P: Ask for a recommended ticket!

The theater was dark, and the screen was lit up.

The little train bump mark ran out again.

This title is from Media Asia Advertising, two well-known advertising agencies on Hong Kong Island, one is Media Asia's part-time rental equipment and videotapes. In the past two years, he began to enter the production market, and in the next two years, he will test the water in the field of agency distribution, just like Antai at this time.

This advertising agency is famous for its capital, equipment, and technology. Hong Kong Island independent companies basically outsource their titles.

The other is called Huang & Lin Advertising Company, which started with 50,000 yuan a year and has a turnover of more than 120 million in five years. At the end of 5 years, Shengshi International, the world's largest advertising company, cooperated with them, and Huang and Lin also became the branch of "Shengshi" on Hong Kong Island.

The managing director's name is Lin Yanni, that's right, it is Lin Yanni, who has a bachelor's degree in genetics, a master's degree in Chinese literature, a TV director, a prose writer, and a writer, and she has a concubine named Huang Zhan.

At this moment, the concubine brother is wearing big brown glasses, with a dumb head, holding a cigarette roll, and sitting in the fourth row of the theater with Erlang's legs crossed, and next to the big milk and buttocks on the left hand side - shape-flesh-whip-device.

On the right hand side sits a hoof (commonly known as elbow), with thick skin, many tendons, and a lot of fat in the muscles. ）

"Watch the movie, watch the movie!

The concubine brother listened to the hoof and kept chatting, and pouted with his hands, "I finally spent money to buy a ticket to watch a movie, Sanmao, aren't you?"

Hong Jinbao smiled awkwardly on his seemingly honest face, and secretly suppressed his thoughts. Huang Zhan's decline is a little weaker, but his weight in the Hong Kong Island literary circle is higher than him. In the eyes of many people, the literary and artistic circle is much higher than the B level of the entertainment industry.

The film begins.

A voiceover is heard, but it's still dark on the screen.

The young man's cheerful shout.

Young people call for friends.

Run!

Cheer!

Whoop!

The voice is immature, but crisp and loud, full of the enthusiasm of young people.

Every voice is eager to shout with all the strength of the whole body. But it's clear. It makes people feel as if they feel the teenagers in the movie through their voices.

There is rudeness, there is slowness, there is loudness, there is drizzle,

Before the picture unfolds, the audience is taken into the scene of the movie.

Many people have heard the term "preconceived", and in the art of film, this is especially important.

As the sound unfolded, a picture came to the minds of many viewers.

A group of enthusiastic young boys ran and fought on the pitch with their arms and sweat, and they did their best for every goal. On the side, there were cheers, sighs, and curses

Before the movie unfolds, it makes people preconceived. The breath of hot-blooded youth is contagious from the voice.

"Separation of sound and picture?"

Xu Yu was wearing a peaked cap, and the rat thief's small eyes showed a hint of interest.

Since the first sound feature film appeared in 2 years, sound has become a job for filmmakers to relearn.

How to use the voice also considers the basic skills of each director.

This is where sound montage comes in. Before that, montage was about space, time, and now with sound. The scheduling of the three forms the story of the film.

Cheng Xiaodong, Huang Yuetai, Lu Yanhua, Yu Cheng, Chen Baisheng, Xian Qiran and other film-related practitioners are all very interested in the "new gadgets" shown by Wu Xiaozu.

"Sound montage!"

Looking at the shady scene, many filmmakers who came with a "bad" mentality changed slightly.

Several pioneers and writers beside Cen Jianxun frowned slightly.

Wu Xiaozu is known as the "new wave standard-bearer", which does not seem to be groundless.

It's kind of fun to hit the streets.

Although they didn't want to admit it, they had to pinch their noses to admit it. Wu Xiaozu does have his own uniqueness in terms of film structure and film techniques.

In terms of the birth structure of a prefix, it definitely belongs to the stormy waves. If it weren't for the fact that the commercial atmosphere in the film is too strong, I'm afraid this movie would be enough to push it to the throne in some fields.

Luckily, this is Hong Kong Island!

This group of public intellectuals who "regard money as dung" are a little glad that this is Hong Kong Island, not the mainland, not France.

I heard that the previous movie was very well received in France.

The sound montage at the beginning of the old boy is actually not difficult, but Wu Xiaozu made it clear and created a youthful "sea breeze"-like atmosphere, which is really skill.

Of course, compared with these public knowledge, ordinary viewers are not too surprised, but a little surprised and anxious.

Therefore, Wu Xiaozu played a little trick here.

The voice that plays the role of a teenager is in love with his girlfriend and loves to tell stories.

Hou Xiaoyuan sat in the corner, staring at the screen, a little relieved and a little regretful at the same time.

