It's ridiculous, obviously it doesn't matter, why do I feel nervous after the picture elements are presented? That awareness doesn't care about the picture elements, and I am that awareness, but I just think I'm the character of Yuan Changwen at the moment.

Yuan Changwen was a little uncomfortable, and even his thinking was confused again.

First of all, the slash is fake. This must be clear, it's not that it's something that kills and is powerful, it's real and it's the supreme thing,. Slashing, like any other act of the character, is a false performance on stage.

Secondly, what drove me to kill was a false hatred in the first place. I think that these falsehoods are not qualified to control me, and that all kinds of behaviors that I have done, whether they are hard work or passionate inspiration, are cross-dressing performances of fear.

And now, the impetus for the slaughter is still fear. I was afraid that I wouldn't be able to complete the slash, so I clung to the slash and looked forward to the day when I could do it. But the funny thing is, I'm not sure if a slash will lead to a slash completion.

Causality only exists in my memory, and even if the causal relationship in my memory is confirmed hundreds of millions of times, I can't think that this causal relationship can continue to happen at this moment.

Uncertain is inconclusive.

Then, what you choose to do is not able to fight your fear. Because the act of wanting to get rid of fear itself is driven by fear.

I can't prove that I'm not in the grip of money by throwing away it, that I'm not afraid of money. This kind of proof is just, and on the other hand, when I don't have a fear of money, I can naturally do "courageous" behaviors such as throwing away money easily.

These are all falsehoods, and to kill is to cut off the strong emotions that take falsehood as reality. My opponent is not fear at all, nor the content of fear, but falsehood.

Hate falsehood allows me to destroy falsehood, and fear is what keeps me firmly grasping for falsehood. Obviously, my role is in the fight against falsehood, not in direct confrontation with fear.

It's like the boss's move is fear, which haunts me and puts me to sleep. Those fearful contents made me dare not discard the distortions in my mind at all, and hold on to those self-definitions and not let go. And my opponent is just fake, constantly slashing and slashing false, slashing the boss with a knife.

Fear keeps me from slashing bosses, while hatred keeps me moving and killing bosses. So, I don't have to deal with fear at all, just see clearly that these are falsehoods, and then throw away the falsehoods.

There is nothing to argue about, unreal is unreal. Any argument is a delaying tactic, all about letting fear in, all about finding an excuse for yourself that "you can continue to hold on to falsehood".

You can't throw it away, you can't kill the false, it's just emotion. There is nothing false to continue to be arrogant in my gaze, and the temporary arrogance is because the emotions have not yet dissipated. If you can't throw it away once, you can do it twice until you throw it away.

Every time I can't throw it away, every time I protect my emotions, it will only make me disgusted. And this increase in disgust will make me continue to kill, to continue to throw away the distortion in my mind.

It's a virtuous cycle, even though most people don't recognize it, how can you fall into a virtuous cycle of madness, and how can you have a virtuous cycle of negative emotions as the protagonist?

This in itself is a distortion, an unfounded affirmation based on the limited cognition of the mind.

What is true is the question.

The whole world is the presentation of picture elements, and the fear of the characters is still the presentation of picture elements, so throw away these falsehoods. To be feared is to be feared, fear is not real, and the content of fear is not real.

That awareness, consciousness, is the truth, is everything.

So, when I'm scared, three words of untruthfulness are enough. First, the content of the fear is not real, because it is just a story made up by the twist of the mind. As plausible as it is, there is no evidence that this will all happen.

Second, the content of fear itself is not worth being feared, it is just a product of emotion. Again, it's just the result of a twist in the mind. Why is it fearful to beg? Why is it fearful to live on the streets?

Third, fear itself is not real. The fear of Yuan Changwen's character is just the presentation of the elements of the picture, what is the truth? And the consciousness that is aware of this content, the awareness of the elements of the picture, is the reality.

Fourth, I'm not real, and this thinking is not real. The whole picture element is not something other than me, such as fear, such as cars, family relationships, etc., I am also in the picture elements.

The so-called surrender, resignation, inaction, etc., is not to do nothing, but to act without a distorted state in the mind. It's like the ocean, a drop of water surrendering to the ocean is not standing there and then watching the ocean ripple. Rather, it fluctuates with the ocean.

My words, deeds, and thoughts are all part of the picture elements, flowing down the river together, and fluctuating harmoniously with the other picture elements, which may be the state after the killing is completed.

However, regardless of whether it fluctuates harmoniously or not, it cannot escape the presentation of these picture elements. Perhaps, the distortion of the presentation makes the whole picture ugly and weird, obviously it will be easy and natural to coordinate, but the distortion in the mind should be like that. However, it is still the presentation of picture elements.

This is fate, something that cannot be escaped. In other words, no one can be sure of fate, but what happens is fate.

Is it bad to have an ugly picture? Is it a mistake to have an ugly picture? Do you have to go downstream? Is it a mistake to go against the current?

No, right, there is no such thing at all. Thinking that going with the flow is a good thing, thinking that that relaxed natural state is a good thing, is just a personal preference, and it can't rise to the real level at all.

This kind of thinking is like thinking that good is good and evil is bad. It's all distorted, it's all personal preference, although the number of people who agree with it is relatively large.

And the word fate is still subtly misleading. It's as if everything has happened, albeit inevitably, but it has happened. Actually, I can't be sure of that at all, it's just the visual elements that I perceive at the moment.

The limitations of words, it is difficult to find a suitable word to describe without being limited by binary opposition. It's as if all the vocabulary is based on the distinction of roles, on the assumption that time passes linearly.

The real must exist, but I can't touch it, what could be more sad than that?

Yuan Changwen felt that if he wanted to touch the truth, he might have to lose this thinking. And this thinking can be said to be yourself. The body can be replaced, and as long as the brain is still there, it can be considered immortal. Even, the consciousness is still there, in a virtual world or a new brain, it will still be considered not dead.

And I, on the other hand, have to abandon this thinking?

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