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The city with red lights flashed in the lens, accompanied by the energetic Di song, and the picture flashed one after another.

Then, the bright music of Penguins' game resounds. Few people have heard this song title in later generations, but they must have heard it all. This is the background music of the commonly known "rabbit dance" (penguin dance).

In the 90s, it was popular in nightclubs and bars across the Taiwan Strait. The popularity is comparable to the "Little Apple" of the previous life.

This song is like Ken Takakura's version of "Manhunt", which has become popular among Chinese people for some reason, and in fact, few people remember it in the place of origin.

The cool and dazzling pheasants are mixed on the beautiful dance floor, stroking back and forth with their hands on the two writhing Qi B buttocks, and making a cameo appearance as a human DJ.

The camera rotated, and Causeway Bay Shuangpi walked into the field with a smile.

The camera flashes with the ball of light in the frame and continues to schedule.

Da Tianu, who has a lean body and bulging muscles, is standing aside with a cigarette in his mouth.

The pheasant, foreskin, nest skin, and big sky all move together, the camera turns to the subjective lens, and a broad back appears on the screen.

Half-length black hair, fingers slightly together, thumbs turned cochlea, and when he turned around, his facial features were handsome, his phoenix eyes were red, and the ruthless boss Chen Haonan suddenly appeared in front of everyone.

The whole shot is done in one go, and the pseudo-one-shot shooting to the end gives the audience a hearty viewing experience.

A simple appearance, "Crazy Boy" uses light and standing to convey the character characteristics.

Each director has his or her own characteristics and personal style.

Wang Jiawei's creation of mood and atmosphere, Lao Mouzi's control of structure and color, and Du Qifeng's love for black feelings and dimensions, they all have their own characteristics.

Wu Xiaozu's personal style is equally obvious. Light and shadow, space, and the opposition of characters, these are all his styles.

Wu Xiaozu chose to avoid his own style, but he couldn't let himself "retract freely", so it was inevitable that there would be a bit of self-style display.

The reason why he did not serve as the director of this film and delegated his rights to Liu Weiqiao and Fei Cheng was also based on this.

Serialized films, especially this kind of commercial serialized films. The personal style is too strong, and it is not a good thing for the entire film series. Just look at the DC Comics of later generations. Saying that success is also Nolan, defeat is also Nolan, it should not be considered wronging him.

Of course, it cannot be denied.

Wu Xiaozu's one-shot to the end, through the creation of standing, light and shadow, presented on the screen will give the audience a "silky" visual experience, very posture.

For the filming of this scene, Wu Xiaozu drew on the beginning of Du Qifeng's "Gunfire". Through the art of the lens, the pseudo-one-shot to the end brings the audience into it.

The film continues, and the image of them walking out of the nightclub and crossing the zebra crossing in a line immediately makes many viewers smile.

In the album "Abbey Road" by The Beatles, the photo of the four of them walking on the Abbey Road zebra crossing can be described as a classic photo in the hearts of countless people.

Enthusiasm does not mean that there is no heritage. Warm blood is something that also has feelings.

For Hong Kong Island, which was deeply influenced by the British, the music was greatly influenced by the British.

The Beatles are undoubtedly childhood memories for many of today's young people on Hong Kong Island.

No blood, no rock!

Since, Wu Xiaozu is making a hot-blooded youth movie, and the influence style is very romantic. From the storytelling to the image style, the whole movie is very romantic and stylized. Then rock and roll are naturally a good match for it.

What is romantic style?

In fact, the mood, contrast, drama, poetic shots, and transcendent characters all belong to the romantic style. The opposite of this is the realist style.

With poetic explanation, one is Li Bai and the other is Du Fu.

In contrast, it is obvious that Li Bai's romantic style poems are more popular with young people. Du Fu's needs more experience and cognition of reality. Because his poems are often brutal.

In Wu Xiaozu's view, in addition to the dramatization of the story and the transcendence of the characters, the most important thing in the romantic style is that the film must have feelings and mood.

A hot-blooded "Crazy Boy" with feelings and style is more in line with the likes of young people.

Men's romantic feelings and enthusiasm have created the Jianghu spirit and brotherhood in the bones of the Chinese.

"Crazy Boy" depicts the "happy enmity" in the eyes of young people. Maybe it's superficial, maybe it's brainless, but that's the taste of youthful blood.

Therefore, when the handsome and ruthless Chen Haonan and his brothers ended the closure in the "bath", the young audience was immersed in it. In particular, some students and young people can't wait to replace them.

The Chinese's yearning for rivers and lakes has created our unique martial arts culture, which is intertwined with the impetuous society of money on Hong Kong Island, and has brewed the "ancient confusion" complex.

Think about how many people in the mainland were influenced by "Crazy Boys" in the 90s in later generations, and you can know that this complex is attractive to boys and girls.

Romantic style is not the same as castration. The yin qi of Xiao Xianrou will definitely not show a romantic style.

On the contrary, the romantic style is actually a man's release on violence, humor, and passion. What Wu Xiaozu has to do is not to consider light and shadow, space, and structure, what he wants to do is to let "Crazy Boy" condense the minds of young people, and then complete the sublimation of Jianghu and brotherhood for them.

In later generations, there was an article called Xiaobai Shuangwen. "Crazy Boy" is the cool text in the movie. It's so cool that the scalp is numb, it's so cool that the toes are straight, and it's so cool that it's a thousand miles away.

Therefore, when Chen Haonan and Pheasant led their brothers to slash and kill, the students at the scene clenched their fists, blushing and their necks were thick and excited.

……

The moment Miss Zhou Huimin appeared, the audience held their breath again.

Sexy outfit with a good family face, men should understand this feeling, right?

The tortoiseshell art on the red MR2 is tied to Zhou Huimin, and the hemp rope is hooked between the two big white legs, and when the wind blows, the white legs are just like the starry waterfall falling in the nine days under the light. Subdivide and caress how many people can't wait to become flower messengers.

"I met her in the street this night,

The two feet decided not to listen to the call and go home with her,

The cold wind in the middle of the night is not allowed to blow away her,

Her dark eyes were about to speak to me,

The slender figure flutters and the figure turns silently......"

The song "Flower Messenger" rippled with the spring breeze, and Zhou Huimin was moaning in the wind. Chen Haonan, Pheasant and others shouted excitedly. With the music, the audience was filled with the taste of youth hormones.

The song sung by Wu Xiaozu and Liang Jiahui is full of youthful commotion. Qiu Litao's guitar show is dancing on the tip of the teenager's heart with every note, ** the most despicable evening coquettish in each other's hearts.

When Zhou Huimin was filming this scene, she was tied to the car cover, her black hair was scattered, her pretty face was panicked, the more she struggled to be happy, and the hemp rope outlined her figure with a very violent aesthetics.

Wu Xiaozu trained the young lady into a blood-pumping baby with one shot. Loomy, pure and bewitching. Definitely in line with the spring dream of young people.

Looking at this fantasy full of youth, all the men in the audience have a feeling that the river is up and down, and they suddenly lose their surging feelings.

It must be sunny, wrapped in red, and it is extraordinarily enchanting.

…

Looking at the big screen in front of her, Zhou Huimin tightly pressed her legs together. She still feels tingling at the base of her thighs.

At that time, the rope was on the top, for the sake of the shooting effect, and in order to be strong in front of the idol, she stiffened up. In fact, until now she has bruises at the base of her legs.

When he saw the plot of being forced to eat barbecued pork buns, Zhou Huimin himself laughed.

Under the starry sky, on the back is the glorious city, and an ancient woman sits in the mountains stuffed with barbecued pork buns.

The video continues......