen Tianhong in private, but she can't say too much about it, just saying that the taste can only mean that it cannot be spoken, and more details will also involve those embarrassing things, Chen Tianhong, an enthusiastic and unrestrained "woman", is not afraid, but Wang Zizi and they are a little unbearable. Combined with the situation of Xi Wanqing and their group of fox spirits, the root of the problem is basically the demon Qin Fangge.

Whether it is in or in real history, Yang Yuhuan has one thing that cannot be black, then her skin is particularly good, not to mention the well-known "hot spring water slippery washing and gelatinizing", as well as Li Longji's "soft and warm freshly peeled chicken head and meat" recorded in the wild history, and An Lushan's "lubrication is stuffed with crisp when he first comes", all of which are used to describe Yang Yuhuan. In addition, the poet immortal Li Bai also wrote a lot of poems praising Yang Yuhuan, as well as the music composed by Qin Fangge before, "The clouds want to dress and the flowers want to look, and the spring breeze blows Revlon......"

If you want to play music well, it is inevitable to substitute your feelings. Wang Zizi is a perfectionist, and the most substitutable is of course Yang Yuhuan. It's just that her temperament and image are still very different from Yang Yuhuan, and in reality, she hasn't found Li Longji, the emperor of Tang Ming, who favors her. Of course, it doesn't mean that there is no way to completely substitute for this, and it still has to jump out, and the song of long hatred is not only about the romantic love story of Yang Yuhuan and Li Longji, but also has a lot of historical background and events interspersed with it, and the last two movements are surreal fantasy chapters.

This is not surprising, Qin Fangge to Chen Tianhong, and did not say that Chen Tianhong should be completely substituted into the role of the pipa girl, more time and vision, or in Bai Juyi, the degraded official poet.

In both songs, there are passages about the song of the neon dress and feather coat, and the poem is directly famous, and it is the first six of the neon clothes. In the middle, when it comes to the love story of the two, the neon dress and feather song can't be bypassed, and it is said that Yang Yuhuan still danced the neon dress and feather dance himself. And the first section is also the end of the first movement, that is, "Breaking the Ni Clothes and Feather Song", the Anshi Rebellion invaded Chang'an, and the Tang Emperor fled.

I have to mention that dancing is also Wang Zizi's weakness, not to mention that compared to professional dancers, among the sisters, her dancing is only decent, and she didn't learn it when she was a child. Xiao Jingru, Feng Lulu, and Li Ruoli have all learned from them, and they dance well, not to mention obvious masters like their boss Zuo Shuqin.

Yang Yuhuan is particularly good at singing and dancing, although because of her figure, she can't be like Zhao Feiyan, "Chu waist is slender and light in the palm", but her dancing level is basically recognized as good. When it comes to singing, Wang Zizi is not particularly outstanding, Zuo Shuqin, Teng Shuting, and Kanako are all of a very high level.

This affects morale, even if you know that for men, face and figure are always the first, but this is also the source of Wang Zizi's troubles from childhood to adulthood. However, Qin Fangge is different from the men she knew in the past, but she also has the common problems of men, such as being romantic, greedy, lustful, and so on. It's just that his methods are obviously much more clever and romantic, and he also relies on his own talent to mess around. Of course, he is also even more hateful, completely putting on a posture of "Jiang Taigong fishes, and those who wish to take the bait". There are quite a lot of women who have taken the bait, not to mention Xi Wanqing's women who are in high demand, there are also Han Wei and Chen Tianhong among the sisters who have fallen, although you are willing to do it, those who study art can't be judged by common sense, but it always feels a little unconventional to her, and if it is spread out, it will definitely scare many people.

Qin Fangge is also quite contradictory, saying that he thinks with the lower half of his body, and he is really wronged too much. Wang Zizi felt that he still couldn't withstand the temptation, and if he wanted a better character, it would be perfect. Of course, Qin Fangge didn't bother to play the unspoken rules at all, such as sleeping with him if he wanted to get a birthday gift, and he couldn't pull off that cheek. Compared with the various unspoken rules in today's society, his face is so thin that there are no boundaries, even in relatively pure schools, there are often teachers who do such things, and what they have at their disposal is not a resource like Qin Fangge that is particularly tempting to girls.

Just like when facing Wang Zizi, a delicate beauty, he didn't show a good soul-granting appearance, and he didn't even say anything like flirting and joking, basically the girls teased him more. If you don't know his details, you really think that he is such a humble gentleman in front of fans!

Like this, Qin Fangge is no exception when he is alone with her, just exchanging music, and never doing any messy things. Sometimes, Wang Zizi also wonders if her charm has declined, or because Qin Fangge has seen too many beauties.

