It seems that I can bear the whole world ignoring me, but I can't bear the whole world saying I'm wrong.

It seems to be instinctive for the character to always want to prove that he is right.

In addition to letting the character of Yuan Changwen die, what else can you choose.

Too much to do, too much trouble, too noisy, and the twists in my head are buzzing all the time, all based on character-centric ideas.

When that ease came naturally, I naturally didn't want to kill, because the character was almost in suspended animation.

It's a pity that now the characters are starting to quarrel again, and those twists and want to pretend to be real, how can they not continue to kill.

The distortion in my mind makes me feel uncomfortable, and I am afraid that the bewitching woman has become so disgusting, just like the most enchanting woman has been watching for a long time, only when she seems to look at it and if it is leaving, the enchanting woman will bloom the greatest charm.

If you want to fear me, come on, see who kills who first.

It's just a picture element, even if fear keeps winning, even if I can't kill it, it's still just a picture element, and it doesn't affect the real thing.

This world is not real, what else is there to say.

The non-stop slashing here is still just a character, but that awareness has no effect at all.

As for the change of roles, it doesn't matter at all.

It doesn't matter if it's easy to slash or if it's self-confidence through cognitive upgrading.

Throwing away the character and killing the character is the key.

I was afraid that people would say that I was wrong, but this fear seemed inexplicable, and I didn't hold any point of view, and I didn't have any position, and who could argue with me about what was right or wrong.

The world, like a dream, is only present, not real.

But I can only see the world, because this is the element of the picture, this is the element of the picture that I perceive at this moment.

How do we become aware of that awareness itself?

I don't know, I just know not to care about those graphic elements.

Die, it's all just a visual element, you don't need to care about anything at all.

People say I'm wrong, it's just a visual element that I perceive at the moment, like an NPC in the game insulting me in front of me, it's just a program setting.

To argue is itself based on the assumption that someone else is a real person.

If the other side were just a procedure, would I argue?

Even if I know that some of my words may trigger the program's keywords and lead to changes in the program, will I argue with a strong sense of resistance?

The character must be victorious, and it seems that only then can the character's existence be affirmed.

None of them are real, and I don't need to discuss the behavior patterns of the characters, or how exactly what characters make their choices about words and actions.

These are all picture elements to explain picture elements, just like studying the relationship between the fall of an apple and the break, it seems that there are many things to explain, and there seems to be a lot of knowledge to learn, but none of them are real.

If you can't be sure, you should have an attitude that you can't be sure, otherwise, what is the difference between wishful thinking and sectarian brainwashing.

Throwing away the characters, including the rhetoric about fear, these are still just picture elements to explain picture elements.

Once the time is removed, these arguments seem ridiculous.

So why should I base my discussion on the assumption that time passes linearly?

Ignoring assumptions, this kind of discussion is inherently unscientific.

The spirit of science destroys all scientific theories, whatever principles or theorems, are just pseudoscience.

There is no such thing as an edifice of science, it is just the result of brainwashing.

I don't know, that's the core of all science.

What does the character's state mean, the teacher's map always lingers in my mind, but it's still just nonsense.

How do I know, right, can't be sure at all.

Even, even if I finish the killing, what happened in the past, what a certain state of the character represents, this is still just a visual element that I am aware of at the moment.

Is it credible?

The point is, none of this is true.

Even if a character blows the universe with one punch, it's still unreal.

Maybe for the twist in the mind, this state of character is infinitely better than some hellish reality, but unreal is unreal.

After the distortion in the brain is dead, it is no longer possible to make such judgments.

Fear surrounds me, and strong emotions act as a protective layer for the character's attributes, and I imagine that I will get along well with such a person.

I used to have to be with people I didn't like, but it was because of the distortion in my mind, thinking about interpersonal relationships, and thinking about maintaining my role attributes.

For example, I am a sociable person, or I am a person with a good personality and rarely offend others.

I don't know what I have to fear, and I don't know how long the twists in my mind will last, but I'll all die.

Is not having friends something to be afraid of?

Is not having a family a pain?

Any honest person will answer "maybe, not necessarily" or something.

I don't need to argue about anything, I don't need to convince anything, and I don't have any objections to the role of Yuan Changwen.

Anyway, it's all unreal stuff, it's just a presentation of picture elements.

Perhaps, the distortion in the mind will retort, since it doesn't matter, why not pursue money and wealth instead of pursuing a good family life?

This kind of question is easy to answer, and perhaps "why pursue these" is the best answer.

There was no twist in the mind, no fear to whip behind the back, and it seemed that all the goals that had once been had become moribund.

Before the heartbeat came, these so-called dreams all turned into black and white, without the slightest vitality to speak of.

In fact, those so-called dreams, so-called pursuits, and so-called successes are only shaped by the times, and there is no freedom at all.

There is fear almost standing behind it, which, of course, is not true.

After all, how do I know the state of others?

Perhaps, I still have a so-called role for Yuan Changwen, because I won't choose to eat.

However, there is no need to discuss it, the character is going to die, the character is going to be thrown away, it's just a picture element.

Other people's victories, other people's laughter, other people's defeats, and other people's pains all seem to become only embellishments, the background of the plump picture.

It's like the Qingming Riverside Picture, which draws countless lifelike characters, just to make the whole picture very real.

It's a pity that it's still just a picture element.

The only difference is that none of the characters are looking at the paintings, and the character of Yuan Changwen is itself an element of the picture.

It's still the same around and around, such a simple thing has become a tug-of-war, and I don't know whether to praise the role of Yuan Changwen or scold.

The fear is still there, this unreal stuff is so tireless, can I really do it?

No one can answer this question, I am not done at the moment, as for the passage of time it is simply a hypothesis.

All the problems lie in the role of Yuan Changwen, and if there is no such role, there will be no problem.

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