Qin Fangge's genius and magic lies in his ability to turn decay into magic, and in Lin Baoqing's orchestra, ordinary conservatory students account for more than half. _> _ Yawen_Bar> w'w-w·.-y=a'Yu Xiaoxia is the most typical representative, but with the concerted performance of a group of sisters, her interpretation of the very Cantonese style "Rain Hitting Basho" brings everyone a very fresh experience through vivid music.

Hearing this, Bai Xueni dared to say loudly, "If this is not folk music, then there is no music that can be called folk music!"

She is even thinking that if she takes apart this section of music and re-creates it to make a more complete musical work, it is actually promising.

If you want to change to another composer, you must do it without hesitation!

Long Fujin and Wu Yifen, two professors of the Department of Composition, also came up with the feeling of "Qin Fangge is talented and capricious!".

Qin Fangge is very good at grasping the rhythm, and he cherishes the time like gold. didn't give the audience time to think carefully at all, so he moved from "Rain Hitting Basho" to the next scene.

When Pan Lina's drum kit is the protagonist, it is simply dynamic and fashionable, and the drum sound is very rhythmic and rhythmic, and even makes many people's bodies involuntarily move with it.

Of course, the sound of the drums alone is certainly not enough, it is too monotonous and tasteless, and it is indispensable to cooperate with other instruments.

The focus of everyone's attention shifted from Yu Xiaoxia to Pan Linna in front of the drum kit. She has a beautiful face, fair skin, and is very tall, but even in winter, her flat body is exposed. Of course, the benefits are also great, she can wave her arms wantonly, throwing out fiery enthusiasm and sweat, without worrying about all kinds of female problems caused by gravity.

Needless to say, Pan Lina's personality is extraordinarily lively and cheerful, and her motivation for Qin Fangge is what she has just performed, which is quite dynamic and lively, and fashionable. The lively rhythm melody brought up by the drum kit, the wonderful and compact rhythm, under the concerted play of other ethnic instruments, gradually condensed, layered, and finally burst out in a concentrated manner, ushering in another high of the whole piece. Tide.

After the lively and jubilant craze brought by the drum kit, Wang Zizi's Zhongruan stood up again and sang the leading role. Her voice is charming and moving, just like herself, no matter where she goes, she is destined to be the focus of attention.

The theme of Wang Zizi's song to Qin is also warm and lively, which is the same as her own character. She and Chen Tianhong, Pan Linna, Huang Jing and a few noisy guys, not only Qin Fangge and the teachers have a deep experience, but those who are a little familiar with their orchestra are very clear about this.

Zhongruan's appearance is very beautiful, round and charming, and when the girl is held in her arms, it feels even more obvious. Wang Zizi's Zhongruan, made by a famous artist, has a demure, soft, very poetic tone, and when played, it adds a bit of charm and moving posture to her.

Wang Zizi likes a lively, relaxed, pleasant and moving type, and when Qin Fangge was creating, she also fulfilled her wish. >_Ya_文吧 w-w·w'.-y=a'w-e·But I didn't forget to show that while she was lively and cheerful, she showed another elegant and noble side, and what was hidden deeper, her independence, strength and bravery. This point is also quite admired after Qin Fangge has a deeper understanding of her.

In fact, when Wang Zizi sat there quietly and played, most people couldn't imagine what kind of character she would have and what kind of experience she had in the past.

Wang Zizi's parents also came to the scene today and sat down to watch her performance. They were quite guilty before, because their abilities were limited, and they even once put the burden of the family on their daughter, making her bear the pressure and burden that she should not bear at her age.

Optimistic, strong, brave, beautiful, refined, and passionate...... This is Wang Zizi in Qin Fangge's eyes, although she usually loves stinky beauty and is a bit of a middle two, but her character can't be covered up.

On such a stage, it is possible to appear on TV in the future, Wang Zizi cherishes such an opportunity, and plays her own gorgeous music with her beloved Ruan in her hand. She has a wealth of performance experience, and when she was working outside, she played in public, and Qin Fangge is not like this today, so she doesn't have to be nervous.

Her musical talent and musicality are outstanding, and she is proud of it herself, and she surpasses her looks. usually practices very hard, in fact, with her appearance, no matter how bad her level is, everyone will applaud warmly. However, she has high requirements for herself, and she doesn't want to be treated as a vase-like character.