This is not a sound montage that goes deep into the bone marrow after all. Isn't this kind of shallow taste a pity for him?

In fact, Wu Xiaozu can shoot this movie with more connotation. But he chose to be popular.

Of course, he gradually agreed a little with Wu Xiaozu's theory of "vulgarity and elegance" in his heart. But this does not make him 100% with Wu Xiaozu.

However, this movie is a commercial film after all, and he also understands Wu Xiaozu's thoughts. If this movie can stay this scene, it can be regarded as making him not pay in vain.

During this time in the Crazy Boy crew, he has gained a lot. Wu Xiaozu's dissection of space, light and shadow, and narrative dimensions has benefited him greatly.

After all, Hou Xiaoyuan is still a very aspiring filmmaker, in the words of the famous iron king in the basketball world: two Yanghua three iron-volute, "I am not anyone's successor, I am me, a different blacksmith!"

Hou Xiaoyuan felt that after he gained space and light and shadow, with a long lens, he would show off a jaw-dropping movie.

At this moment, he thought that in his next new play, he could use his usual long-shot narrative to concentrate on this kind of achievement.

The first cooperation between Wu Xiaozu, the "Hong Kong Island Kurosawa Akira", and him, the "Wanwan Ozu Yasujiro", was very fruitful for each other.

Thinking of this, he cares more about the investment on Hong Kong Island.

The so-called money is a man's egg. Eggs are better than no eggs!

There are no eggs but to dry the wall. The wall is smashed and the egg whites are busy!

He doesn't want to be busy in vain, he just wants to bring in investment. The box office of the movie is like a stroke on his resume. If the box office is a big hit, he will be able to make movies with money.

With money, Hou Xiaoyuan will have more hope for life.

"Show off!"

A fat-headed man pushed his glasses and faintly confided a word of disdain.

"People are the last wave of the new wave!" Yu Yun looked at Yan Hao teasingly, "I forgot, you are the first wave of the new wave." ”

Yan Hao ignored Yu Yun. The group of people within the New Wave was not monolithic.

Yan Hao, Fang Yuping, and Tan Jiming looked down on Yu Yun's hobby of making horror movies.

Yu Yunsheng, Zhang Guoming, and Yu Rentai looked down on Xu Yu, a "prodigal rape" who abandoned "author films" and groveled towards commercial films, and was raped by capital.

Then Yan Hao and Yu Yunjiao were mixed with some prodigal traitors, and they looked down on Wu Xiaozu, the wave after the wave and the wave before the film, and the actual box office was very good.

In the Hong Kong Island literary and artistic film industry, before the appearance of Wu Xiaozu, an outlier, he had already been beaten by dogs and dogs.

The New Wave's "auteur films" and the writers and filmmakers of the "Left Bank" did not like each other. And then the two sides looked down on the commercial director together. Among the commercial directors, they are divided into factions such as Shaw Brothers, Golden Harvest, Wuzhi, and Keban

In short, the Hong Kong Island film industry belongs to a typical "shallow water king Baduo, Jia Baofan everywhere"!

Yan Hao has always been known as the first wave of the New Wave, and he knows how much of a good impression he can have of Wu Xiaozu in the last wave of the New Wave?

Before Wu Xiaozu was the butcher on a rainy night, when people mentioned horror movies, most of them would think of him, and then, there was no harm if there was no comparison!

In order to support the last wave of the new wave, Lu Yanhua's group stepped on Yu Yun over and over again.

directly made a wave: the butcher came out who competed with the limelight.

Wu Xiaozu didn't want to do this kind of thing, but he couldn't stand himself too good! I'm afraid he wouldn't have thought that when a vulgar film about himself was released, a group of kings and eight people would come to provoke thorns.

If he had known this, Wu Xiaozu wouldn't mind learning from Uncle Benshan, fishing out this group of Wang Ba and bleeding them one by one.

Doing this kind of thing, Director Wu is very good at it.

Back to the movies.

"Brother Nan-" With a shout, the screen gradually lit up, but there was still no picture.

Suddenly, a little light suddenly appears at the bottom of the screen, and then scrolls up. A squinting face suddenly "drilled" into the picture.

That's right!

As the picture unfolded, the audience was stunned. The film critic's eyes lit up and he was excited.

In order to smoothly connect the "separation of sound and picture", Wu Xiaozu used a subjective lens to interpret.

The whole process of lighting up the picture is actually a shot of the young pheasant slowly lifting the skirt of the schoolgirl and burrowing his head in. As he lifted his skirt, the picture slowly lit up from below, and finally gathered on his obscene face.

"Hehe" Suddenly, the male audience let out a lewd laugh in unison.

