Lin Baoqing also laughed at Chen Tianhong, "Tianhong, this is not like you usually, you are so easy to be fooled!"

Teng Shuting said to her, "She's concerned about it, it's messy! Of course, the culprit is still Qin Fangge, it's getting worse and worse!"

Of course, the two accomplices of the Song Zixuan sisters are giggling and watching the excitement, with these lively and cheerful girls by nature, Qin Fangge will never worry that this life will be boring and monotonous.

Chen Tianhong also played tricks, taking the opportunity to occupy the position next to Qin Fangge and squeezing Song Zixuan's sisters away. These two girls don't care, they have a lot of ways to have fun. Zuo Shuqin also asked them about the progress of Chen Yushan's recording, and when it would be completed.

But Sister Song Zixuan is not sure, even Qin Fangge can't guarantee when it will be completed. After all, vocal music is not like instrumental music, many times it depends on the state of the singer, in the past, people recorded a record, and it took a year and a half to complete it.

Lin Baoqing also feels that there is no need to worry, it is best to be able to keep improving, Chen Yushan has nothing to do now, and it is good to practice more in the studio.

After the topic unconsciously shifted to Chen Yushan, she also reminded the girls to eat less dinner and maintain a slim figure. Qin Fangge is still the best taken care of, whether it is Lin Baoqing or Chen Tianhong, they are used to helping him pick up vegetables when they have nothing to do, and seeing that he eats happily is like they also eat.

After dinner, I went to classroom 201 to play first.

Xiao Yuran also planned to wait for Deng Hongmei to ask them to go over to practice the piano, and Zuo Shuqin organized the girls to practice the repertoire of going to the bar. This kind of music is really an entertainment activity after hard work for them.

They don't have to be so serious, and Teng Shuting, who has always been the most serious, also has a bright smile on her face.

Although Lin Baoqing and Xie Xiaojuan don't plan to move their musical instruments to perform on the stage, they will also join in the fun.

Zuo Shuqin is actually not too concerned about her own bar, at most she just went to see Zuo Mengfeng, if Qin was not singing, she herself would not be too lazy to perform on stage or something. After arriving at the bar, she didn't say anything about helping, and asked Zuo Mengfeng and other waiters and bartenders to serve her like a big lady, but she was beautiful and sweet, and everyone was happy.

After playing for a while, Xiao Yuran received a call from Deng Hongmei, saying that they had returned to the school's piano room. She also went to the piano room over there with Qin Fangge, she also liked the grand piano over there, and said that it felt good to play. Of course, if she wants to choose, she is still willing to be in the old teaching building, although the piano is almost there, but it is close to Lin Baoqing and them, and she can come down to their classroom to play for a while after practicing.

The two sisters, Song Zixuan and Song Zimo, couldn't talk about it, they stayed here as an audience, just now everyone played together, they learned vocal music, and they also joined in. Song Zimo also said that it was more fun than in the school choir, and Zuo Shuqin also asked them to go on stage together to play when the time came, and they could sing or something. The two sisters were still eager to try, but they were worried about Ning Xiupei's side.

Zuo Shuqin said that there must be no problem, the big deal is to let Lin Baoqing go out when the time comes, Ning Xiupei will definitely give her face as her future daughter-in-law. was laughed and scolded by Lin Baoqing again, but he also said that it was not a big problem, anyway, it was just playing, and it was good to go to KTV to play.

Qin Fangge would not force the two of them, Deng Hongmei was not surprised at all when she didn't see these two little girls, they could sit patiently that afternoon, which was already very unexpected to her.

In the evening, Xiao Yuran was instructed and trained, although the focus was different from Wu Hongqin, Wu Hongqin still listened very carefully.

Qin Fangge has always emphasized that details bring out true knowledge, even in the expression of emotions.

Of course, playing with passion is also a must.

In this regard, Deng Hongmei's experience is also very rich, at least, compared to Wu Hongqin and Xiao Yuran, I don't know where Gao Ming is.

Xiao Yuran, a girl, still likes romantic and beautiful piano music, too heavy or sad, she can only try her best to figure it out now. After all, there is not that much experience, in other words, it also requires talent. And the technical ones are particularly strong, and she can't handle them too well now, which takes time to accumulate. Even with Qin Fangge's help, it would be difficult for her to take a shortcut.

