Ning Xiupei is also going to the conservatory, which is now the base camp for entertaining these special listeners.

Qin Fangge's first concert was held at half past seven in the evening on January 31, and today is January 30th.

The invited music industry, all kinds of opera singers, musicians, critics, etc., should rush over, flying from Europe and America is quite far away, and there is a jet lag, of course, come early, rest well and listen to the concert again, for Qin Fangge, a performer, is also a kind of respect.

His concert is really noisy. On flights to Yanjing from Italy, Germany, Austria, France, and the United States, these invited classical music colleagues can meet acquaintances everywhere.

Of course, many people have been invited but simply don't want to come but don't attend, but there are many more who are willing to come and listen to it.

Qin Fangge's records and sheet music are sold in online stores, and several classical music works, especially the Goldberg Variations, are also highly acclaimed, and many people have only taken a dozen hours of flights to Yanjing to listen to live concerts for this work.

For these music colleagues, money is basically not a problem, and the first class of these flights is basically booked by them.

When Ning Xiupei and Xi Wanqing sent the invitation, they also recommended this set, they are all familiar with each other and have a very good relationship.

Booking air tickets and everything together, this long journey of more than ten hours will not be too boring. Qin Fangge released several records, almost one set per person, listen to it when he has nothing to do, and also deepen his understanding of his music.

His emergence really stunned these classical music peers. When most people first heard about it, they felt that it was a reality, and there had been no master of classical music in almost a hundred years.

Why, all of a sudden, and it appeared in China, a place that they used to think of as a musical desert.

Of course, this cannot be said now, after all, many people are still counting on China, a big market, and classical music is also in the ascendant here, and the key is also because of the improvement of China's economic level.

People began to pursue higher spiritual enjoyment. I can't eat enough food, the society is chaotic, and in a place like India, no matter how many people there are, it's useless, where do people have any leisure to make music.

Oh, that's not quite right, India is still quite famous for its song and dance, and Bollywood song and dance films are a must, but except for themselves.

Others are basically appreciative of incompetence. China is also an ancient country of art and culture, and its special folk music is also very tasteful.

Although many foreigners can't appreciate it, it will definitely not be regarded as the grandiose comic art of Indian Ahsan.

With the development of the economy, Chinese classical music and related talents have gradually entered the international stage.

Sometimes, just for the sake of diplomacy, these crooked nuts have to be listened to, and there are also many music and musical images that are welcomed and liked by them.

The number of people in China who go abroad to study classical music every year is also growing, and there are a bunch of young pianists like Zhou Jia and Su Yunfei.

There are also many classical instrumentalists among the Chinese, both cello and violin, but they are not only in appearance.

Actually, it's no different from a foreigner. Of course, in their bones, these people who engage in classical music are still very arrogant, and they also occupy the absolute main force in the entire base of classical music, and have proud capital and confidence.

Not to mention the Chinese. There are many cases of mutual disdain for each other, for example, the symphony orchestras in Vienna, who are dismissive of other orchestra players, and it is very difficult for others to enter their circle.

The annual Vienna New Year Concert is firmly occupied by the Strauss family. No matter how good other classical musicians are, they don't have the opportunity to participate in such a feast.

However, everyone is aware of the huge market for Chinese classical music, but some people are more reserved and high-minded, while others are more practical, and there are many performers and orchestras who come to China every year to tour and make money.

It can be said that as long as there is a little fame, the box office will not be bad. In contrast to this. These outstanding Chinese performers are also committed to gilding abroad first, even if it is cheap or their own money.

Like Zhou Jia and Su Yunfei, they are not bad, they often really cooperate with famous conductor symphony orchestras, and their own strength is relatively outstanding among the younger generation.

Other domestic orchestras or performers, singers or whatnot, as long as they go back to China to brag, perform in so-and-so, post a few photos, cooperate with so-and-so masters and get high praise or something, they can also mix well.

There are even cases where groups come to charter each other to support each other, and then return to China to fool around. Whether this is true or false, there are really a lot of famous Chinese performers and singers, plus those who have studied abroad and gilded experience, and even more abound.

But when it comes to composers, there are really only a handful. Not to mention classical music, in the pop music scene with a lower threshold, I haven't found much commendable.

Europe, the United States, Japan, South Korea, and China all have their own characteristics, but without exception, they all play classical music and look down on them.

In contrast, forms such as classical music, or serious music, are more likely to be ways for people to communicate with each other.

A lot of pop music, just listening to the prelude makes people play, and after hearing the song again, it is directly lost.

Compared to opera, I don't know how bad it is. Opera is also a type of serious music, and it is basically not comparable to singing and dancing like pop music.

Given the sheer scale of opera performances, the treatment of symphony orchestras and choirs as accompanists is not ordinarily good.

Although a symphony orchestra and choir can also be invited to a pop music concert, they cannot hide the gap between the realm and the level.

The pop music scene is like this, everyone looks at money, few people really have the heart to engage in music, and the quality of this music is also declining.

This situation is not only in China, but also in Europe, the United States and other places, everyone has become anxious for quick success, and there must be a steady stream of good music to have ghosts, but fortunately, now you can deal with it by frying cold rice or writing something casually.

As for serious music, in the past 100 years, not many people have created decent music. It seems that the music that I think can be written has been written by my predecessors.

In addition, composers are not easy to mix now, unlike musicians who have gained fame and fortune. When I was educated since I was a child, I basically aimed to be a performer, and there were so many excellent music from my predecessors, which was enough for those who came after me to learn it for a lifetime.

