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"It's better to kill me than to hit the streets!"

The nest skin played by Gu Tianle fell in a pool of machetes and blood, light and shadow hit his face, close-up, and his neck was bruised and shouted at Chen Haonan, foreskin, and Da Tianer who were crying bitterly, "When I am a brother, let's go!!"

"Let's go!!"

With a howl of pain, the nest skin played by Gu Tianle was bloodied on the screen. Montage flashbacks flashed across the screen. The picture is very light, blending with the real time of the movie.

Brothers laugh and play among themselves.

He and his girlfriend's loving daily life.

Everyone took off their pants and peed towards the sea to see who could shoot far.

The brothers let themselves go together and shouted "Thirty years in Hedong, thirty years in Hexi".

Eventually, it all dissipates into the picture. The camera slows down, and the nest slowly falls towards the ground. The middle shot is pushed into a large close-up.

A pair of eyes look at the road ahead, and the camera slowly pulls back, there is no resentment on his face, only a smile and joy.

The nest played by Louis Koo is more present and tragic than in his previous life. The man slowly collapsed in a pool of blood, straight backwards.

Long shots and slow motion, the picture becomes a silent shout. The sound turns into silence, in order to let this emotion gather in the human voice, the lower and more depressing, the more there is a touch on people's hearts.

The picture of Luo Dong and Fei Cheng screaming and suffering slowly appeared, but there was no sound.

Whether it is Luo Dong or Fei Cheng, they all interpret the grief of losing their brother very well.

Chen Haonan's muscles were exposed, and his eyes were painful and self-blaming. The foreskin was snotty, and the grief made the audience sob.

Looking at the screen in front of them, many filmmakers were very moved.

"What about the two actors, they are so sharp, and their eyes are wrapped in pain. It's as if you're really a dead brother. ”

Huang Zhan sighed and replied, "The drama "Crazy Boy" has good casting, very vulgar, but very tasteful. ”

Liang Jiahui played Liangkun needless to mention, in the scene where he cried his brother before, the evil intent was awe-inspiring, and a layer of goosebumps rose to the people who watched it. But thinking about Liang Jiahui's interpretation of Lin Guoyun, it can only be said that it should be taken for granted.

But the performances of two unknown actors can make people feel heart-wrenching, which is called a surprise!

Huang Zhan was pleasantly surprised. Li Hanxiang, Xu Yu, and Mecca are just as shocking as filmmakers.

They also know how to shoot brotherhood, and Brother Pony in "The True Color of Heroes" is as wonderful as Brother Hao's last scene of generous death.

But the scene in front of me is more real and more life-like. It's really as heart-wrenching as if a brother is lying in a pool of blood.

Surprise?

Luo Dong and Su Liyao, who were sitting in the theater, were silent, and even Fei Cheng, who had always talked a lot, was a lot deeper.

In this scene, others watch the story. What they look at is their own memories.

In reality, they have really experienced life and death.

In 77, Ah Biao was crushed into dregs and fed to sharks on the high seas.

In 78, the little guy, Ah Jin, and Feizi took a fireworks rocket, and the flesh and blood were blurred, and the intestines could not be stuffed back.

In 79, Ming Tsai was chased and slashed more than 30 times. Staggered and fled, bleeding all the way, and in the end did not hold out until they came, and died without blinking.

The rivers and lakes are pot porridge, and there are ditches after the hurdles.

They're not acting, they're pretending to be themselves.

There is life, which is the basis of a good actor. Luo Dong and Fei Cheng may not be good actors. But in "Crazy Boy", they are playing their former young selves.

That's why their performances are so moving.

"Bang-"

The nest finally collapsed in a pool of blood, and his eyes were staring at the sky. Under the subjective lens, the sky is dark, seagulls are passing in the air, the vibration frequency of flapping wings breaks the silent picture, the sound of waves on both sides lapping the reef, the camera is getting farther and farther away, countless old boys are chasing after each other, and the nest skin is dead.

The sad and low cello plays with the piano, and the camera keeps zooming out, rising ......

In the end, a large top-down freeze-frame large long-range shot was presented in front of the audience, and among the crowd of old boys who were desperately chasing after him, Gu Tianle who fell in a pool of blood was highlighted.

The composition of the whole picture has a very flawed beauty.

"The Birth of a Word" also has a prologue to death, and Wu Xiaozu adopted the inspiration of "Night Watch".

In this picture, Wu Xiaozu also borrowed from the "expressionism" of the oil painting school. Expressionism emphasizes the subjective feelings and self-feelings of the painting. This way is more in line with the theme of the moment.

instantly sublimated "grief" and "brotherhood".

THE LENS HERE IS NOT 35MM FILM, BUT 24MM FILM, WHICH MAKES THIS LENS SLIGHTLY FLAWED.

This slightly distorted picture image can undoubtedly mobilize people's negative emotions and give people the most real inner feelings.

Among the Chinese filmmakers, Wang Jiawei and Lao Mouzi like to interpret the film in a style similar to symbolism and expressionism.

On Hong Kong Island in the 80s, the previous director who liked to use it like this was called Hu Jinquan.

Wu Xiaozu sublimated this interpretation.

The scene in front of me is a very vulgar brotherhood, but it is also the most heartbreaking.

Vulgar things are actually the ones that are really close to the audience. This kind of brotherhood is often more visually striking than the seemingly high-end postmodernism.