Wu Hongqin's performance in this area is much better, on the one hand, she has high talent, and she persists in practice every day, and she is not the kind of person who practices to death, and her learning ability and comprehension ability are quite high.

And Xiao Yuran's practice in piano performance techniques, whether it is Qin Fangge or Deng Hongmei, they all grasp her very tightly, and there are requirements and tasks at each stage. also said that there is pressure to be motivated, Deng Hongmei also recalled the past, saying that at that time, she did not have such good conditions as them, and basically had to rely on herself to motivate them.

After the routine guidance of Xiao Yuran came to an end, Deng Hongmei also asked Qin Fangge to play the piano music of the unique Chinese style he had prepared, knowing that he must have prepared it, even if it was adapted from folk music, it would be good.

Qin Fangge didn't think about hiding it, and said thank you to Xiao Yuran who got up and asked him to sit on the piano, she was very excited and happy, and asked excitedly what the track was.

But Qin Fangge pretended to be cool and didn't answer, and Deng Hongmei still glared at Xiao Yuran.

Xiao Yuran quickly shut up, and after thinking about it, he realized and nodded.

Wu Hongqin next to her sat firmly on the Diaoyutai, she guessed Qin Fangge's thoughts early on, and the DV and voice recorder also faithfully recorded every move in the piano room.

When Qin Fangge sat in front of the piano, he was also very serious, and in Xiao Yuran's opinion, it was also his most handsome moment. He has always been very serious about music and art, even if he is relaxed, he will definitely not look frivolous, this is a matter of attitude, especially when there is a top piano professor like Deng Hongmei next to him.

After a little bit of deliberation, he began to play.

As soon as it came, it brought a different feeling to several people in the piano room.

Unlike his previous more Westernized piano pieces, this piece is very distinctive in terms of melody, harmony, tonality and rhythmic color, and it is also the pentatonic of traditional Chinese folk music.

The structure is simple, it is a typical three-part form, and the length of the whole piece is not particularly long.

But the lines are fresh and smooth, and it is a two-part polyphonic melody that echoes the response.

Deng Hongmei and Wu Hongqin didn't speak, they just listened quietly.

And Qin Fangge's piano sound is like showing them the scene of the shepherd boy grazing, playing the flute, playing, and returning home.

When he plays, he uses the piano to simulate the sound of the flute, which can also be said to be fake.

Wu Hongqin and Xiao Yuran have shallow experience, and their ability to analyze music is not so strong, so they will just listen quietly and feel the excitement and beauty of it. Needless to say, Deng Hongmei will definitely have to test them later, and if she doesn't even know what to play, she will definitely be scolded.

And Deng Hongmei herself, when she listened, she unconsciously analyzed.

In the display section, Qin Fangge adopts the traditional folk dance style, the rhythm and melody are more cheerful, and the image of an innocent shepherd boy riding on the back of a cow and playing the flute leisurely jumps on the page. Such a scene can easily make people can't help but think of the "Piccolo of the Shepherd Boy" that many painters have.

It also makes her feel like walking into a beautiful nature and enjoying the magic and beauty of nature.

In the middle section of the work, the warm and bright rhythm forms a strong contrast with the display section, so that people can vaguely see two shepherd boys chasing and playing on Qianmo in the replacement of the harmonic interval with the pentatonic pattern as the main body, and appreciate a strong local atmosphere full of freshness and elegance.

Finally, the reproduction section of the work adopts the flowering variation technique of the flute, a traditional musical instrument in China, and vividly reproduces the scene of the shepherd boy after playing with a graceful and dynamic melody, making people seem to see the playboy gradually disappear with the melodious melody after playing, giving people a feeling of endless aftertaste and lingering sound.

Although Qin Fangge did not practice the piano hard every day, whether it was Deng Hongmei or Wu Hongqin and Xiao Yuran, they could clearly feel that his current piano performance level was still improving.

In the two and a half minutes of wonderful performance, the exquisite composition is a very important factor, however, without the world's highest level of performance, there can be no such immersive musical expression and shock.