Of course. Not everyone has the talent to be a virtuoso. But the requirements for composing music are much higher than being a performer, and the musicians who have left their names in the world before are basically composers and performers.

A composer's performance skills can't be worse at worst. This can also be seen from the admission requirements of the composition department of Huaxia Conservatory of Music, at least you must be proficient in one instrument.

It is generally a piano, and they are required to play the piano at a high level. It is basically the same as the piano performance major of the piano department of the Conservatory of Music.

The composition department and the conducting department are the proudest in the conservatory, and they also have enough capital, although many composition departments may not be able to write any good works in this life, and after the conducting department goes out, it is also possible to change careers.

But if you want to talk about musical talent, it is definitely that these two departments are more comprehensive. Nowadays, there are advantages and disadvantages to the development of information, and the more music information people can receive, the more things they have to learn.

In fact, it is not as efficient as making music behind closed doors when it is more isolated. Because you don't have to think too much, you can have a lot of ** ideas.

So, these people are also wondering if Qin Fangge grew up in such an environment.

It is not unreasonable for them to think so, although the classical music learning of children in China is in full swing, but it is necessary to really talk about the level and degree of teaching.

After all, the development of Western music in the past few hundred years has been higher than that of China, and the popularization of classical music is not comparable to China.

And, most crucially, despite China's large population base, there are really few people who can really be called musicians.

About that. After research, some people have concluded that it may be related to the difference in talent between the East and the West, which can actually be seen from the difference between Chinese music and Western music.

Western music is more about structure, logic, texture, etc., for example, they are making music as if they were building a great building, and these buildings.

It's all made up of notes, brick by brick. The requirements for the structure are also high, otherwise it will be a mess.

In addition to the popularity of the piano as a form of playing, symphony orchestras also developed gradually.

The structure of the piano piece is complex enough, and the piano concerto, or even the symphony, the result is even more complicated, not only for the composer and performer, but also for the audience's ears to be very sensitive.

The Chinese are naturally more reserved, and the listener is more concerned about the melody, and the ear is inherently insensitive to changes in the structure of the music.

Not to mention these types of musical instruments in China, even the music scores are quite simple, although it is not simple to play, but it is this kind of inheritance that also makes traditional Chinese music destined to have a lot of faults, and it is far less intuitive and easy to preserve and circulate than Western music composed with songs.

This is not to say that Chinese music is not good, all have their own advantages and disadvantages, and modern Chinese music has absorbed many advantages of Western music, and has also formed a large-scale structure similar to Western symphony orchestras such as the Chinese Orchestra, and created a lot of national symphonies.

In terms of solo, the national instrument is a must, but in the ensemble, especially in the harmony of folk music, the theoretical knowledge of the system has not been summarized and widely recognized, and it is basically still in the stage of exploration.

It's not easy to put together so many unique instruments. In this regard, Qin Fangge has also done a lot of research, and has put in a lot of hard work, and also used Zuo Shuqin and their Jinse Huanian Orchestra to experiment, and the effect is quite good.

But these things, except for these people around them, other people don't know much, and wanting to get their approval is not something that can be done in a short time.

However, the music of the serious form of music in the West is different, and the development of Western music has been more than 400 years, and a complete set of theories has been formed, and countless great musicians have come and gone to create countless excellent musical works, which are widely known.

He uses such a serious musical structure and format

It is only natural that the "created" musical works will attract their attention. It's not that no one has suspected him of plagiarism, think about it, he is so old, what life experience can he have, and create such a profound and connotative musical work, but the key is that to accuse Qin Fangge of plagiarism, they have to find out the object of his plagiarism.

How can they find these people who have not been found for nearly a hundred years, the kind of composers who do not want to leave their names do not exist in everyone's fantasy.

It is said that a composer's musical works are like his own children, who wants his children to be adopted by others without raising them, and they can't find the object of Qin Fangge's plagiarism, the only reasonable explanation can only be attributed to Qin Fangge's musical genius.

Those music are gods or other gods or something, put it in his head, and he just takes it out.

In their opinion, this is not Qin Fangge's own incompetence, communicating with God is a special glorious thing.

There are really several great musicians in history who have been praised like this, Qin Fangge is not a special case for a long time, and this explanation can also make all composers feel at ease, otherwise, they have been engaged in creation for all these years, and they are like living to the body of a dog, those hard work and sweat, because there is no inspiration, all kinds of tossing are in vain, of course, if you want to judge whether these music are created by Qin Fangge, there is also a way, that is, to see his understanding of these music, and even playing.

Although his record has been released, and it is the same thing to listen to it, many people just don't give up until the Yellow River, and they haven't heard Qin Fang's live performance, and things can be suspicious.

In other words, these colleagues in the classical music industry are still reluctant to admit the fact that musical geniuses appear in China, and they are also finding reasons for themselves to comfort themselves by not being a genius like Qin Fangge.

Qin Fangge's first concert is the best opportunity to test whether his musical genius is worthy of his name.

In fact, a long time ago, someone proposed to listen to his live performance, but unfortunately they were far away every day, and they could barely hide from Qin Fangge, who was at home.

Now he took the initiative to jump out to hold a concert, and after countless peers received the invitation, they decided to come over as soon as possible, even if it was worth watching the liar performance.

To be continued. This book is from the product & book#net: bookht2121968indexht...