I don't know what else to say, but I always subconsciously put the role in the first place.

The character should be this way or should be that, which has fallen into a false means.

It's all just picture elements, and the character should die.

It's all based on the assumption that "I think this will make the characters touch the real thing", but unfortunately, it can't be done.

There is only one way left to die, there is nothing to escape, and there is nothing to dare to face, which is death.

Once the character exists, the distortion in the brain will also exist, and I feel disgusted by the distortion in the head.

In this way, the character has to die.

The character-centered state is itself a product of emotion.

There's no one of me, so what the hell is all this doing.

I wasn't interested in the graphic elements, and the relevance of the characters didn't matter.

It's about dying, letting yourself die.

Is it really black?

There is no need to delve into these things, they are still just the presentation of picture elements, and everything the character knows is just picture elements.

I haven't finished the slaughter yet, so it's just speculation about the truth.

And this world is not real, what else do I have to grasp.

Throw away this world, throw yourself away, and let the character of Yuan Changwen die completely.

What else is there to discuss, is death, that is, to watch oneself die.

Don't distract from it, don't think about the characters, it's just death.

It's all the presentation of the elements of the picture, and there is no room for any resistance, or rather, the resistance itself is also the presentation of the elements of the picture, what is it resisting?

It's not simply "doing nothing", it's just going downstream.

None of the characters can escape the elements of the picture, and I have no interest in whether the characters resist or not, whether they go with the current or against the current.

It's just that the character's death will gradually get rid of the distortion in the mind, because the dissipation of the distortion brings about the character's death.

Without the distortion in the head, without the pull of emotions, the character can only go with the flow.

It's like a drop of water without a thought, which won't rebel against the ups and downs of the ocean.

If you are dissatisfied with the situation in real life, why bother to shout loudly, just change it.

Behind that blood, it's all fear.

I started to talk about how to live a better life again, and the character's life is, and it doesn't matter what it is.

There is only death, which is death, and the rest does not need to be thought.

It's really stupid to explain my actions, and my explanation is nothing more than trying to get the approval of others.

It's like trying to explain the difference between not resisting and doing nothing, saying a lot of things makes your words seem self-justifying.

It's all.

No matter how clear the explanation is, it is just a hindrance for those who want to imitate.

The key is to get rid of the distortions in your head, not to explain the rationality of the behavior, to find a pre-set pattern of behavior.

I'm always panicking "I don't know", maybe that's what I've always wanted to find a theory, to find a truth to put there, and then to compare that truth no matter what happens.

It's like when to poop and how to sleep, which seems ridiculous.

Putting the cart before the horse, not to explain the behavior and thus imitate, after cutting the distortion in the brain, it will naturally go with the flow.

But who wants to go with the flow?

Those things that are clamoring for something spiritual are just another way to flesh out the characters.

Let's die, no matter how much you say, it's just a few repetitive words, and the character hasn't died yet, so let's kill the character.

How is it possible not to think about yourself?

I used to think the same way, right, no matter what, I was thinking about myself, but everyone wanted it differently.

It's like some people think that thinking about themselves is to go to a big meal, eat seafood, and spend half a month's salary on a meal, but some people think that thinking about themselves is to eat lighter.

If I had to explain it this way, I can only say that letting the character die is my "own consideration", enjoying the peace of mind and the relaxed and natural state of life.

There is no difference, there is no difference between killing and making money.

Spirituality always likes to put himself in a position of superiority, as if being full of spirituality is much higher than being full of copper smell.

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The plump characters are just picture elements.

This so-called spirituality is just a change of pattern, and there is no difference between it and the so-called cognitive upgrade.

Raising one's own circle, and then despising other circles, is still just a character attribute.

It's to die, to live like a puppet, to be the walking dead.

None of this is the control of the mind, just the presentation of the elements of the picture, so I keep thinking about what I am thinking.

And the distortion in my head is obviously, but I want to pretend the truth, what the hell am I.

Real life has taught me over and over again that the distortion in my brain is just a piece of shit, but I still hold on to it.

Even, after knowing that the distortion in his brain is disgusting, he is still grasping the distortion in his head.

Don't say anything that occasionally thinks about this kind of compromising words, throw it away if it's not true, it's as simple as that.

"Thinking cannot be fully believed, nor can it be completely discarded", this statement itself is a twisted in the mind.

"Everything must be seen on both sides", so how does this sentence itself look at both sides, and why does this sentence directly become the truth?

Let's die, we still need to talk about some bullshit.

It's nothing more than wanting to prove my own rightness, nothing more than wanting to say that "even if I'm begging for death, it makes sense."

This is the situation that only happens when you don't die, and the twist in your mind always wants to control the ship of life, and uses fear to coerce me into submission.

My mother must die, and my wife and children must also die, and I am not qualified to be arrogant in my head.

Without me, the character of Yuan Changwen is just a puppet of the stream, just feeling everything that happens.

Thinking is also the presentation of picture elements, not that I am controlling my thinking.

It's my goal to complete the kill, but unfortunately, it's not up to me to control whether or not this goal is presented.

Like all goals, it's just a representation of the elements of the picture.

Even if you simply exercise muscle, you can show that you have no muscles after several years of exercise.

You can't be "fearless", but you can be fearless.

It all seems so unreasonable, and of course, it doesn't have to make sense.

It's good to die, let the character of Yuan Changwen drift in the world, you don't need to catch anything, just go with the flow.

Without a me, it's all picture elements.

It's not that I'm thinking, it's thinking that I'm aware of the presentation of the elements of the picture.

There's no reason to stay in the role, and there's no reason to get into the role.

It's the theater viewer mode, but today's theater theater mode is much easier than it was back then.

Obviously, there is only that awareness, and it is good to let yourself be that decision, and the distortion in your mind is shit, and it is not worth believing at all.

No matter how beautiful the rhetoric, untrue is untrue. (https:)

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