Deng Hongmei said this, Wu Hongqin can only speak according to what she has just heard and thought,

"The night is beautiful and enchanting, the night sky is vast, the moonlight is shining, and it is as cold as water. Please search for products & books to see the most complete and fastest update under the faint and faint night, the stars are dotted, the clouds and the moon are chasing, and they contrast with each other. The whole piece sounds calm, relaxed, and a little vibrant and lively, with a bit of mystery. Then Deng Hongmei turned her gaze to Xiao Yuran, and the girl brewed and said,

"I also feel that under the beautiful and vast night sky, the moon and the clouds are very dynamic, just like in the last movement, the clouds chase the moon. The octave in the left hand serves as the melody, and the pentatonic scale in the right hand serves as a flattering effect, and with its parts, it feels like they are playing with each other. After the two of them had expressed their opinions, Deng Hongmei said what she felt.

After all, she has rich experience, and in the appreciation of piano music, she is obviously several grades higher than the two students.

"You have to pay attention to the tone of the whole piece, what color the moon is, what the clouds look like, and a little bit of starlight, a slight breeze. Qin Fangge has reached an unprecedented level in expressing the colorful colors of the timbre, if you can't hear it, so many piano pieces have been practiced in vain, the melody and harmony of the left and right hands, the strength used when playing, and the use of pedals are particularly noteworthy. In the past, you didn't practice much Chinese piano music, but now it's time to practice again, and in the future, you can participate in concerts, and of course the more such repertoire, the better. "Deng Hongmei explained a lot of places,

"I don't think you will think this kind of music is very simple anymore," Wu Hongqin and the two nodded hurriedly, and Xiao Yuran also said,

"If we hadn't seen him play, we would have thought it was not difficult, but today we have gained a lot of knowledge and appreciated the beauty and wonder of our Chinese-style piano music. ”

"Yes, these two piano pieces may sound relatively simple, but imagine that Mr. Qin can play them like this. It's really not easy. But we are fortunate and confident that we can connect them well. Wu Hongqin also hurriedly said.

"That is, if you still don't practice well, don't say it's our students when you go out in the future," Deng Hongmei said, and she also put an end to the matter for the time being.

Turning his head and asking Qin Fangge,

"Are there any other Chinese piano songs?" Qin Fangge nodded,

"I also prepared a song," Deng Hongmei asked him to play together. Give Xiao Yuran and them a good lesson.

Xiao Yuran also took the opportunity to ask him what the name of the previous song was.

"Caiyun chasing the moon," Qin Fangge replied. Then I started to prepare for the next performance.

"This piece is a little longer" Xiao Yuran grinned happily softly, which showed that their appreciation ability was still no problem, as for the length of the piece, the longer the better.

She also felt that the first two pieces of Shepherd Boy Picco and Caiyun Chasing the Moon were too short, Wu Hongqin also had a similar expression, her obsession with the piano was better than Xiao Yuran, and she couldn't wait to practice any good piano music.

Deng Hongmei paid attention to Qin Fangge's performance, when he sat in front of the piano. It's all about putting your heart and soul into it, and this will be no exception.

He said that the piece was a little long, and you could hear it from the previous introduction. And this introduction also made them feel a little familiar, Deng Hongmei, who has a lot of experience, didn't say anything, and quickly judged that this was the tune of the three lanes of plum blossoms.

Xiao Yuran followed Lin Baoqing and Xiao Jingru for a long time. I often hear them play this classic classical music on various instruments such as guqin, flute, pipa, etc.

Qin Fangge's adaptation of such classical music is actually very difficult, and if it is not handled well, it will be scolded as ruining the classics.

But he didn't feel any pressure on himself, at least. In Xiao Yuran, they heard like this. Wu Hongqin's reaction was a little slower, but she still quickly understood the essence of it.

There are many versions of the three lanes of plum blossoms, since the beginning of the Ming Dynasty Zhu Quan's magical secret score has been passed on, there have been countless pianists who have continued to inherit and transform and play, and have also derived different scores and performance styles, and it is the same now, different inheritance.

