All of them are characters, and they should all die.

I don't know why I'm still alive, if it's my family or money that is hindering me, I don't understand at all.

Perhaps, I really can't kill it, this so-called devouring so-called advance is just a circle.

Of course, this doesn't affect anything, the character of Yuan Changwen is still just a picture element, and the truth is still there motionless.

There is no time, so there is no change.

No matter how much you try to imagine the truth, it is just in vain.

The picture element should be in the position of the picture element, how can it not be killed if it is real.

It's good at the moment, it's good to go downstream, but it's not enough.

The characters are still arrogant here, and it's not over yet.

There is nothing good to cherish, and even, the word cherishing itself is built on fear.

Don't go into it, I'm not interested in talking about what the fear is and what the character makes.

None of this is real, the world is not real, it's all just picture elements, and then just throw it away.

No matter how methodical and convincing my analysis of the characters is, it is still based on the assumption that time passes linearly, which may be useful for life, but it is still untrue.

The character is the picture element, and no matter what kind of character is presented, it is just the picture element.

What else is there to say, just throw it away, what the hell are you hesitating here.

The role of Yuan Changwen is my business, why is I arrogant here, why is it pulling here.

What kind of thing is a character, what are the elements of the picture, there is no real thing at all.

Do dreams exist or do they not exist?

Die directly, there is nothing to discuss, and there is nothing to hesitate about, it is death.

Picture elements, and then throw away, and the characters are thrown away along with the scene.

The mother is just a picture element, and the wife and children are just a picture element, all of which are thrown away.

I'm not saying that it would be nice to have no mother and no wife and children, but no matter how the elements of the picture are presented, it is good, because it can only be presented this way.

There is no need to grasp it, and there is no need to be pulled, all kinds of ideas about mothers, wives and children are just nonsense, and they are all just artificial distortions.

Perhaps, these so-called morals, these artificial distortions can consolidate society and can contribute to the construction of the imperial dream.

Unfortunately, this belief itself comes from a distortion in the mind.

Yes, I don't know if my responsibility to my wife and children will contribute to the happiness or happiness of my family.

These are all just speculations, and to a greater extent they are based on baseless affirmations such as "irresponsible is certainly not good".

There is fear standing behind them, when a person has no fear, when a person is in the downstream, when a person understands that the elements of the picture cannot resist, they don't care about whether the family is responsible or not.

It's not bad to have a family, and it seems good to have no family.

Nothing is separated, as if fate is fate, I am me, and then I can choose whether to rebel against fate or not.

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Everything is a direct presentation of the elements of the picture, rebelling against fate or surrendering to fate, all are part of fate.

In other words, the character thinks that the status quo is not good and rises up to resist, which is not rebelling against fate, but fate presents "the character is rebelling against the surrounding environment".

Conversely, the character believes that this is his destiny and gives up the struggle, which is not what I mean by resignation or surrender, but rather the presentation of fate in which the character sets a negative future for himself, and then believes that this future is his future.

Thinking what the future will hold is in itself a distortion in the mind, which in itself is nonsense based on countless assumptions.

One way or another, it's fate.

In other words, as long as it happens, it's fate.

Even if someone counts 10,000 times, there is still no way to confirm that the next sentence will happen.

Apple has landed hundreds of millions of times, and it is still impossible to determine that Apple will land next time.

Whether the law itself exists or not is simply impossible to prove.

Coupled with the linear passage of time, it is even more hypothetical one after another.

Going with the current and going against the current is just the presentation of picture elements, just like the characters in the movie, whether the characters go with the current or against the current, they are still just picture elements, they are still fate, and there is still no free will at all.

That's how it is presented, and it is just presented.

There is nothing worth grabbing, nothing is worth keeping, and the role of Yuan Changwen is irrelevant.

The so-called importance is just nonsense, just a distortion in the mind.

Once the time is removed, this criterion seems absurd.

It's as if those important things are important in themselves, but when you continue to ask why they are important, you can hardly find a reasonable answer.

Either it's an emotional rebellion, or it comes down to personal preference.

No matter how many reasons the twist in the mind lists to prove that something is important, it is just wishful thinking.

This kind of naturalness makes me feel unbelievable, and the most ridiculous thing is that I used to live like this.

What kind of bullshit life.

Let's die, that's it.

The character must be destroyed, and suddenly a key point came to mind, I am here to destroy the character, so it is natural for the character's life to be destroyed.

I couldn't finish the killing, and I couldn't return to the state of work I used to have, so the role of Yuan Changwen was ruined.

That's my goal, what's there to fear.

The character of Yuan Changwen is garbage, ruining life and ruining life, there is nothing worth grabbing, it is to achieve nothing, that is, to let the character be broken in fear.

Grasping the false in fear can make the character believe those unfounded affirmations and survive in the stormy waves.

And when nothing is caught, the character will only slowly rot and slowly shatter.

Smash it and see what else the character of Yuan Changwen can grasp, I don't care what the character lives like, all the things you are afraid of me will be smashed.

Let you fear me, let you pretend the truth in your head.

All of them are killed, and there is no room for anything.

The characters don't achieve anything, the characters fall, the characters sink, the characters become a thousand holes, that's what I'm aiming for.

When you were afraid of me, you should have known this outcome.

I'm unreasonable, do I still need to discuss with you how to kill you?

It's to kill you, it's to ruin the character, and see what else you can catch.

I don't care how the character of Yuan Changwen lives, and I don't care what the character will go through, anyway, it will kill you.

What else is there to hesitate, as if on the one hand, I want to protect the character of Yuan Changwen, and on the other hand, I want to kill the character of Yuan Changwen, there is something wrong with my brain.

Fear made me think that this was normal and made me try to find a balance, to find a compromise.

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Die, shatter, after saying too much of this kind of words, it is easy to be deceived by words and ignore the meaning of words.

Picture elements only, throw away.

Nothing could stand in the way of my death, and the pictorial elements themselves were not real.

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