Wu Xiaozu liked Han Er's words very much.

A filmmaker who has passed the aesthetic test, he will not make bad movies.

Aesthetics is a narrow thing, that is, a correct understanding of colors, characters, and stories...... That's not something filmmakers should think about.

The remnants of the New Wave stared blankly at the group of "paintings" in front of them.

Several swallowed.

This picture is really romantic to the extreme. They feel that praising Wu Yusen is tantamount to spanking Wu Xiaozu's ass.

At that time, the images of blood atomization, thousands of purples and thousands of reds, and sunset birds in "The Birth of a Word" had already made Wu Yusen's so-called "violent aesthetics" directly retract into his stomach and continue to brew.

Who knew that now, this deliberately sensational story of "Dong Shi Xiaofeng" casually hitting the street was so gorgeously filmed.

"Deliberately sensationalizing ......"

After holding it for a long time, Yan Hao spit out a word of criticism. Immediately, Yu Yunjiao and others found the conversation and began to whip collectively.

They can't admit that Wu Xiaozu is superior to them. At least in the application of aesthetics and images, most of the cars they drive go to kindergartens, and Wu Xiaozu drives them to universities.

Wang Zu Amaran put his arms around Wu Xiaozu and leaned on Director Wu's arms, with tears in his eyes. raised her head slightly, looking at the handsome face that she never got tired of looking at and made her tongue tremble, and her heart was so sweet that she was tired.

Lin Qingxia, Gao Lihong, which other Zhou Huimin is tied up?

My Wang Xianxian and a woman's crotch are filled, and ten thousand women are not open!

Who can be sideways with a horse, only I am the king of the great immortals.

Thinking of this, Wang Xianxian straightened his chest and rubbed Wu Xiaozu's arm with a bean bag in the book. Rubbing again, the red beans on the ground red bean stuffed bean buns hurt.

"......" In order to match the evening dress, she went into battle in a vacuum.

…

"The story of this play is real. ”

Xu Yu stared at the screen, watching it seriously, not waiting for Shi Nan next to him to speak, and then said, "But the rhythm, lens, and color of the movie are really sharp." This play also talks about the community and the underworld, but it is completely different from "The Birth of a Word".

That play has fate, choice, and responsibility. But there is only no blood and affection. This drama is the opposite, it doesn't have much connotation at all, whether it's the story or the plot, there is no trace of the previous work. There is less exploration of the author's film. ”

"Isn't it so new?" Shi Nansheng asked with a low chuckle, "You mean it's very vulgar?"

"Vulgar, vulgar! Pure commercial film. More thoroughly than me. ”

Xu Yu laughed at himself, and said with a straight face, "But look at it, these young people and these students are really enthusiastic when they see it." It's a very vulgar theme, but Wu Xiaozu is able to shoot the taste of blood. ”

glanced at Shi Nansheng, who was slightly surprised, and the corners of Xu Yan's mouth curled, "But to be able to shoot a very vulgar story with such blood, Wu Xiaozu can be regarded as a breakthrough in himself." As he spoke, he raised his eyes and looked at Wu Xiaozu not far away.

The gaze was stunned.

Wang Xianxian was soft and bewitching, rubbing beside Wu Xiaozu and turning into a thousand fingers. The two legs were on Wu Xiaozu's legs, and the whole person looked like a goblin who was entangled.

"Hey, is that Xiaoxian?" asked Xu Yu.

"Hmm......" Shi Nansheng's mind flashed his best friend.

"Do you see her bewitching and charming, does she look like Nie Xiaoqian?"

Xu Yi looked at the "whining" Wang Zu Yuan with great interest, "It turns out that Xiaoxian can still be so enchanting......"

In the previous life, Wang Xianxian took the initiative to ask for help, changing clothes and pleading, and almost sawed his legs!

I was much luckier in this life! I was complaining about my own man, and I was caught by Xu Yu.

So, it's not a bad thing for a woman to complain. It just depends on whether you have to go out and do your hair - if you don't do your hair late at night and complain at your own man, is that a shit?

It's called love!

……

More than halfway through the movie, the story of "Crazy Boy" is linked one by one, attracting the attention of young people at the scene. Everyone hates to be Chen Haonan and pheasant.

Seeing the excited appearance of countless students staring at the movie screen with their buttocks, Jiang Zhiqiang, Zhang Jiazhen and others breathed a sigh of relief.

This drama clearly touches the hearts of young people. Their propaganda strategy will focus on bombing the young group next, not afraid of not being able to blow up a good box office.

Such a scene also relieved countless filmmakers with dirty hearts.

It's a tacky story!

Seeing that this story was not another "The Birth of a Word", they let go of their hearts!

Let Wu Xiaozu come to a "The Birth of a Word" that started the sect, then it will really be born in the film industry!

Who wants to see a young director who is twenty-two or thirteen years old and has pioneered his own film style? How will these remnants of the New Wave face Wu Xiaozu in the future?

Glass hearts are the most typical state in the entertainment industry. Seeing that others are not good is also the most common gesture.

There is often such a sentence in the entertainment industry, "When I see you having a bad time, I can't help but like it!"

Wu Xiaozu doesn't care about what these people think, what he cares about is his new force. As long as this drama stirs up the craze of young people, then "Crazy Boy" will set off a bloody storm just around the corner.

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