In the movie, the squinting round-inch pheasant is lying on the ground, his neck sticking into his skirt, and then-

With his hands together, he showed the posture of worshiping the Buddha and the sect, and suddenly gave a girl a "rocket piercing fart!"

This trick is definitely a childhood shadow for many people. **Taste: Many viewers at the scene are still unforgettable aftertaste when they relive it in the movie.

"Ahh

A loud scream resounded through the theater, and in an instant, the whole picture changed from a subjective shot to an observable shot. The medium shot appeared on the screen, and the female student was seen jumping high with her buttocks in her hands

During the girl's chase, she suddenly bumped into a man and hurriedly said sorry.

"I'm sorry, if it's useful to say I'm sorry, why don't you do it?"

Liang Jiahui's face was unruly, his voice was hoarse and sneering, he couldn't react to the other party, so he directly grabbed the girl's hair, pulled it hard, and scolded, "Stinky Sanba, I got up in the morning and urinated so yellow, you like to kick the wave so much, I'll teach you to kick the wave." ”

While pulling the girl's hair and enjoying the other party's pain and howling, while biting the straw and drinking Coke, staring at each other's breasts unscrupulously.

As soon as he appeared on the stage, Liang Kun played by Liang Jiahui controlled the audience.

The character of Liangkun is different from Lin Guoyun's calm and extreme perversion, this character is neurotic.

In order to play this role well, Liang Jiahui has to make expressions and vertical eyes in the mirror every day. Work your facial muscles and eyes.

Control facial expressions, which is essential for an actor. For so many years, the only one who has facial paralysis but is not ridiculed for his poor acting skills is only Takeshi Kitano. But Takeshi Kitano's eyes are very playful.

Wang Sunglasses once said: "Liang Chaowei can act with his eyes." ”

The most exposed, the most popular, and the most powerful expression of Liang Chaowei's eyes is the look in his eyes when he witnesses Huang Qiusheng falling from the building in Infernal Affairs.

There are no lines, no movements, no expressions, but his eyes are just for the audience to understand a lot, and the panic, sadness, and helplessness in his heart are all revealed. Of course, the exercise of the eyes is actually inseparable from the cooperation of facial muscles.

At this moment, Liang Jiahui fully expresses Liangkun's unscrupulous and unruly expression through the regulation of his facial expression by his muscles.

The wings of his nose were slightly shrunk, his eyebrows were lowered and raised, and his eyes were contemptuous, angry, and crazy. With this appearance and a look, the audience understood the role of Liangkun.

The audience knows that Liang Jiahui is good, but they don't know where it is.

In comparison, the group of film critics such as Lu Yanhua and Paul Fang still have a bit of a role. Through the mouth, hands, body, eyes, and steps, Liang Gallium's excellence can be analyzed.

Needless to mention the lines, for the sake of Liangkun, Liang Jiahui deliberately learned the Shanwei accent, because it was designed in Gu Chaozai, and Liangkun is from Shanwei.

The eye is the eye, and the body is the body. Liangkun's loose standing posture is very much in line with the identity of the old boy. The hand is the movement, and there is a word called "hand dancing". The upper body movements that extend from the hands account for a high proportion of the performance.

Because most of the actors' shots will be medium or close-up. Needless to say, the steps of an actor's appearance and departure can be said to be the most challenging of the actor's basic skills.

The movie is okay, and this can be covered up by editing. If it is a drama stage, these steps can be said to be more important than "days"!

Liang Jiahui has paid a lot to play Liangkun, and he has gained a lot. He portrayed Liangkun's recklessness, nonsense, and neuroticism very well.

As the story of "Newbie Dungeon" ends, three big characters appear on the screen.

Director Wu Xiaozu's works stayed on the screen for a moment and were scattered in the picture.

"Vain!"

Writers, filmmakers, and New Wave filmmakers despised Wu Hyo-jo together. It's not like they've never done these four words in the director's work, but have you ever seen a font that takes up the entire screen?

"Wow! Lin Qingxia has a rumored boyfriend!"

"Wu Xiaozu, thirty years in Hedong, thirty years in Hexi!"

Listening to the voices of the audience in the theater, they can't pinch the chicken to admit that since Wu Xiaozu tied up Lin Qingxia to publicize, his name has really risen a lot.

Jealousy is such a thing, there is no distinction between high and low.

If this group of self-proclaimed elite literary and artistic people were really open-minded, they would not be able to make those sensitive and sensual movies.

Li Hanxiang, who was sitting in the back seat, hung a gold chain, listening to a group of peers scolding Wu Xiaozu, and his heart was very beautiful.

After so many years, there is finally another filmmaker who can be abused by his peers!

Li Hanxiang's chickens are all in good spirits. I don't think I need to buy an electric corner for my wife anymore