The music score style of the three lanes of plum blossoms is also different. Qin Fangge, on the other hand, is an adaptation based on a magical secret score, a kind of classical Chinese music with a poetic title for each passage, which not only provides a basis for the guqin player to solve the problem, but also provides the performer with an artistic psychological prototype.

Of course, when it comes to the specific schools and even the specific performers, there are great differences. The ten passages in the magical secret score are: the night moon in the mountains and streams, the first lane calls the moon, and the sound enters the Taixia, the second lane pierces the clouds, rises into the clouds, and the blue bird cries the soul, the third lane crosses the river, the long sigh across the river, the sound of the jade flute, and the wind Geyu, the sound of the iron flute, and the wind swings the plum blossoms, and the desire to stop.

This version of the plum blossom three lanes played by Qin Fangge is based on this, but it is not confined to this, and each section and each sentence of the qin song has been inherited and modified accordingly, and then expressed with different pitches and textures of the piano.

However, the main key, cyclic style, double theme, interlude, introduction, epilogue and other paragraph structures of the original piece have not been changed, which also makes the whole piece very similar to the style of Chinese classical music in terms of content expression and artistic conception.

Plum blossom has always been the theme praised by poets and literati in Chinese history, and it is also one of the spiritual symbols of the Chinese nation.

And the poems praising plum blossoms are countless, Wang Anshi Yongmei,

"There are a few plums in the corner, and Ling Han opens it alone. I know that it is not snow, but there is a dark fragrance. "Lu Youbu operator Yongmei has,

"I have no intention of fighting for spring, and I am jealous. Scattered into mud and dust, only fragrant as before. "As the plum blossom with the highest temperament in the flower, it is quiet and vulgar, and it is loved by everyone.

As for the later ** fortune operator Yongmei, the character of the plum blossom has been pushed to a new height.

"The wind and rain send spring back, and the snow welcomes spring. It is already a cliff with a hundred feet of ice, and there are still flowers and branches. Pretty doesn't compete for spring, only reports spring. When the mountains were full of flowers, she laughed in the bushes. He is in this plum blossom three lanes, it clearly shows the proud temperament and vast momentum of plum blossoms.

The piano is known as the king of musical instruments, and the rich expressiveness is also the main factor why Qin Fangge likes it. He can express the scene of heavy snow through the ever-changing structure of the song.

The theme is interspersed repeatedly, firm and persistent, steady and proud, like plum blossoms in the snow, facing the wind and snow, proudly blooming, and a pretty and colorful musical image.

He is now in the style of folk music. The research is also very in-depth, which can be reflected in the folk music created for Lin Baoqing and them before.

At the moment, it's just a piano performance. The harmony of folk music can best reflect the unique style.

He groped all the way and had his own insights and characteristics. Qin Fangge is used in such a piece of music.

It is basically based on the Chinese national pentatonic scale, and the three tones are often omitted from the chords. The formation of a fifth interval or the addition of a second or fourth interval gives people a feeling of high and air, showing the plum blossom is not afraid of the cold, and the quality of the pride is proud.

The parallel fourths are then used in double tones, an octave of eighth notes and fourths one octave higher than the theme, to depict a beautiful scene of snowflakes falling one by one.

By the second appearance, a sixteenth note fourth interval two octaves higher than the theme is used, showing that the snow is falling heavier and heavier.

It is getting denser and denser, and the plum blossoms are still not afraid of the cold wind and snow, and they are in full bloom. This kind of harmony, with the addition of a bass parallel octave, produces a deep but ethereal effect, coupled with the use of second intervals, dissonant major seconds such as harmonies commonly used in folk music.

makes the whole piece full of strong Chinese style. The use of the second second tone at the end of the piece gives people the feeling that the aftermath is lingering and unfinished.

In addition, it is the texture of the piano, and the multi-part piano texture of Qin Fangge is in the first two pieces.

All of them have been vividly embodied. In this larger and longer plum blossom three lanes, almost all the texture forms are used.

Whether it's an octave ornament in the lower register, which brings a feeling of emptiness and depth, or a transitional broken chord, which makes people feel as if they see plum blossom petals falling slowly, a romantic and beautiful scene, or a broken flow in the upper register, which sets off the melody clearly and smoothly.