Other good sisters are also infected by her strong optimism and other emotions, and try their best to help her realize her dreams, and the music played by the sisters together is as beautiful as ever. Of course, he did not forget, echoing the whole work, through various foreshadowing, propulsion, maneuver, contrast and other techniques, once again formed a small **.

Wang Zizi sings the protagonist's movement, which is both pleasing to the eye and pleasing to the ear, so that many viewers don't know whether to listen or watch. The women are a little better, and the boys make up the vast majority of the bewildered audience. But the emotions expressed in her Ruan Sheng can be directly transmitted to the hearts of the audience, even people who are not so sensitive to music can feel it.

By the time Huang Jing became the protagonist, the high beard in her hand pushed the atmosphere that Wang Zizi had just brought back to a new high point as soon as she came.

When her parents were present, Huang Jing showed her exquisite performance skills to thank her parents and thank them for their years of education and teaching.

At the beginning, Huang Jing was the first person to be Qin Fangge's teacher and teach other folk musical instruments. At the same time, he is also the most active person who gives his own motivation to Qin Fangge. Now that she plays the high hu, and occupies the natural advantage of high notes, Huang Jing can show off her erhu playing skills to the fullest, which is very in line with her personality.

Qin Wanyi, who is also a student of Huqin, also has a heartfelt sense of powerlessness when facing Huang Jing's bold skills. Yawen 8> w-w'w=.-y'a·w=e=n-8=.·c'o-m Qian Shuyuan is already powerful enough, this beauty mole senior sister, what are you going to make trouble about?

When Qin Fangge composed this Gaohu concerto for her, at her request, he especially added a high degree of difficulty to it. Even for a talented person like Huang Jing, it can be regarded as a challenge, but she is not afraid, but bravely rises to the challenge. When Qin Fangge was creating, he didn't think about really stumping her, but helped her keep improving and challenge her limits. So far, it seems that both have achieved their goals.

Xiao Mingshan's eyes didn't blink, staring at the stage.

In this movement of the Gao Hu Concerto, there are countless possibilities, and all kinds of wonderful musical ideas, like a big sale, make people dizzy and dazzling.

Qin Fangge's requirements are also quite high, and he wants Huang Jing to show some deeper things when he keeps his performance high. She is also working towards her goal in this area, constantly practicing, and making progress one after another.

Xiao Mingshan is proud of her, and Professor Gong Jingyu also applauds her from the bottom of his heart, compared to the New Year's Day concert, this month's practice, Huang Jing's level has improved a lot. She is not just showing off, and her playing style has become more mature.

Of course, the cooperation with the rest of the orchestra has become more tacit.

This Gao Hu Concerto is also the most gorgeous, wonderful and colorful part of the whole piece. The pitch is also constantly rising. Not only does Huang Jing like this feeling, but the new and old audiences under the stage also cheer for her in their hearts. And Huang Jing also lived up to expectations, leading the sisters to climb one peak after another, and they were one step closer to the ideal peak.

After the bustle and prosperity, Teng Shuting's keyboard made a grand appearance as the protagonist, opening another chapter of music.

And her keyboard is here, and the task she undertakes is to connect the past and the future, and play an excessive role. In this paragraph, the keyboard is still a well-deserved protagonist, using the rich timbre of the keyboard to lead the sisters, all the way to the wild, completely high, staged a drama of degree and passion.

This piece of music is also very exciting, and the expressiveness of the keyboard is particularly rich, and she alone can make the effect of a symphony orchestra. And then there is the concerto of the instruments in the hands of the other sisters, everyone releases their passions to the fullest, and the release after the suppression is even more exciting.

They themselves are particularly invested on the stage, and what they bring to the audience off the stage is a more powerful shock.

Summing up the lessons of the last performance, the high-pitched and loud suona on Ye Xiuling's lips sounded at the right time, with joy and festivity, as if with the expectations and hopes in the hearts of Ye Haocheng and Feng Yumei, they spread their wings and flew high together.

It is difficult for the audience to imagine how Ye Xiuling's petite and delicate body contains this endless energy.

The suona sound is high-pitched and loud, but it is just soft and melodious, which makes people worry about whether she can catch her breath.

It turned out that these worries were unnecessary, the old audience was not in a hurry, and the doubts of the new audience were quickly dispelled.

Ye Xiuling's motivation for Qin Fang's song is to miss her hometown, and the movement of this suona concerto also highlights the customs and customs of the Loess Plateau in northern Shaanxi.

Qin Fangge fully used his imagination and carried out artistic processing, missing his hometown, everything is very beautiful.