Xiao Yuran will also learn to be smart, so he didn't speak, waiting for Deng Hongmei to come first. She tasted it first, and then said, "This kind of music is really amazing! Only a genius like Qin Fangge can create it and play it so intoxicatingly." Interpret and depict a perfect Chinese pastoral style. With the sunset and water town as the background, the bull riding and horizontal blowing are the moods, and the shepherd boy, the old cow, and the dusk are seamlessly connected, presenting a pale color of the Chinese rural landscape painting. Fresh, natural and distinctive. ”

Qin Fangge naturally wants to be modest, but this is not actually his own original work, but a modern Chinese piano piece composed by He Luting in the context of new culture, which portrays Chinese pastoral music that is completely different from the Western style, and has achieved perfect unity in terms of nationality and world.

Of course, the deeper background, the rumbling of guns and smoke, is impossible to show here. When Qin Fangge was playing, he didn't add these factors.

This does not prevent this work from becoming a classic, and it is, indeed, loved by the masses of people since it came out. Not only Chinese pianists love to play, but also pianists from other countries also use it as a regular repertoire, showing the mysterious and elegant oriental style.

The scene of the shepherd boy leisurely herding cattle, playing the piccolo, and playing to his heart's content can indeed only be found in China, and if it is placed in Europe or the Americas, it is obvious that the style of painting does not match.

After Deng Hongmei spoke, Wu Hongqin and Xiao Yuran said their feelings.

When they listened carefully, they observed it even more carefully, and they also saw Qin Fangge's performance on each movement very clearly. Of course, it is impossible for them to write it down once, but fortunately, there is a DV that faithfully records the picture.

"Although I have never let go of cattle and rarely go to the countryside, I can still imagine the leisurely picture of the shepherd boy playing the flute when I hear such beautiful music. Wu Hongqin also said with great feelings.

Xiao Yuran is slightly better than her, she often mixes with the Jinse Huanian Orchestra, and listens to Xiao Jingru playing the flute more, in traditional folk music, the shepherd boy piccolo, Jiangnan Water Town, is also the most often performed picture. Qin Fangge's choice of such a theme, not to mention any advantage, is indeed very good in terms of expressing Chinese characteristics.

Of course, if it is expressed with national musical instruments, it will be more and more exciting. He has written so much folk music that he is already familiar with it. "Liang Zhu", "Pipa Xing", and "Spring River Flower Moonlight Night" are all typical representatives.

Come up with a name or something, of course, it's still up to Qin Fangge himself. When he said the shepherd boy piccolo, it also made Deng Hongmei and the others settle down immediately.

Seeing that the time was not early, Qin Fangge didn't want to waste time, and soon brewed the next song.

Xiao Yuran learned to be obedient, and he was also concentrating and always ready.

This piece of music, composed in the Chinese pentatonic scale, is simple and simple, but the lines are smooth and lyrical. Compared with the previous Shepherd Boy Piccolo, the image of this music is less prominent and obvious, but it is still traceable. Especially with such a super high performance bonus as Qin Fangge.

It is also a three-part work, but Qin Fangge has done a lot of writing on the vocal parts, making them sound like several instruments playing together. The beautiful and pleasant melody also makes people let go of their knots after listening to it, and feel the leisurely and unhurried emotion.

When Xiao Yuran was listening, he was even thinking that if it was Lin Baoqing's folk music ensemble, it would be particularly beautiful.

The second part is an extension of the lyricism of the first part, and there is no special conflict, there is just harmony, joy, and a feeling of unity between heaven, earth and man. The musical ideas, like the emotions of the performers, develop freely and naturally.

The final reproduction becomes dynamic and is also the essence of the whole piece. If it is a folk music ensemble, it is a mutual response, chasing, and frolicking between various instruments. Now the piano used by Qin Fangge is replaced by a different voice, and the difficulty of this performance is naturally even higher. In order to show such a Chinese style, if Qin Fangge composes piano music, he can only work hard in these aspects, showing a beautiful picture full of interest and colorful clouds chasing the moon.

This will, Deng Hongmei asked the two of them to talk first, Xiao Yuran and Wu Hongqin can only bite the bullet, in fact, Xiao Yuran is slightly better, following Lin Baoqing and them, she has more contact with folk music, which is a typical folk music style. Wu Hongqin was more distressed, Deng Hongmei asked her to just say it directly, and what she heard was what she heard.