It shows the white and fragrant artistic image of plum blossoms, fresh and beautiful; there are column chords, giving people a quiet and stable feeling, just like the character of plum blossoms, and they do not compete for spring; the fourth-degree interval column chords in the middle range, under the crystal clear accompaniment of the treble area, show the slim and elegant posture of plum blossoms, and the extraordinary posture of all kinds of wonders and wonders, Deng Hongmei feels the deepest, although she knows that Qin Fangge is a rare musical genius for a long time, but she will still be shocked by him from time to time.

His whimsical ideas are unbridled, making her seem to see another vast world of music.

And this kind of music world is only what Qin Fangge has just revealed, and what is unknown to everyone does not know how vast it is.

After the adaptation of Qin Fangge, a traditional classical music plum blossom three lanes, adding modern composition theories and techniques, interpreting richer content and deeper artistic connotation than before.

At this point, Deng Hongmei wants to praise Qin Fangge, and feels that he has truly inherited and developed.

And national music also needs to keep pace with the times, otherwise without the audience abandoning it, music without vitality will naturally be eliminated by history.

In fact, China's national classical music has also been slowly integrated and developed, and many musical instruments, such as the erhu pipa, have been transmitted from other ethnic groups, and finally become a part of our Chinese civilization.

This is just like everything else. Qin Fangge has done a better job, he is not conformist, he is not complacent, he is also brave in innovation, creating and developing national music in the new era.

He didn't shout any slogans, nor did he brag, he used practical actions and works to speak, which is also what Deng Hongmei admires most about him.

At the end of the song, Wu Hongqin and Xiao Yuran were so drunk when they heard it. felt the noble and proud image of the plum blossom in the music, in Xiao Yuran's mind, it was like a portrayal of Qin Fangge herself, and she herself was not qualified.

The wind and snow, frost and cold bones, are so similar to the current materialistic environment. And he, guarding his own ideals, quietly doing his own thing, not publicizing but not afraid, not following the crowd, and not leaving the world isolated.

"After you transplanted our Chinese classical music to the piano, it feels like opening the door to another world, bringing a new realm and artistic ideas" Xiao Yuran will not hesitate to praise her, which is also what she said.

Wu Hongqin also smiled and said,

"I think this kind of artistic style should be particularly popular with the audience, after all, it is always the style of Western music, and if you listen to it too much, it will not be fresh" Deng Hongmei even praised his efforts and contributions to the modernization of national music, that is, the use of the piano to express his efforts.

"I am standing on the shoulders of giants, and with the hard work and arduous exploration of my predecessors, I have avoided many detours and can directly inherit their achievements, so that I have the success of a latecomer. Qin Fangge himself is quite modest, and this is indeed his true words.

The shepherd boy piccolo is He Luting's masterpiece, Caiyun chasing the moon was originally made into a national string work by Ren Guang, and the plum blossom three lanes are the efforts and summaries of the predecessors, and he adapted it on this basis.

He would never deny this, and his own ability alone was quite limited.

"To be able to inherit and carry forward is quite a brilliant achievement for so many people engaged in art, and I haven't seen a few people who can achieve your level. Deng Hongmei said with a smile,

"We were born in such an era, and once we have such good conditions, of course, we must make good use of them. The inheritance of art and music is definitely inseparable. Wu Hongqin and Xiao Yuran also nodded in agreement, which also means that they have more new fun in their practice career.

At this time, they don't regard this as suffering, if they can practice well, their hearts must be full of a sense of achievement.

In any case, they have not forgotten the fact that they are Chinese, and being able to play their own national music on the piano can especially inspire pride and pride in their hearts.

As for the music score, Qin Fangge said that he would send it to them when he went back. Deng Hongmei also plans to do careful analysis and research after getting the score, and she also knows that when the time comes, there will definitely be much more things that can be unearthed than they think now.

And Qin Fangge's concert has such a few Chinese-style piano pieces, which is enough. Even follow the order in which he is playing today, from simple to complex, step by step.

At the end, Qin Fangge's elaborate masterpiece and Lin Baoqing's Spring River Flower Moon Night will be staged, which can better represent pure Chinese classical music.

To be continued. This book is from the product & book#net: bookht2121968indexht...