The hard rehearsal again and again, coupled with Ye Xiuling's heartfelt performance, brought the audience and the teachers and parents upstairs, the shock from the soul was incomparable. Girls' minds are inherently more delicate, and when dealing with such a common homesickness in human hearts, it can especially resonate.

Revert to one 's origin.

The melodious and tactful sound of suona, like a fluttering leaf, carries full of homesickness, drifts with the wind, and finally sinks into everyone's heart.

Feng Lulu's erhu motive for Qin Fangge is related to family affection, and the erhu close to the human voice has a special advantage when expressing such emotions, with a tear-jerking effect, if the erhu is called second, it is difficult for other musical instruments to be called first.

Sincere emotions, attentive performances, and personal feelings, parents are offstage, and under the superposition of many factors, Feng Lulu's swing can be said to be perfect to the extreme.

And in this movement, the emotions only accumulate, and the explosion after it is kept.

Feng Lulu's erhu is followed by Li Ruoli's sheng singing protagonist, just like her person, beautiful and elegant, crystal clear.

Her motivation for Qin Fangge is also to hope that the sisters will be harmonious for a long time, which is also very in line with Sheng's and her own characteristics.

Qin Fangge also created with such a motive, which is also completely the structure of classical music, and the musical image in it is also like Li Ruoli, a delicate and shy girl, with the smell of books. Such a girl, no matter where she goes, is worthy of love and care.

In terms of melody, Qin Fangge will naturally not be lazy, and he has always maintained a high level.

This can be judged from the fact that under the stage, even if they don't know much about music, Qin Fangge's grandparents and grandparents can listen to it with relish.

And Li Ruoli on the stage played this beautiful and moving, gentle and lovely melody. The harmony of the other instruments, one by one, is like the care and love of her sisters, which is also a sincere emotion, and anyone will do the same.

The new and old audiences can tell when they play that the musical image is the girl playing the sheng.

Ning Yuanjing and Qin Fang could both hear that this girl with a delicate temperament, a delicate body, and the most kind and beautiful soul was Li Ruoli who was playing the sheng on the stage.

Among them, the strong attachment and sisterhood also infected the audience through music.

After that, Zuo Shuqin's guitar selflessly played the role of connecting the past and the future, and of course, it was indispensable for beautiful melodies and brilliant brilliance. With her foreshadowing, Han Wei's double bass will not be so abrupt when she appears. However, this girl's motives for Qin Fangge are all sad and decadent, a sentimental aesthetic.

But everyone who engages in art seems to like this kind of tone, tragedy or something, destroying beauty in front of everyone, it seems to be quite popular with the audience. Perhaps, there is an inherent tendency in human nature to self-destructive?

As her name suggests, Song Xian is particularly demure and peaceful, and for her, the guzheng is the vast majority of life and learning, and then it is to read and think.

Her motivation is to think about life and the future, which seems to be a particularly difficult philosophical question to solve.

Fortunately, Qin Fangge's experience is complicated, and he can give some answers to such a situation. Of course, it is impossible to answer the question completely, and everyone's standards are different.

Even so, his understanding is much deeper than that of Song Xian.

In the eyes of the audience, it also seems very profound, but all of this is packaged in a delicate, elegant, and beautiful melody, just listening to it once or twice, it is difficult to understand all the emotions behind it, even if Song Xian's guzheng performance level is already quite good, and the cooperation with the sisters is also very good.

After Song Xian, it was Kanako's Gehu. She gives a little bit of Kyoto, Japan to her motivation.

Li Junhao felt very touched when he heard it, Qin Fangge can be called a musical genius.

Qin Wanyi listened to it under the stage, and felt that it was a historical drama with the ups and downs of the erhu exhibition in Japan. Whether it's the girls performing on the stage or the audience off the stage, they all buy it.

The final finale was handed over to Lin Baoqing to complete.

Lin Baoqing's folk music skills and performance level are the highest among the girls. And she has lofty ambitions, and her motivation is particularly lofty, the inheritance and exhibition of national music, which is also her long-standing ideal.

These ideals and feelings are hidden under the melody that sounds particularly gorgeous and beautiful, and is also particularly attractive.

When Lin Baoqing played, he lifted his weight like flowing water, and the ancient rhyme was leisurely.

Beginning with Si and returning to Si.

Lin Baoqing performed a perfect start and a perfect ending, and the guqin put on an ancient coat for the whole music.

So far, the whole concert has come to a successful end.