Wang Zizi works hard to focus on music and art, but these cranky thoughts still pop up in her head from time to time, and there are DV videos, so it's not a big deal to be a little distracted. It's also unrealistic to be completely focused, and it is originally necessary for her to combine herself to understand and express this music.

In particular, the second half of the first movement is written with a song of neon clothes and feathers. As a Yan music masterpiece of the Tang Dynasty, it is a representative work of court music and dance in the Tang Dynasty, and it is also a musical work with far-reaching influence, which can be said to be the pinnacle of ancient Daqu.

In ancient times, the "Great Song" was a comprehensive art of singing, instrumental music, and dance, and the "Neon Feather Clothes" was no exception, including the Neon Clothes and Feathers Song, the Ni Clothes and Feathers Song, and the Ni Clothes and Feathers Dance. But the lyrics and tunes were gradually lost after the Anshi Rebellion, and two hundred years later, Li Yu, the queen of the Southern Tang Dynasty, and his queen Zhou Hou were restored with their musical talents, which can be called a great miracle in the history of music. This is another beautiful and romantic but also bleak and lamentable story, and it seems that these emperors, who are particularly artistically attained, and the whole country have not come to a good end.

Li Yuguo was ruined and was kept in captivity, and his beloved Xiao Zhou was forcibly occupied by Zhao Guangyi, "Ask how sad you can be, just like a river flowing eastward", and in the end he was poisoned, and the end was not miserable. And later, Zhao Ji, a particularly talented emperor of Song Huizong, was the same, falling to the point of ruining the country and ruining his family.

Since the Tang Dynasty, the ni clothes and feathers have completely lost their former glory and pomp, and what Bai Juyi has seen is completely inferior to when Yang Yuhuan and Li Longji were at the beginning. For this big song, Bai Juyi also wrote a long poem, but when he watched the neon clothes and feathers, it was already the "Yuan and Zhongxing" years, and the Tang Dynasty had inevitably declined.

Even so, the neon clothes and feathers still haunted Bai Juyi's dreams, and he himself had coached the courtesans in Hangzhou to rehearse. Ever since he saw this dance at the court, the amazing performance effect has made him unforgettable for the rest of his life. Therefore, in the years when he was transferred to Hangzhou Assassin History, in addition to official duties, he often enjoyed rehearsals. As soon as Bai Juyi left, all the courtesans scattered like birds in the forest, and several years of hard work were in vain. In addition to the impact on the economy and people's livelihood, the various music institutions established by Li Longji have also disappeared.

These are recorded in detail in his poems, "There are thousands of songs and dances, and I love the neon dress dance the most."

During the dance, the cold food spring breeze day, the jade hook bar under the incense case.

The dancer in front of the case, Yan Ruyu, does not wear vulgar clothes.

The rainbow dress and the grace shook the crown, and the sky was full of flowers.

Wan Ting doesn't seem to let Luo Qi go, and Gu Tingle is suspended.

The chime and the flute are mixed with each other, and the sound of hitting and blowing is loud.

The six pieces of the scattered prelude are not moved, and the balcony is lazy and does not fly.

At the beginning of the middle order, the autumn bamboo pole cracked the spring ice.

Drifting back to the snow light, Yanran sent the dragon frightened.

The willow is weak after the small hanging hand, and the clouds are about to be born when the slanted skirt is swaying.

The moth is slightly overwhelmed, and the wind sleeves are low and affectionate.

Shangyuan dotted the calyx green, and the queen mother waved goodbye Feiqiong.

The complex sound is in a hurry twelve times, and the jumping beads shake the jade!

Xiangluan danced but retracted his wings, and the crane song was long at the end.

At that time, it was shocking at first glance, and it was not enough to stare at the truth. ”

When Li Yu was restored in later generations, he also referred to Bai Juyi's poems about the description of the dance song of the neon dress and feather coat, and his experience of rehearsing the neon dress and feather coat is also of considerable significance for future generations.

Until now, Qin Fangge is the same, and strives to restore from these materials the mighty momentum of the dance and song in the original prosperous Tang Dynasty. Moreover, it is not enough to find inspiration from poetry and other scattered musical materials, the journey to the Silk Road, and the various Tang Dynasty dances on the murals also gave Qin Fangge a lot of artistic inspiration and inspiration. Otherwise, the cave murals on the Silk Road are precious artistic treasures of mankind!

Qin Fangge's own words are not confined to form at all, and they were created before he went to the Silk Road. But when he had more inspiration and ideas, he also made some revisions to the neon clothes and feather clothes in these two songs.

Wang Zizi knew that he had a big heart, and restoring the song of the neon clothes and feathers was what he was most willing to do.